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87 sheet music found BACH: Sonata in C Major BWV 1033 for Soprano Sax & Piano
BACH: Sonata in C Major BWV 1033 for Soprano Sax & Piano # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # James Guthrie, ASCAP # BACH: Sonata in C Major BWV 10 # jmsgu3 # SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551573 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instruct...(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551573 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317595. Published by jmsgu3 (A0.551573). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive. Sheep May Safely Graze (Bach): Soprano Sax and Piano
Sheep May Safely Graze (Bach): Soprano Sax and Piano # Soprano Saxophone and Piano # INTERMEDIATE # Classical # Johann Sebastian Bach # John A # Sheep May Safely Graze # John A. Dempsey # SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.525033 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Eas...(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.525033 Composed by Johann Sebastian Bach. Arranged by John A. Dempsey. Baroque,Christmas,Easter,Traditional,Wedding. Score and part. 16 pages. John A. Dempsey #6618127. Published by John A. Dempsey (A0.525033). With its bell-like refrain, Bach's exquisite, elegant Sheep May Safely Graze (from Cantata, No. 208) appeals not only to fans of the Baroque era but also to lovers of classical, romantic and pop music. This duet for soprano sax and piano is recommended for concerts, recitals, weddings, traditional church services and other worship events. Suggested wedding uses: prelude, unity candle music, bridesmaid processional, bridal march and wedding recessional. As worship music, Sheep May Safely Graze may serve as a prelude, postlude, Christmas play overture, an offertory, interlude, silent prayer accompaniment and special music. 12 pages of music (that includes a separate two-page soprano sax part). Concert Key (Piano): Bb major. Soprano Sax Key: C major. Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano # Soprano Saxophone and Piano # EASY # Classical # Johann Sebastian Bach # James M # Bach: Bist du bei mir BWV 508 # jmsgu3 # SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easte...(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.  Bach: Wachet auf for Soprano Sax & Piano
Bach: Wachet auf for Soprano Sax & Piano # Soprano Saxophone and Piano # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Soprano S # jmsgu3 # SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Conce...(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n. Bach - Arioso from Cantata BWV 156 for Soprano Saxophone and Piano
Bach - Arioso from Cantata BWV 156 for Soprano Saxophone and Piano # Soprano Saxophone and Piano # EASY # Classical # Johann Sebastian Bach # Harry Walker # Bach - Arioso from Cantata BWV # SCORE EDITIONS # SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1349680 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Relig...(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1349680 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934449. Published by SCORE EDITIONS (A0.1349680). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker. J. S. Bach: Sonata no. 3 in E major, bwv 1016, arranged for soprano saxophone and keyboard by Paul W
J. S. Bach: Sonata no. 3 in E major, bwv 1016, - soprano saxophone and keyboard by Paul W # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Paul Wehage # J. S. Bach: Sonata no. 3 in E # Musik Fabrik Music Publishing # SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533436 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards...(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533436 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 43 pages. Musik Fabrik Music Publishing #2914069. Published by Musik Fabrik Music Publishing (A0.533436). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords.  J. S. Bach: Sonata no. 1 in b minor, bwv 1014, arranged for soprano saxophone and keyboard by Paul W
J. S. Bach: Sonata no. 1 in b minor, bwv 1014, - soprano saxophone and keyboard by Paul W # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Paul Wehage # J. S. Bach: Sonata no. 1 in b # Musik Fabrik Music Publishing # SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533434 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards...(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533434 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2914065. Published by Musik Fabrik Music Publishing (A0.533434). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords. ARIOSO, by J. S. Bach (sinfonia) - for Soprano Saxophone and accompaniment
ARIOSO, by J. S. Bach (sinfonia) - for Soprano Saxophone and accompaniment # Soprano Saxophone and Piano # BEGINNER # Classical # Johann Sebastian Bach # Leyandder Trustworthy # ARIOSO, by J. S. Bach # Leyandder Trustworthy # SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.964378 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instruc...(+)
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.964378 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321029. Published by Leyandder Trustworthy (A0.964378). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Soprano Saxophone along with a piano accompaniment that comes with the product. J. S. Bach: Sonata no. 2 in A major, bwv 1015, arranged for soprano saxophone and keyboard by Paul W
J. S. Bach: Sonata no. 2 in A major, bwv 1015, - soprano saxophone and keyboard by Paul W # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Paul Wehage # J. S. Bach: Sonata no. 2 in A # Musik Fabrik Music Publishing # SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533435 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards...(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533435 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2914067. Published by Musik Fabrik Music Publishing (A0.533435). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the viola da gamba sonatas, the Flute sonatas and the partita for solo flute and the Orchestral Suites. The Sonata presented here is in the four movement “Church Sonata†style. The first five sonatas all share the same principal of Slow-Fast-Slow-Fast with a generally unified three-voice “Trio Sonata†texture. Passages which include double stops have been arranged as grace notes, which should be performed rapidly, but with a sensitivity to creating the necessary resonance which suggest implied chords. Badinerie - J.S.Bach - for Soprano Sax and Piano
Badinerie - J.S.Bach - for Soprano Sax and Piano # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Raymond Fenech # Badinerie - J.S.Bach - for Sop # Raymond Fenech # SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1304472 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Con...(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1304472 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Easter,Festival,Multicultural,World. Score and part. 9 pages. Raymond Fenech #893963. Published by Raymond Fenech (A0.1304472). The second of Bach’s four orchestral suites is actually the one he composed last, in Leipzig around 1739, and is probably the last orchestral music of any kind that he wrote. It is basically a solo flute concerto in the form of a dance suite, and an extraordinarily difficult flute concerto at that. A badinerie is a sort of character piece in 18th-century suites, with no particular dance rhythm or meter. This one has a full measure of the light and lively bantering the title implies, which has made it also popular with jazz arrangers. The Duration is approx. 1.32 minutes and the level is Advanced Intermediate.