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Piano et 3 Percussions
PIANO
Sheetmusic to print
19 sheet music found
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1
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages...
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Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99 ≈
27.65€
Folk Songs Collection for children's voices and piano (with optional Orff)
Folk Songs Collection for children's voices and piano (with optional Orff)
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Piano, Vocal and Guitar
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EASY
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Traditional
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Julie Gaulke
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Folk Songs Collection for chil
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Julie Gaulke
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.720254 Composed by Traditional. Arranged by Julie Gaulke. Children,Folk. Score. 22 pages. J...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.720254 Composed by Traditional. Arranged by Julie Gaulke. Children,Folk. Score. 22 pages. Julie Gaulke #3532755. Published by Julie Gaulke (A0.720254). Collection of 5 original arrangements by Julie Gaulke for children's (or treble) choir, written in easy to medium level 3 or 4 part harmony with easy to play piano accompaniment. Two songs also have optional Orff percussion. Song list: All The Pretty Little Horses, Early One Morning, John Kanaka, Listen To The Mockingbird, and Nkosi Sikelel' iAfrika. See demo video here: https://youtu.be/dMtbf89-l_A MP3 backing tracks available at Pianomom's Sheet Music: https://www.pianomomsheetmusic.com/collectionsbooks.html
$6.99 ≈
6.44€
CuthbertPraise Patriotic Hymns Collection, Volume 3
CuthbertPraise Patriotic Hymns Collection, Volume 3
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Piano, Vocal and Guitar
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INTERMEDIATE
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Various
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Randy Adams
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CuthbertPraise Patriotic Hymns
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Randy Adams
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919590 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Sc...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919590 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Score. 55 pages. Randy Adams #4638797. Published by Randy Adams (A0.919590). The CuthbertPraise Patriotic Hymns Collection is designed for flexibility and ease of use with many different instruments in many combinations. Each hymn contains an original descant and parts for brass, winds, strings, percussion, piano and even guitar. The arrangements can be used for any size group from solo, duet or trio, brass quartet or quintet, or even full band or orchestra. Substitute parts are clearly marked and may be mixed and matched to suite instrument availability. The Collection is designed to work well with group and congregational singing and will integrate seamlessly with most hymnals. Volume 3 includes My Country Tis of Thee, Almighty Father Strong to Save and Onward Christian Soldiers.
$25.00 ≈
23.05€
Lonely Mother Cry Lullaby for Soprano, Cello, Piano
Lonely Mother Cry Lullaby for Soprano, Cello, Piano
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for
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Sabrina Peña Young
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.976933 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. Score. ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.976933 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. Score. 3 pages. Sabrina Peña Young #3430807. Published by Sabrina Peña Young (A0.976933). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer arranged for Soprano, Cello, and Piano. An simple emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99 ≈
6.44€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.11€
Praise Is Fitting For The Upright (Psalm 33.1 WEB)
Praise Is Fitting For The Upright (Psalm 33.1 WEB)
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Chris Monteiro
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Praise Is Fitting For The Upri
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Christopher M. Monteiro
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950764 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Chris...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950764 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Christopher M. Monteiro #3373357. Published by Christopher M. Monteiro (A0.950764). Rejoice in Yahweh, you righteous! Praise is fitting for the upright. This simple praise song with a syncopated bass line in G Major for Piano and Voice with optional Guitar and Bass has been fashioned to help you internalize God’s Word. The range of the melody is from G above Middle C to the 2nd D above Middle C. The Guitar can duplicate the right-hand piano or follow the chord symbols. The bass should play the left-hand piano part. Adding percussion is recommended.
$2.99 ≈
2.76€
Viva Las Vegas from VIVA LAS VEGAS
Viva Las Vegas from VIVA LAS VEGAS
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Piano, Vocal and Guitar
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INTERMEDIATE
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Contemporary
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Elvis Presley
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Jan Angermüller
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Viva Las Vegas from VIVA LAS V
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Elbsound.studio
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.856979 By Elvis Presley. By Doc Pomus and Mort Shuman. Arranged by Jan Angermüller. Cont...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.856979 By Elvis Presley. By Doc Pomus and Mort Shuman. Arranged by Jan Angermüller. Contemporary. Score. 47 pages. Elbsound.studio #3484607. Published by Elbsound.studio (A0.856979). Transcription of the original Elvis Presley recording. Yes, it sounds like the original.Except for the original electric guitar part which is a little bit advanced, it's also good to play in a school ensemble.The percussion instrumentation allows a flexible ensemble size.This arrangement was originally written for a professional show band.Duration: 2m25s, 44 pages (plus 3 preview pages)Instrumentation:Piano, drum set, e-guitar, bass guitar (or upright bass), optional percussion instruments (cabasa, tambourine, shaker, bongo, claves, xylophone, tom rim), 2 optional trumpets, 2 optional trombones, vocal, optional backing vocals
$27.99 ≈
25.80€
Wellerman sea shanty arranged for epic Bigband
Wellerman sea shanty - epic Bigband
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Piano, Vocal and Guitar
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INTERMEDIATE
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Traditional
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Sophia Transistor
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Arrangement Contest
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Wellerman sea shanty - epic Bi
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Sophia Transistor
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 4...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia Transistor #6463869. Published by Sophia Transistor (A0.851136). This Bigband Arrangement is part of the NDR Bigband Composition & Arrangement Contest.The Wellerman sea shanty (soon may the wellerman come) is an ear catching tune and the best part: It's public domain! Therefor it went viral in early 2021 on TikTok and YouTube.This Big Band Arrangement features:- full score in landscape modeset of parts in DIN A4:- Alto Sax 1 (with instrument change to flute)- Alto Sax 2- Tenor Sax 1- Tenor Sax 2- Bari Sax- Trumpet 1- Trumpet 2- Trumpet 3- Trumpet 4- Trombone 1- Trombone 2- Trombone 3- Trombone 4- Guitar- Piano Keys- Bass- Drums- Steel Drum (Percussion)Jazz Solos are set for trumpet 2 and trombone 2.The unique instrument Steel Drum was added to achieve a caribbean flair.It can be played by the percussionist or the band leader.If a steel drum is not available, please consider using a xylophone, marimba or any kind of glockenspiel.The genre (stil) is set to funk (no swing) to find some remembrance to the traditional Bigband Arrangement of John Brown's Other Body.In addition a part is added, that introduces some electro swing moves as the one in Louis Primas Sing Sing Sing. The last crossreference can be made to the computer game music of The Course of Monkey Island, because the Pirate atmosphere meets ups with a sea shanty.If you have any comments, please contact me, I would be very happy if this arrangement will be played by any kind of Big Band.YouTube Play Along: https://youtu.be/eSaqtmG2E0k
$42.00 ≈
38.72€
Even Then
Even Then
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Piano, Vocal and Guitar
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INTERMEDIATE
#
Sacred music
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Joletta Sells
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Even Then
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Joletta Sells
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1029333 Composed by Joletta Sells. Christian,Holiday,Praise & Worship,Sacred. Score. 4 page...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1029333 Composed by Joletta Sells. Christian,Holiday,Praise & Worship,Sacred. Score. 4 pages. Joletta Sells #4983947. Published by Joletta Sells (A0.1029333). Even Then is an original worship song written by worship leader and award-winning songwriter, Joletta Sells. It is intended for congregational singing and written in verse-chorus format. The rich lyrics speak about how regardless of circumstances, whether in sorrow or joy, even then, we can sing praises to our Lord.Written as a lead sheet with piano/voice/guitar. This song would be really beautiful with just piano and voice, however percussion, guitar, strings or a woodwind instrument could also be added.Approx time: 3:50
$2.99 ≈
2.76€
Worldstar Money Interlude
Worldstar Money Interlude
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Piano, Vocal and Guitar
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BEGINNER
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Pop music
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Joji
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Mark Fish
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Worldstar Money Interlude
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Frillikin Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1110741 By Joji. By George Miller. Arranged by Mark Fish. Film/TV,Hip-Hop,Pop,R & B. Score....
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1110741 By Joji. By George Miller. Arranged by Mark Fish. Film/TV,Hip-Hop,Pop,R & B. Score. 3 pages. Frillikin Music #713042. Published by Frillikin Music (A0.1110741). An arrangement that includes a bass line, unlike the original! Percussion can be played by drum set or mouth percussion. Vocal line could also easily be played by violin or some other treble instrument.
$4.99 ≈
4.60€
The Water
The Water
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Piano, Vocal and Guitar
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INTERMEDIATE
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Johnny Flyyn, Laura Marling
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SRS Music
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The Water
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SRS Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1273356 By Johnny Flyyn, Laura Marling. By Johnny Flynn. Arranged by SRS Music. Folk,Rock. Score. 8 pages. SRS Music #865508. Published by SRS Music (A0.1273356). From NPR, 11/1/2010:Â Certain songs sound as if they could have been written 100 or more years ago. In some cases, that's even a good thing. Take British singer-songwriter Johnny Flynn's The Water. Long before Flynn, many Celtic troubadours have strummed uncomplicated chords like these and sung about venturing out onto a body of water as a way of cleansing and rediscovery. Lines like So wide is my river even recall coffee-house standards like The Water Is Wide.The most inventive songwriters take such time-worn tropes and give them mouth-to-mouth resuscitation. Built on a steady, unwavering drone of acoustic and electric guitars, mandolin, cello and light percussion, The Water sounds both ancient and modern. The track glistens without sounding fusty. Singing about how the river runs deep / and the larger fish creep, Flynn channels the stolid, dour delivery of many pub-folkies before him, but could just as easily be fronting an especially austere indie band.This arrangement is written for voice, piano, violin, and acoustic guitar, but can be played in other configurations. A second voice could take the place of violin. The piano part carries the melody so it can be played as an instrumental piece as well.(This title is also available for solo piano from SRS Music).
$5.50 ≈
5.07€
Come to His Table
Come to His Table
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Christian contemporary
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Thomas D
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Thomas D
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1 Corinthians 11:23-26.
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Come to His Table
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Beyond the Walls Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108276 By Thomas D. LeFevre. By Thomas D. LeFevre. Arranged by Thomas D. LeFevre. Christia...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108276 By Thomas D. LeFevre. By Thomas D. LeFevre. Arranged by Thomas D. LeFevre. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 2 pages. Beyond the Walls Music (BMI) #710891. Published by Beyond the Walls Music (BMI) (A0.1108276). This evocative, inviting Communion song in 3/4 time, brings the sacrament of the Lord’s Supper to a congregation in a traditional (with organ or piano), or modern worship setting. Scored for three parts in treble clef, it can be readily produced with a small ensemble: guitar, keyboard, bass, and quiet percussion. Ideal for a smaller choir or contemporary worship team to accompany Holy Communion. The chorus can be repeated to lengthen the song. Scripture References: Luke 22: 14-20; 1 Corinthians 11:23-26.
$2.50 ≈
2.30€
Make You Feel My Love
Make You Feel My Love
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Piano, Vocal and Guitar
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INTERMEDIATE
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Pop music
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Bob Dylan
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David Anthony
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Make You Feel My Love
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David Anthony Woods
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.931512 By Bob Dylan. By Bob Dylan. Arranged by David Anthony. Pop. Score. 5 pages. David An...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.931512 By Bob Dylan. By Bob Dylan. Arranged by David Anthony. Pop. Score. 5 pages. David Anthony Woods #6078321. Published by David Anthony Woods (A0.931512). This is a simple arrangement for a trio of piano, upright bass, and percussion of a Bob Dylan song made popular by recording artist, Adele. Its simplicity can be expanded upon and is open for improvising and interpretation. Appropriate for intermediate to advanced students to professionals. feel free to contact me at wwwdavidanthonymusic.com.
$12.99 ≈
11.97€
A Friend Like You
A Friend Like You
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Piano, Vocal and Guitar
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INTERMEDIATE
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Contemporary
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Adam Anders, Andrew Grammer, P
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Damien Clift
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A Friend Like You
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Damien Clift
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.803663 Composed by Adam Anders, Andrew Grammer, Par Astrom, and Theodore Shapiro. Arranged ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.803663 Composed by Adam Anders, Andrew Grammer, Par Astrom, and Theodore Shapiro. Arranged by Damien Clift. Contemporary. Score. 13 pages. Damien Clift #4310059. Published by Damien Clift (A0.803663). From the Album Captain Underpants: The First Epic Movie (Original Motion Picture Soundtrack). This is a great little song all about what it means to be real friends. Arranged for lead and backing vocals, along with a piano accompaniment and some basic percussion cues.
$5.99 ≈
5.52€
CuthbertPraise Patriotic Hymns Collection, Volume 4
CuthbertPraise Patriotic Hymns Collection, Volume 4
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Piano, Vocal and Guitar
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INTERMEDIATE
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Various
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Randy Adams
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CuthbertPraise Patriotic Hymns
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Randy Adams
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919591 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Sc...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919591 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Score. 50 pages. Randy Adams #4638807. Published by Randy Adams (A0.919591). The CuthbertPraise Patriotic Hymns Collection is designed for flexibility and ease of use with many different instruments in many combinations. Each hymn contains an original descant and parts for brass, winds, strings, percussion, piano and even guitar. The arrangements can be used for any size group from solo, duet or trio, brass quartet or quintet, or even full band or orchestra. Substitute parts are clearly marked and may be mixed and matched to suite instrument availability. The Collection is designed to work well with group and congregational singing and will integrate seamlessly with most hymnals. Volume 4 includes Battle Hymn of the Republic, Faith of Our Fathers and Lead On O King Eternal.
$25.00 ≈
23.05€
CuthberPraise Patriotic Hymns Collection, Volume 2
CuthberPraise Patriotic Hymns Collection, Volume 2
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Piano, Vocal and Guitar
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INTERMEDIATE
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Various
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Randy Adams
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CuthberPraise Patriotic Hymns
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Randy Adams
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919589 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Sc...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919589 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Score. 48 pages. Randy Adams #4638767. Published by Randy Adams (A0.919589). The CuthbertPraise Patriotic Hymns Collection is designed for flexibility and ease of use with many different instruments in many combinations. Each hymn contains an original descant and parts for brass, winds, strings, percussion, piano and even guitar. The arrangements can be used for any size group from solo, duet or trio, brass quartet or quintet, or even full band or orchestra. Substitute parts are clearly marked and may be mixed and matched to suite instrument availability. The Collection is designed to work well with group and congregational singing and will integrate seamlessly with most hymnals. Volume 2 includes America the Beautiful, God of Our Fathers and Great God of Nations.
$25.00 ≈
23.05€
Shape Of You
Shape Of You
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Piano, Vocal and Guitar
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INTERMEDIATE
#
Ed Sheeran
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Tabitha Beaven
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Shape Of You
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474498 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474498 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Kandi Burruss, Kevin Briggs, Steve Mac, and Tameka Cottle. Arranged by Tabitha Beaven. A Cappella,Barbershop,Instructional,Pop,Singer/Songwriter. Score. 6 pages. Tabitha Beaven #1052122. Published by Tabitha Beaven (A0.1474498). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with parts, dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and building something new and Version 2 is a single part flow with five entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with!#PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99 ≈
4.60€
Happy Birthday
Happy Birthday
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Piano, Vocal and Guitar
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EASY
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Thea Wray
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Althea Wray
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Happy Birthday
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Water II Wine Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1412841 By Thea Wray. By Louise Bennett and Norman Span. Arranged by Althea Wray. 21st Cent...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1412841 By Thea Wray. By Louise Bennett and Norman Span. Arranged by Althea Wray. 21st Century,Children,Contemporary,Multicultural,Traditional,World. Score. 3 pages. Water II Wine Publishing #994724. Published by Water II Wine Publishing (A0.1412841). Written originally by Norman Span AKA King of the Radio, Harry Belafonte made the Calypso song ' Matilda' famous and Rt Honourable Dr Louise Bennett Coverley OM OJ MBE known affectionately as Miss Lou went on to adapt the tune as a children's Happy Birthday song for her childrens programmes.I actually played with her as a teenager on her children's programme, Ring Ding, which aired on JBCin the 1070's. I had the honour and pleasure of playing this and other songs with her a few times as Marjorie Whylie, her usual pianist, had broken her wrist (my mothere even looked after her at the University Hospital - small world Kingston !). Â I remember her taking me under her wing and I even had a chance to visit her in her lovely home in Gordon Town, St Andrew. She left an indelible mark on me. Â Now I have a chance to write,arrange and record my favourite pieces from her repertoire. Â I have sung this to children in primary schools in South London. Â I have tried to retain but update the calyspo feel in the bass clef and my producer Jaja Wray has enhanced this with his percussion and drum patterns and other fills. This track will be released in April 2024.
$3.50 ≈
3.23€
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Piano et 3 Percussions
