Romantic Not classified 11,073
Piano & keyboardsPiano, Voice 25,160Piano solo 12,169Easy Piano 4,109Piano, Vocal and Guitar 4821 Piano, 4 hands 413Piano Trio: piano, violin, cello 321C Instruments 2562 Pianos, 4 hands 194Piano Accompaniment 150Piano Quartet: piano, violin, viola, cello 140Piano Quintet: piano, 2 violins, viola, cello 126Piano Quartet: piano, 2 violins, cello 66Big Note Piano 261 Piano, 6 hands 21Keyboard 13Organ, Piano (duet) 92 Pianos, 8 hands 6
WoodwindFlute and Piano 2,260Clarinet and Piano 1,378Oboe, Piano (duet) 986Alto Saxophone and Piano 872Tenor Saxophone and Piano 507Soprano Saxophone and Piano 448Baritone Saxophone, Piano 180Bass Clarinet, Piano 100Flute, Violin, Piano 48Flute, Cello, Piano (trio) 45Saxophone and Piano 372 Clarinets, Piano 322 Flutes, Piano 32Recorder, Piano 25Clarinet, Cello, Piano (trio) 24Clarinet, Bassoon, Piano (trio) 19Piccolo, Piano 12Harmonica, Piano 72 Recorders, Piano 4Flute, Guitar, Piano 2
Others
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Digital sheet music, access after purchasing
1 sheet music found 8. Sinfonie 8. Sinfonie #Soli, Mixted choir and accompaniment #Krzysztof Penderecki #8. Sinfonie #Schott Music - Digital #SheetMusicPlus
Soloists, Choir and Orchestra - Digital Download SKU: S9.Q49181 Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra(+)
Soloists, Choir and Orchestra - Digital Download SKU: S9.Q49181 Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q49181. Published by Schott Music - Digital (S9.Q49181). German.The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees.3 (1. auch Bambusfl. ad lib., 2. auch Altfl., 3. auch Picc.) · 2 · Engl. Hr. · 3 (1. und 2. auch in A, 3. auch in Es und Bassklar.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (Glsp. · Xyl. · Marimba · Röhrengl. · Kirchengl. · Trgl.-baum · Schellenbaum · Crot. · Beckenpaar · 4 hg. Beck. · 2 Tamt. · Schellentr. · Mil. Tr. · gr. Tr. m. Beck.) (4 Spieler) - Hfe. · Cel. - Str. - Im Saal: Basstrp.
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