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Cello String Trio: 2 violins, viola
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You've selected:
Cello String Trio: 2 violins, viola
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19 sheet music found
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1
"Land of Hope and Glory" arr. for piano and string quartet (score and parts)
"Land of Hope and Glory" arr. for piano and string quartet (score and parts)
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Piano Quintet: piano, 2 violins, viola, cello
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INTERMEDIATE
#
Classical
#
Edward Elgar
#
Julia Samarska
#
"Land of Hope and Glory" arr.
#
Julia Samarska
#
SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.816363 Composed by Edward Elgar. Arranged by Julia Samarska. ...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.816363 Composed by Edward Elgar. Arranged by Julia Samarska. Concert,Patriotic,Romantic Period,Standards,World. Score and parts. 10 pages. Julia Samarska #5718289. Published by Julia Samarska (A0.816363). Land of Hope and Glory British patriotic song by Edward Elgar arr. for piano and string quartet (score and parts).
$22.00 ≈
£17.09
Mozart – Complete String quartet no.20 in D major K499 for piano solo
Mozart – Complete String quartet no.20 in D major K499 for piano solo
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Piano solo
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ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
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Santino Cara
#
Mozart – Complete String qua
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Santino Cara
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.516761 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 25 pages. Santino...
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Piano Solo - Level 5 - Digital Download SKU: A0.516761 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 25 pages. Santino Cara #1989529. Published by Santino Cara (A0.516761). Piano version of the string quartet no.20 Hoffmeister in D major K.499, for two violins, viola and cello, composed in Vienna in 1786 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2008 by Santino Cara. = Versione per pianoforte del quartetto d'achi no.20 Hoffmeister in Re maggiore k.499, per due violini, viola e cello, composto a Vienna nel 1786 da Wolfgang Amadeus Mozart e trascritto a Roma nel 2007 da Santino Cara. == Movements - Movimenti: 1. Allegretto 2. Menuetto and Trio (Allegretto) 3. Adagio 4. Allegro.
$14.40 ≈
£11.19
Mozart – Complete String quartet no.16 in E flat major K428 for piano solo
Mozart – Complete String quartet no.16 in E flat major K428 for piano solo
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Piano solo
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ADVANCED
#
Classical
#
Mpzart Wolfgang Amadeus
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Santino Cara
#
Mozart – Complete String qua
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Santino Cara
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.516757 Composed by Mpzart Wolfgang Amadeus. Arranged by Santino Cara. Classical. Score. 19 pages. Santino...
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Piano Solo - Level 5 - Digital Download SKU: A0.516757 Composed by Mpzart Wolfgang Amadeus. Arranged by Santino Cara. Classical. Score. 19 pages. Santino Cara #1925981. Published by Santino Cara (A0.516757). Piano version of the string quartet no.16 in E flat major K.428, from The Six String Quartets for two violins, viola and cello dedicaded to Haydn, composed in Vienna in 1783 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2007 by Santino Cara. = Versione per pianoforte del quartetto d'archi no.16 in mi bemolle maggiore K.428, dai Sei Quartetti ad arco per due violini, viola e violoncello dedicati a Haydn, composti a Vienna nel 1783/85 da Wolfgang Amadeus Mozart, trascritto per pianoforte a Roma nel 2007 da Santino Cara. == Movimenti - Movements: 1. Allegro non troppo 2. Andante con moto 3. Menuetto (Allegro) and Trio 4. Allegro vivace.
$14.20 ≈
£11.03
Mozart – Complete String quartet no.19 in C major K465 for piano solo
Mozart – Complete String quartet no.19 in C major K465 for piano solo
#
Piano solo
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ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.516760 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 25 pages. Santino...
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Piano Solo - Level 5 - Digital Download SKU: A0.516760 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 25 pages. Santino Cara #1986397. Published by Santino Cara (A0.516760). Piano version of the string quartet no.19 Dissonant Quartet in C major K.465, from The Six String Quartets for two violins, viola and cello dedicaded to Haydn, composed in Vienna in 1785 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2007 by Santino Cara. Versione per pianoforte del quartetto d'achi no.18 Quartetto dissonante in Do maggiore k.465, dai Sei Quartetti ad arco per due violini, viola e violoncello dedicati a Haydn, composto a Vienna nel 1785 e trascritto a Roma nel 2007 da Santino Cara. Movements - Movimenti: 1. Adagio - Allegro 2. Andante cantabile 3. Menuetto and Trio (Allegro) 4. Allegro.
$15.60 ≈
£12.12
Mozart – Complete String quartet no.18 in A major K464 for piano solo
Mozart – Complete String quartet no.18 in A major K464 for piano solo
#
Piano solo
#
ADVANCED
#
Classical
#
Mozart Wolfgang Amaceus
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.516759 Composed by Mozart Wolfgang Amaceus. Arranged by Santino Cara. Classical. Score. 25 pages. Santino...
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Piano Solo - Level 5 - Digital Download SKU: A0.516759 Composed by Mozart Wolfgang Amaceus. Arranged by Santino Cara. Classical. Score. 25 pages. Santino Cara #1967859. Published by Santino Cara (A0.516759). Piano version of the string quartet no.18 in A major K.464, from The Six String Quartets for two violins, viola and cello dedicaded to Haydn, composed in Vienna in 1785 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2007 by Santino Cara. == Versione per pianoforte del quartetto d'achi no.18 in La maggiore k.464, dai Sei Quartetti ad arco per due violini, viola e violoncello dedicati a Haydn, composto a Vienna nel 1785 e trascritto a Roma nel 2007 da Santino Cara. == Movements - Movimenti: 1. Allegro 2. Menuetto and Trio 3. Andante 4. Allegro.
$16.40 ≈
£12.74
Mozart – Complete String quartet no.17 in B flat major K458 for piano solo
Mozart – Complete String quartet no.17 in B flat major K458 for piano solo
#
Piano solo
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ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.516758 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 21 pages. Santino...
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Piano Solo - Level 5 - Digital Download SKU: A0.516758 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 21 pages. Santino Cara #1933589. Published by Santino Cara (A0.516758). Piano version of the string quartet no.17 in B flat major K.428 The Hunt, from The Six String Quartets for two violins, viola and cello dedicaded to Haydn, composed in Vienna in 1783 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2007 by Santino Cara. == Versione per pianoforte del quartetto d'archi n.17 in Si bemolle maggiore K.428 La Caccia dai Sei quartetti ad arco per due violini, viola e violoncello dedicati a Haydn, composti a Vienna tra 1783 e il 1785 da Wolfgang Amadeus Mozart, trascritti per pianoforte a Roma nel 2007 da Santino Cara. == Movements - Movimenti: 1. Allegro vivace assai 2. Menuetto (Moderato) and Trio 3. Adagio 4. Allegro assai.
$14.20 ≈
£11.03
Mozart – String quartet no.1 in G major K80 for piano solo
Mozart – String quartet no.1 in G major K80 for piano solo
#
Piano solo
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INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
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Santino Cara
#
Mozart – String quartet no.1
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Santino Cara
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.516729 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 12 pages. Santino...
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Piano Solo - Level 4 - Digital Download SKU: A0.516729 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 12 pages. Santino Cara #568743. Published by Santino Cara (A0.516729). The Quartet No.1 in G major K.80 string called Lodi's Quartet was composed for two violins, viola and cello between 1770 and 1773 by Wolfgang Amadeus Mozart during his stay in Italy. The quartet has been transcribed for solo piano in Rome in 2001 by Santino Cara. Movements: 1. Adagio 2. Allegro 3. Menuetto - Trio 4. Rondo.
$12.20 ≈
£9.48
Mozart – Complete String quartet no.8 in F major K168 for piano solo
Mozart – Complete String quartet no.8 in F major K168 for piano solo
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.516746 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 10 pages. Santino...
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Piano Solo - Level 4 - Digital Download SKU: A0.516746 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 10 pages. Santino Cara #1795655. Published by Santino Cara (A0.516746). Piano version of the string quartet no.8 in F major K.168, from The Six Viennese Quartets for two violins, viola and cello, composed in Vienna in 1773 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2003 by Santino Cara. Movements: 1. Allegro 2. Andante 3. Menuetto and Trio 4. Allegro.
$8.40 ≈
£6.53
Mozart – Complete String quartet no.10 in C major K170 for piano solo
Mozart – Complete String quartet no.10 in C major K170 for piano solo
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.516748 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 10 pages. Santino...
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Piano Solo - Level 4 - Digital Download SKU: A0.516748 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 10 pages. Santino Cara #1892627. Published by Santino Cara (A0.516748). Piano version of the string quartet no.10 in C major K.170, from The Six Viennese Quartets for two violins, viola and cello, composed in Vienna in 1773 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2003 by Santino Cara. Movements: 1. Andante 2. Menuetto and Trio 3. Un poco Adagio 4. Rondo: Allegro.
$10.20 ≈
£7.93
Mozart – Complete String quartet no.13 in D minor K173 for piano solo
Mozart – Complete String quartet no.13 in D minor K173 for piano solo
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.516751 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 13 pages. Santino...
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Piano Solo - Level 3 - Digital Download SKU: A0.516751 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 13 pages. Santino Cara #1910443. Published by Santino Cara (A0.516751). Piano version of the string quartet no.13 in D minor K.173, from The Six Viennese Quartets for two violins, viola and cello, composed in Vienna in 1773 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2003 by Santino Cara. Movements: 1. Allegro moderato 2. Andantino grazioso 3. Menuetto and Trio 4. Allegro moderato.
$12.40 ≈
£9.63
Mozart – Complete String quartet no.9 in A major K169 for piano solo
Mozart – Complete String quartet no.9 in A major K169 for piano solo
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Santino Cara
#
Mozart – Complete String qua
#
Santino Cara
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.516747 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 12 pages. Santino...
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Piano Solo - Level 4 - Digital Download SKU: A0.516747 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 12 pages. Santino Cara #1891715. Published by Santino Cara (A0.516747). Piano version of the string quartet no.9 in A major K.169, from The Six Viennese Quartets for two violins, viola and cello, composed in Vienna in 1773 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2003 by Santino Cara. Movements: 1. Molto Allegro 2. Andante 3. Menuetto and Trio 4. Rondeau: Allegro.
$10.40 ≈
£8.08
Mozart – Complete String quartet no.12 in B flat major K172 for piano solo
Mozart – Complete String quartet no.12 in B flat major K172 for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Santino Cara
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Mozart – Complete String qua
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.516750 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 13 pages. Santino...
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Piano Solo - Level 4 - Digital Download SKU: A0.516750 Composed by Wolfgang Amadeus Mozart. Arranged by Santino Cara. Classical. Score. 13 pages. Santino Cara #1900523. Published by Santino Cara (A0.516750). Piano version of the string quartet no.12 in B flat major K.172, from The Six Viennese Quartets for two violins, viola and cello, composed in Vienna in 1773 by Wolfgang Amadeus Mozart, transcribed for piano in Rome in 2003 by Santino Cara. Movements: 1. Allegro grazioso 2. Adagio 3. Menuetto and Trio 4. Allegro assai.
$12.20 ≈
£9.48
Nimrod (from The Enigma Variations)
Nimrod (from The Enigma Variations)
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Piano Quintet: piano, 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Edward Elgar
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David D
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Nimrod
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David D Mason
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.769968 Composed by Edward Elgar. Arranged by David D. Mason. ...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.769968 Composed by Edward Elgar. Arranged by David D. Mason. Contemporary,Patriotic,Sacred,Spiritual. Score and parts. 11 pages. David D Mason #4991553. Published by David D Mason (A0.769968). I have arranged Nimrod from The Enigma Variations by Elgar for String Quartet with optional 3rd Violin part and optional Piano accompaniment.
$8.99 ≈
£6.98
Christmas Strings: Cello and Bass With Piano Accomp.
Christmas Strings: Cello and Bass With Piano Accomp.
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Cello, Piano
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Christmas
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Donald Miller
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Christmas Strings: Cello and B
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Donald Miller. For Cello. Christmas. 60 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Donald Miller. For Cello. Christmas. 60 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609746254. Christmas Strings are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. Also available in the series are Christmas Strings: Violin 1 and 2 with Piano Accompaniment and Christmas Strings: Viola, Violin 3 and Ensemble Score.If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas.
$17.99 ≈
£13.98
Mozart: Romanze from K. 525 for Piano Quartet
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
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SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Class...
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95 ≈
£15.50
The Cascades
The Cascades
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Ragtime
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Scott Joplin
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Glen D
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The Cascades
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Glen D. Lienhart
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SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840285 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Folk,Ragtime...
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840285 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Folk,Ragtime. Score and parts. 24 pages. Glen D. Lienhart #3517613. Published by Glen D. Lienhart (A0.840285). Grade IV string trio with piano accompaniment. Includes trio parts for 3 violins, 2 violins and viola, 3 cellos, or viola and 2 cellos.
$18.00 ≈
£13.99
Sugar Cane
Sugar Cane
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Ragtime
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Scott Joplin
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Glen D
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Sugar Cane
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Glen D. Lienhart
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SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840298 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Folk,Ragtime...
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840298 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Folk,Ragtime. Score and parts. 22 pages. Glen D. Lienhart #3874573. Published by Glen D. Lienhart (A0.840298). Grade IV string trio with piano accompaniment. Includes trio parts for 3 violins, 2 violins and viola, or Violin, Viola, and Cello.
$18.00 ≈
£13.99
Ragtime Sentimental
Ragtime Sentimental
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James Scott
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Glen D
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Ragtime Sentimental
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Glen D. Lienhart
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SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840292 Composed by James Scott. Arranged by Glen D. Lienhart. Folk,Ragtime....
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.840292 Composed by James Scott. Arranged by Glen D. Lienhart. Folk,Ragtime. Score and parts. 22 pages. Glen D. Lienhart #3627317. Published by Glen D. Lienhart (A0.840292). Grade IV string trio with string orchestra. Includes trio parts for 3 violins, 2 violns and viola, or violin, viola, and cello.
$15.00 ≈
£11.65
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
£18.64
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Cello String Trio: 2 violins, viola
