Digital sheet music, access after purchasing
Sheetmusic to print
101 sheet music found 15 Favourite Hymns for Thanksgiving and Harvest for Viola and Piano
15 Favourite Hymns for Thanksgiving and Harvest for Viola and Piano # Viola, Piano # EASY # Sacred music # Various # 15 Favourite Hymns for Thanksg # David McKeown # SheetMusicPlus
Piano Accompaniment, Viola -
Early Intermediate - Digital
Download
Composed by Various. Arranged
by David McKeown. Christian,
Sacred, Praise and Worship,
G...(+)
Piano Accompaniment, Viola -
Early Intermediate - Digital
Download
Composed by Various. Arranged
by David McKeown. Christian,
Sacred, Praise and Worship,
General Worship,
Thanksgiving. Score, Solo
Part. 27 pages. Published by
David McKeown 15 Favourite Hymns for Thanksgiving and Harvest for Viola and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Viola and Piano. The file contains both the piano score and a separate part for the solo instrument.
15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two?s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.
The hymns are in alphabetical order and are as follows?
· All Things Bright and Beautiful, (The 29thMay)
· Come Thou Fount of Every Blessing, (Nettleton)
· Come, Ye Thankful People Come, (St George?s, Windsor)
· Count Your Blessings, (Blessings)
· For All the Blessings of the Year, (Oldbridge)
· For the Beauty of the Earth, (Dix)
· Now Thank We All Our God, (Nun Danket)
· O Store Gud, (Trad. Swedish, also used for How Great Thou Art)
· Praise God from Whom All Blessings Flow, (Old Hundredth)
· Praise My Soul, the King of Heaven, (Laude Anima)
· Praise to the Lord, the Almighty, (Lobe den Herren)
. Rejoice Today with One Accord, (Ein Feste Burg)
· We Gather Together, (Kremser)
· We Plough the Fields and Scatter, (Wir Pflügen)
· When Morning Gilds the Skies, (Laudes Domini) 18 Gospel Hymns Vol.2 for Solo Viola and Piano
18 Gospel Hymns Vol.2 for Solo Viola and Piano # Viola, Piano # EASY # Sacred music # Various # Worship # 18 Gospel Hymns Vol.2 for Solo # David McKeown # SheetMusicPlus
Piano Accompaniment, Viola -
Early Intermediate - Digital
Download
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred...(+)
Piano Accompaniment, Viola -
Early Intermediate - Digital
Download
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred,
Praise & Worship. Score, Solo
Part. 49 pages. Published by
David McKeown 18 Easy Gospel Hymns Vol.2 for Solo Viola and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.
The hymns are in alphabetical order and are as follows
· O Mary Don’t You Weep,
· O When the Saints,
· Old Time Religion,
· Onward Christian Soldiers,
· Rock of Ages,
· Shall We Gather at the River,
· Stand Up, Stand Up for Jesus,
· Standing in the Need of Prayer,
· Swing Low Sweet Chariot,
· Steal Away,
· There is a Fountain Filled with Blood,
· There is Power in the Blood,
· This Little Light of Mine,
· Wade in the Water,
· Were You There?
· What a Friend We Have in Jesus,
· When the Roll Is Called Up Yonder,
· When We All Get to Heaven.
If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Viola and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook. Moonrhymes (for 3 violins, viola and piano)
Moonrhymes (for 3 violins, viola and piano) # Piano Trio: Violin, Viola, Piano # ADVANCED # Gilad Cohen # Moonrhymes # Gilad Cohen # SheetMusicPlus
Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1205111 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 217 pages. Gilad Cohen #803298. ...(+)
Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1205111 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 217 pages. Gilad Cohen #803298. Published by Gilad Cohen (A0.1205111). Written with the theme of family in mind, Moonrhymes is based on nursery rhymes from different cultures. The piece is comprised of three movements (, in addition to an introduction and a finale, all played without a break): each of them focuses on a traditional song from a different origin: the English-Irish “Danny Boy,†the Latin “A La Nanita Nana,†and the Israeli-Yiddish “Numi Numi.† While such tunes have been sung as lullabies for many years, their lyrics are often more bleak than what might seem appropriate for bedtime. My treatment of these melodies takes them thus to mysterious, reflective, and dark places, using folk elements from various cultures. Moonrhymes plays with the question of what rhyming could mean in instrumental music.  Literal rhymes feature similarities in sound between words: the endings of rhyming words usually sound identical, while the beginnings are different.  Likewise, the themes of the piece are very similar to the original tunes, but each carries a significant musical difference in pitch, rhythm etc.  Additionally, many moments in the piece “rhyme†with one another:  Accompaniment figurations reoccur while supporting different tunes (such as a repeated arrpegiated minor-7th chord), sounds and textures repeat through the piece (such as “glassy†chordsin the violins using harmonics), and musical themes float again and again into the surface (such as the melody of “Rock-a-bye Baby,†another popular lullaby that features disturbing lyrics and serves as a transition between the movements).In the finale, all tunes—and cultures—join together: The Yiddish-based “Numi Numiâ€, with its Phyrygian mode, is heard in the bass and provides the foundation for “Danny Boy†an its iconic English-American useof the pentatonic scale, while also supporting figurations from both “Nanita†(featuring a highly-embellished minor-scale Spanish melody) and “Rock-a-bye Baby†(whose sweet melody is disguised under darker harmonies). Eine Kleine Nachtmusik - Allegro 1st movement - Violin, Viola and Piano
Eine Kleine Nachtmusik - Allegro 1st movement - Violin, Viola and Piano # Piano Trio: Violin, Viola, Piano # INTERMEDIATE # Classical # Wolfgang Amadeus Mozart # Anne L Christopherson GRSM ARC # Eine Kleine Nachtmusik - Alleg # Music-Scores.com # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.722381 Composed by Wolfgang Amadeus Mozart. Arranged by...(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.722381 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Film/TV,Holiday,Wedding. Score and parts. 24 pages. Music-Scores.com #6444121. Published by Music-Scores.com (A0.722381). The very well known Allegro, the 1st movement from Eine Kleine Nachtmusik, is loved by amateur and professional players alike for its simple exuberance. The title is either translated as A little Night Music, or A Little Serenade and was not published until after Mozart's death. Heavily featured in the award winning film, Amadeus.Arranged for Violin, Viola and Piano.Duration nearly 8 minutes with both repeats.Arranged by Anne L Christopherson at https://www.music-scores.com Cello and Piano String Sampler Sheet Music
Cello and Piano String Sampler # Cello, Piano # EASY # Classical # Robin Kay
Deverich # Cello and Piano String Sampler # Global Music
School String Publications # SheetMusicPlus
Piano Accompaniment, Cello -
Early Intermediate - Digital
Download
Arranged by Robin Kay
Deverich. 255 pages.
Published by Global Music
School String...(+)
Piano Accompaniment, Cello -
Early Intermediate - Digital
Download
Arranged by Robin Kay
Deverich. 255 pages.
Published by Global Music
School String Publications This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!
*No guarantees are made that these sound files and websitewill be available indefinitely.
Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy. It's You I Like from MISTER ROGERS' NEIGHBORHOOD
It's You I Like from MISTER ROGERS' NEIGHBORHOOD # Piano Trio: Violin, Viola, Piano # INTERMEDIATE/ADVANCED # Fred Rogers # Cathy Stamegna # Set of Parts.  # It's You I Like from MISTER RO # Cathy Stamegna # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.780494 Composed by Fred Rogers. Arranged by Cathy Stame...(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.780494 Composed by Fred Rogers. Arranged by Cathy Stamegna. Children,Contemporary,Film/TV,Jazz,Pop. Score and parts. 13 pages. Cathy Stamegna #4969997. Published by Cathy Stamegna (A0.780494). It's You I Like from MISTER ROGERS' NEIGHBORHOOD (Violin/Viola Duet, Chords, Optional Piano Acc.) begins with Mister Rogers' thoughtful lyrics/traditional melody and transitions to a jazz/pop sound. Set of Parts. Other vocal and instrumental arrangements available; piano acc. recommended for two-part arrangements. Graded Advanced Intermediate because of rhythms, harmonies in the jazz/pop section. Greensleeves (for violin, viola and piano)
Greensleeves (for violin, viola and piano) # Piano Trio: Violin, Viola, Piano # EASY # Traditional # Henrique Oliveira # Greensleeves # Henrique Oliveira # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1174512 Composed by Traditional. Arranged by Henrique O...(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1174512 Composed by Traditional. Arranged by Henrique Oliveira. 19th Century,Baroque,Chamber,Classical,Traditional. 13 pages. Henrique Oliveira #774681. Published by Henrique Oliveira (A0.1174512). Arrangement of Greensleeves for violin, viola and piano, perfect to play among your friends, students or family. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page. Almost May for Piano Solo
Almost May for Piano Solo # Piano solo # EASY # Heidi Savoie # Heidi Savoie # Almost May for Piano Solo # Heidi Savoie # SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Pachelbel: Canon in D for Piano Quartet
Pachelbel: Canon in D for Piano Quartet # Piano Quartet: piano, violin, viola, cello # INTERMEDIATE # Classical # Johann Pachelbel # James M # Pachelbel: Canon in D for Pian # jmsgu3 # SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instruction...(+)
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. Jingle Bells for Piano Quartet
Jingle Bells for Piano Quartet # Piano Quartet: piano, violin, viola, cello # INTERMEDIATE # Christmas # James Pierpont # James M # Jingle Bells for Piano Quartet # jmsgu3 # SheetMusicPlus
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3...(+)
Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.  Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by Vikíngur Olafsson)
Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by Vikíngur Olafsson) # Piano Accompaniment # INTERMEDIATE/ADVANCED # Sigvaldi Kaldalóns, VÃki # Flavio Regis Cunha # Kaldalóns: Ave Maria for Stri # Flavio Regis Cunha # SheetMusicPlus
Cello,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.1243786 By Sigvaldi Kaldalóns, VÃkingur Ólafsson and Flavio Regis C...(+)
Cello,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.1243786 By Sigvaldi Kaldalóns, VÃkingur Ólafsson and Flavio Regis Cunha. By Sigvaldi Kaldalóns. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Sacred,Wedding. 21 pages. Flavio Regis Cunha #838757. Published by Flavio Regis Cunha (A0.1243786). Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by VÃkingur Ólafsson).This is a beautiful melody by the composer Sigvaldi Kaldalóns. This is a catchy, melancholy and very sentimental melody. Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by VÃkingur Ólafsson). This is a beautiful melody by the composer Sigvaldi Kaldalóns. This is a catchy, melancholy and very sentimental melody. Sigvaldi Kaldalóns (Stefánsson) (13 January 1881 - 28 July 1946) was an Icelandic composer and doctor. Unlike the avant-garde composers of his day, he wrote in a traditional romantic style and composed many of Iceland's most famous and widely performed songs, many of which are now wrongly assumed to be folk songs. His particular skill was in capturing the spirit of poems in his melodies, making him Iceland's foremost lyric composer.The arrangement written here for string quartet is based on VÃkingur Ólafsson's beautiful interpretation. Now your quartet can play it in a variety of settings, from weddings to religious services to recitals. This wonderful piece by Kaldalóns is a must-have in your quartet's repertoire, and you will be enchanted by the beauty of the music and the intense emotions it can evoke. I hope you enjoy the arrangement, designed exclusively for string quartet. The Piano is based exactly on VÃkingur Ólafsson's interpretation.Advanced Intermediate level.Format: Concert, 9 x 12 inches21 pages.Kaldalóns: Ave Maria für Streichquartett und Klavierbegleitung (gespielt von VÃkingur Ólafsson).Dies ist eine schöne Melodie des KomponistenDies ist eine eingängige, melancholische und sehr gefühlvolle Melodie. Sigvaldi Kaldalóns (Stefánsson) (13. Januar 1881 - 28. Juli 1946) war ein isländischer Komponist und Arzt. Im Gegensatz zu den Avantgarde-Komponisten seiner Zeit schrieb er in einem traditionellen romantischen Stil und komponierte viele der berühmtesten und meistgespielten isländischen Lieder, von denen viele heute fälschlicherweise für Volkslieder gehalten werden. Seine besondere Fähigkeit bestand darin, den Geist von Gedichten in seinen Melodien einzufangen, was ihn zu Islands führendem lyrischen Komponisten machte.Das hier vorliegende Arrangement für Streichquartett basiert auf der wunderschönen Interpretation von VÃkingur Ólafsson. Jetzt kann Ihr Quartett das Stück in einer Vielzahl von Situationen spielen, von Hochzeiten über Gottesdienste bis hin zu Konzerten. Dieses wunderbare Stück von Kaldalons ist ein Muss im Repertoire Ihres Quartetts, und Sie werden von der Schönheit der Musik und den intensiven Gefühlen, die sie hervorrufen kann, verzaubert sein. Ich wünsche Ihnen viel Spaß mit dem Arrangement, das ausschließlich für Streichquartett geschrieben wurde. Das Klavier basiert genau auf der Interpretation von VÃkingur Ólafsson. Toccata, for piano quintet
Toccata, for piano quintet # Piano Quartet: piano, violin, viola, cello # ADVANCED # Panagiotis Theodossiou # Toccata, for piano quintet # Panagiotis Theodossiou # SheetMusicPlus
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.886751 Composed by Panagiotis Theodossiou. Concert,Contempora...(+)
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.886751 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 28 pages. Panagiotis Theodossiou #6353361. Published by Panagiotis Theodossiou (A0.886751). Toccata for piano solo (2010, op.45.b) is an excerpt by the composer's three-part piano solo suite Scenes from Ancient Greece (2010). The work is also transcribed for violin solo (op.45c) in 2019 and dedicated to soloist Tania Sikelianou. Other transcriptions, for flute, violin, cello, and piano op.45d (2021) and piano quintet op.45e (2021).www.youtube.com/watch?v=5t_kWkL8dOU