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349 sheet music found Four Hispanic Children’s Songs for Alto Sax. in Eb and Piano
Four Hispanic Children’s Songs for Alto Sax. in Eb and Piano # Alto Saxophone and Piano # EASY # Traditional # William Pagan-Perez #   # Four Hispanic Children’s Son # William Pagan-Perez # SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Sc...(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.933817 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and part. 22 pages. William Pagan-Perez #3024439. Published by William Pagan-Perez (A0.933817). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. ------------------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: The MP3 sound is the midi version for flute and piano. 3 GREAT GOSPEL SONGS (for Alto Sax with Piano - Instrument Part included)
3 GREAT GOSPEL SONGS (for Alto Sax with Piano - Instrument Part included) # Alto Saxophone and Piano # INTERMEDIATE # Sacred music # Gospel/Spiritual # J # Gary Lanier # 3 GREAT GOSPEL SONGS # The Lanier Company # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617340 Composed by J. B. F. WRIGHT, Traditional, and W. B. STEVENS. Arranged by Gary Lanier. Ch...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617340 Composed by J. B. F. WRIGHT, Traditional, and W. B. STEVENS. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 23 pages. The Lanier Company #4884791. Published by The Lanier Company (A0.617340). 3 GREAT GOSPEL SONGS by Gary Lanier is for Alto Sax with Piano. The songs titles are (1) Farther Along, (2) Precious Memories, & (3) Will The Circle Be Unbroken. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where Gospel music is desired (23 pages).A mp3 Piano Accompaniment (aka Rehearsal Track) is also available for each individual song listed as: Eagles' Victory Song
Eagles' Victory Song # Alto Saxophone and Piano # BEGINNER # Dirk Quinn Band # Marcony Carvalho # Eagles' Victory Song # Zedas Couve # SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carval...(+)
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.