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284 sheet music found SAVIOR, LIKE A SHEPHERD LEAD US (Trio – Violin, Alto Sax & Piano with Parts)
SAVIOR, LIKE A SHEPHERD LEAD US (Trio – Violin, Alto Sax & Piano with Parts) # Alto Saxophone and Piano # INTERMEDIATE # Sacred music # William B # Gary Lanier # SAVIOR, LIKE A SHEPHERD LEAD U # The Lanier Company # SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.615280 Composed by William B. Bradbury. Arrang...(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.615280 Composed by William B. Bradbury. Arranged by Gary Lanier. Praise & Worship,Sacred. 11 pages. The Lanier Company #2907145. Published by The Lanier Company (A0.615280). SAVIOR, LIKE A SHEPHERD LEAD US is a hymn arrangement for Violin Alto Sax & Piano of one of our most cherished Hymns. The score, including cover and parts is 11 pages long. This arrangement is perfect for any Church or gathering where hymns about the Good Shepherd, Jesus, are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: SAVIOR, LIKE A SHEPHERD LEAD US (Piano Accompaniment for Violin, Alto Sax). LUNA for violin, alto saxophone and piano
LUNA for violin, alto saxophone and piano # Alto Saxophone and Piano # ADVANCED # Contemporary # Daniel Cueto # LUNA for violin, alto saxophon # Daniel Cueto # SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.876578 Composed by Daniel Cueto. 20th Century,...(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.876578 Composed by Daniel Cueto. 20th Century,Concert,Contemporary. Score and parts. 17 pages. Daniel Cueto #4980495. Published by Daniel Cueto (A0.876578). ABOUT THIS WORK:In 2016, the Russian Space Corporation announced its newest long-term project: a plan to establish a permanent human colony on the Moon by the year 2030. Several other nations - including Japan, China and the USA - have announced similar projects over the years. I began to think about this idea and its possible implications for human culture. An intriguing question came to mind: if a human settlement on the Moon is developed, would art works be created there? Would there be composers there, writing music?After enough time had passed, what would the music made by inhabitants of such remote colonies sound like?I started to imagine a music that combined well-known elements of the Western tradition with new patterns and concepts, these being an expression of the profoundly different daily-life experiences of living on the Moon. I heard, in my mind, a lonesome chant, performed with a view of a lunar night sky. After the song, a strange pulsating music, maybe a subtle depiction of a process of lunar tectonics. Connecting between these two elements, a third one emerged: a mysterious, oscillating motive, perpetually shifting back and forth between two harmonies; swaying, gently and forever, until lost to a cosmic silence…From these resonant impressions, a primitive sketch started to emerge; a voyage into an unexplored compositional region. A musical fantasy about a distant - yet still human - reality. Winter by Vivaldi - Alto Sax and Piano - II. Largo (Full Score and Parts)
Winter by Vivaldi - Alto Sax and Piano - II. Largo (Full Score and Parts) # Alto Saxophone and Piano # INTERMEDIATE # Classical # Antonio Vivaldi # César Madeira # Winter by Vivaldi - Alto Sax a # Sheet Music To Play Editions # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178397 Composed by Antonio Vivaldi. Arranged by César Madeira. Baroque,Children,Early Music...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178397 Composed by Antonio Vivaldi. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #778357. Published by Sheet Music To Play Editions (A0.1178397). Winter (II. Largo) from The Four Seasons by Antonio Vivaldi. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Antonio Lucio Vivaldi (1678 – 1741) was an Italian Baroque composer, virtuoso violinist, teacher, impresario, and Roman Catholic priest. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe, being paramount in the development of Johann Sebastian Bach's instrumental music. He composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Silent Night--alto sax duet
Silent Night--alto sax duet # Alto Saxophone and Piano # INTERMEDIATE # Christmas # Christmas # Joseph Mohr, Franz Gruber # Beka Wilson # Silent Night--alto sax duet # Beka Wilson # SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786756 Composed by Joseph Mohr, Fr...(+)
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.786756 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431069. Published by Beka Wilson (A0.786756). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos. Bach: Wachet auf for Alto Sax & Piano
Bach: Wachet auf for Alto Sax & Piano # Alto Saxophone and Piano # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Alto Sax # jmsgu3 # SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  . Romance in F for Alto Saxophone and Piano
Romance in F for Alto Saxophone and Piano # Alto Saxophone and Piano # INTERMEDIATE # Classical # Ludwig van Beethoven # Diego Marani # Romance in F for Alto Saxophon # Diego Marani # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528177 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructio...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528177 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 24 pages. Diego Marani #5044141. Published by Diego Marani (A0.528177). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for alto sax and piano and includes two different keys: F Major and Ab Major. Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano # Alto Saxophone and Piano # INTERMEDIATE # Classical # Ludwig van Beethoven # James M # piano concertos 1-5 # Beethoven: Adagio from Sonata # jmsgu3 # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co. Gavotte en Rondeau
Gavotte en Rondeau # Alto Saxophone and Piano # INTERMEDIATE # Classical # Johann Sebastian Bach # Robert Stevens # Gavotte en Rondeau # SAXpress.com # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1401535 Composed by Johann Sebastian Bach. Arranged by Robert Stevens. Baroque,Chamber,Classica...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1401535 Composed by Johann Sebastian Bach. Arranged by Robert Stevens. Baroque,Chamber,Classical. Score and part. 20 pages. SAXpress.com #984718. Published by SAXpress.com (A0.1401535). Gavotte en Rondeau (1720) from Violin Partita No. 3, BWV 1006 J. S. Bach (1685 – 1750) Alto or Tenor Saxophone Solo with piano Gavotte en Rondeau by J.S. Bach arranged for Alto or Tenor Saxophone solo with piano. This piece is the third movement from the Partita #3 for Solo Violin by Johann Sebastian Bach. It is one of Bach’s most instantly recognizable pieces. Playful and lively, this movement is based off the leaping French gavotte rhythm but presented here en rondeau, or in a Rondo style, with the main theme returning in multiple variations. It has been recorded dozens of times and used in many film and TV scores. A recording of Gavotte en Rondeau was included on the Voyager Golden Record, attached to the Voyager spacecraft launched in 1977, as a sample of the culture of Earth.This arrangement of Gavotte en Rondeau is for Alto or Tenor Saxophone Solo with piano. It is transposed to the key of E flat (the original is in the key of E). As the gavotte repeats several times, an optional alternate ending for a shorter and less technically demanding performance is indicated at the end of the third statement of the rondeau. The performance time of the short version is about 1′:15″ as opposed to 2′:30″ for the full version.