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393 sheet music found Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano
Jacques Leguerney: Sept Poèmes de François Maynard for medium voice and piano # Medium voice, Piano # INTERMEDIATE/ADVANCED # Contemporary # Jacques Leguerney # Jacques Leguerney: Sept Poème # Musik Fabrik Music Publishing # SheetMusicPlus
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fa...(+)
Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â? Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ? and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, arranged for Voice and Piano (F sh
BONONCINI Giovanni: Pieta, mio caro bene, aria from the serenata, - Voice and Piano (F sh # Medium voice, Piano # INTERMEDIATE # Classical # Giovanni BONONCINI # Sergei PICHUGIN # BONONCINI Giovanni: Pieta, mio # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868715 Composed by Giovanni BONONCINI (1670 â?? 1747). Arranged by Sergei PICHUGIN. Baroque...(+)
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868715 Composed by Giovanni BONONCINI (1670 â?? 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 5 pages. Really Good Music, LLC. #4405112. Published by Really Good Music, LLC. (A0.868715). Pieta, mio caro bene is an aria from serenata Lâ??Euleo festeggiante nel ritorno dâ??Alessandro Magno dallâ??Indie (1699), composed by Giovanni BONONCINI (1670 â?? 1747). It was realized from the manuscript and edited for voice and piano by Sergei Pichugin. Although being intended by composer for a tenor part, the aria is traditionally quite often performed by female voices. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F sharp minor (B2 â?? D#4/B3 â?? D#5) for low voice. . CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, arranged for Voice and Piano (F majo
CAVALLI Francesco: Cara sè tù sapessi, aria from the cantata, - Voice and Piano (F majo # Medium voice, Piano # EASY # Francesco CAVALLI # Sergei PICHUGIN # CAVALLI Francesco: Cara sè t # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868778 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...(+)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868778 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580895. Published by Really Good Music, LLC. (A0.868778). Cara sè tù sapessi is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F major (C4 – D5) for low voice. CARISSIMI, Giacomo: La mia fede, canzonetta for Voice (Alto/Baritone) and Piano (D minor)
CARISSIMI, Giacomo: La mia fede, canzonetta for Voice (Alto/Baritone) and Piano (D minor) # Medium voice, Piano # INTERMEDIATE # Giacomo CARISSIMI # Sergei PICHUGIN # CARISSIMI, Giacomo: La mia fed # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868635 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baro...(+)
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868635 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4365820. Published by Really Good Music, LLC. (A0.868635). The canzonetta La mia fede was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into D minor (C#4 – Eb5). . CAVALLI Francesco: Tengo un lampo di speme, aria from the cantata, arranged for Voice and Piano (G m
CAVALLI Francesco: Tengo un lampo di speme, aria from the cantata, - Voice and Piano (G m # Medium voice, Piano # EASY # Francesco CAVALLI # Sergei PICHUGIN # CAVALLI Francesco: Tengo un la # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868821 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...(+)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868821 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596971. Published by Really Good Music, LLC. (A0.868821). Tengo un lampo di speme is an initial aria from Solo cantata XII, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – E5) for low voice. CAVALLI Francesco: Abbandonata sè resta sola, aria from the cantata, arranged for Voice and Piano (
CAVALLI Francesco: Abbandonata sè resta sola, aria from the cantata, - Voice and Piano ( # Medium voice, Piano # EASY # Francesco CAVALLI # Sergei PICHUGIN # CAVALLI Francesco: Abbandonata # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868758 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...(+)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868758 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4580841. Published by Really Good Music, LLC. (A0.868758). Abbandonata sè resta sola is an aria from Solo cantata I Ferma deh, ferma omai, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo. Ferma deh, ferma omai is the only cantata in the collection, composed for alto and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (C4 – C5) for low voice. Bist du bei mir / When you are near - Medium voice, Piano
Bist du bei mir / When you are near - Medium voice, Piano # Medium voice, Piano # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1159771 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Weddi...(+)
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1159771 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Classical,Wedding. 5 pages. John Ross #760030. Published by John Ross (A0.1159771). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725). This arrangement, in the key of C, is for medium voice and piano. It is also available for high voice (key of D) or low voice (key of Bb). Added to the original German words are new lyrics, When you are near, making this song ideal for weddings, anniversaries, and special occasions. CAVALLI Francesco: Sè la barbara mia sorte, aria from the cantata, arranged for Voice and Piano (E
CAVALLI Francesco: Sè la barbara mia sorte, aria from the cantata, - Voice and Piano (E # Medium voice, Piano # EASY # Francesco CAVALLI # Sergei PICHUGIN # CAVALLI Francesco: Sè la barb # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868823 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...(+)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868823 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596967. Published by Really Good Music, LLC. (A0.868823). Sè la barbara mia sorte is an aria from Solo cantata XI Presso un fiume tranquillo, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (D4– D5) for low voice. CAVALLI Francesco: Tiranna mia, aria from the cantata, arranged for Voice and Piano (G minor)
CAVALLI Francesco: Tiranna mia, aria from the cantata, - Voice and Piano (G minor) # Medium voice, Piano # EASY # Francesco CAVALLI # Sergei PICHUGIN # CAVALLI Francesco: Tiranna mia # Really Good Music, LLC. # SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868783 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baro...(+)
Medium Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.868783 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4580907. Published by Really Good Music, LLC. (A0.868783). Tiranna mia is an aria from Solo cantata VI Tu vaneggi, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – D5) for low voice. Trusting Jesus, That is All (Vocal Solo, Piano Accompaniment)
Trusting Jesus, That is All (Vocal Solo, Piano Accompaniment) # Medium voice, Piano # INTERMEDIATE # Sacred music # Lyrics: Edgar P # Cathy Stamegna # Trusting Jesus, That is All # Cathy Stamegna # SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.780811 Composed by Lyrics: Edgar P. Stites and Music: Ira D. Sankey. Arranged by Cathy Stame...(+)
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.780811 Composed by Lyrics: Edgar P. Stites and Music: Ira D. Sankey. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Wedding. 5 pages. Cathy Stamegna #5370737. Published by Cathy Stamegna (A0.780811). A hymn of trust and consolation based on John 14:1 and Psalm 37:5 (Treble Range C4-D5). This arrangement begins with an arpeggiated accompaniment, lending a contemplative spirit to the lyrics. Verse two transitions to an upbeat triple meter with some syncopation, adding a confident, positive character. Lyrics to verses 3 and 4 are inserted on the last page of music, allowing performers to add or substitute verses. This hymn is appropriate for many occasions, including General Worship, Lent, or a Wedding service. Piano Accompaniment track sold separately. Part of the Hymns of Comfort collection.