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56 sheet music found ARIOSO, by J. S. Bach (sinfonia) - for Marimba (Grand Staff) and accompaniment
ARIOSO, by J. S. Bach (sinfonia) - for Marimba (Grand Staff) and accompaniment # Easy Piano # BEGINNER # Classical # Johann Sebastian Bach # Leyandder Trustworthy # ARIOSO, by J. S. Bach # Leyandder Trustworthy # SheetMusicPlus
Marimba Solo,Piano - Level 1 - Digital Download SKU: A0.964401 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructiona...(+)
Marimba Solo,Piano - Level 1 - Digital Download SKU: A0.964401 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Individual part. 1 pages. Leyandder Trustworthy #6322279. Published by Leyandder Trustworthy (A0.964401). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Marimba (Grand Staff) along with a piano accompaniment that comes with the product. Silk Fan - Beginner Mallet Solo with piano accompaniment (marimba, xylophone, vibraphone)
Silk Fan - Beginner Mallet Solo with piano accompaniment (marimba, xylophone, vibraphone) # Piano Accompaniment # Stella ter Hart # Silk Fan - Beginner Mallet Sol # Stella terHart # SheetMusicPlus
Marimba,Piano,Vibraphone,Xylophone - Digital Download SKU: A0.890666 Composed by Stella ter Hart. Instructional,Multicultural,Standards,World. 4 pages. S...(+)
Marimba,Piano,Vibraphone,Xylophone - Digital Download SKU: A0.890666 Composed by Stella ter Hart. Instructional,Multicultural,Standards,World. 4 pages. Stella terHart #6209989. Published by Stella terHart (A0.890666). Written specifically for the beginner, Silk Fan is a lovely, delightful first solo suitable for any mallet instrument. Utilizing essential beginning elements, techniques learned are emphasized in this piece including rolls, two-handed passages, dynamics, attacks, double notes all combined with basic notes and easy rhythms. A perfect recital, festival or first concert piece.Key: C+Tempo: allegretto Aleluia (HALLELUJAH), of the Messiah - for Marimba (Grand Staff) with 4 drum sticks
Aleluia (HALLELUJAH), of the Messiah - for Marimba (Grand Staff) with 4 drum sticks # Piano, Vocal and Guitar # BEGINNER # Classical # George Frideric Handel # Leyandder Trustworthy # Aleluia # Leyandder Trustworthy # SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964464 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Chris...(+)
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964464 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 2 pages. Leyandder Trustworthy #6328053. Published by Leyandder Trustworthy (A0.964464). The Hallelujah (Aleluia) is part of the oratorio Messiah, which is the most famous work by the German composer Georg Friedrich Händel. Oratorio is a genre of musical composition basically sung, being widely used, besides the orchestra, vocal solos and choir. It generally narrates biblical themes.The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated. The Bassarids
The Bassarids # Hans Werner Henze # The Bassarids # Schott Music - Digital # SheetMusicPlus
Digital Download SKU: S9.Q49517 Music Drama in One Act. Composed by Hans Werner Henze. This edition: vocal/piano score. Downloadable, Piano reduct...(+)
Digital Download SKU: S9.Q49517 Music Drama in One Act. Composed by Hans Werner Henze. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 120 minutes. Schott Music - Digital #Q49517. Published by Schott Music - Digital (S9.Q49517). English • German.Revidierte Fassung (1992) Orchester : 4 (2. mit B-Fuss, 3. auch Picc., 4. auch Altfl. u. Picc.) * 2 * 2 Engl. Hr. * 4 (3., 4. auch Altsax., 4. auch Es-Klar.) * Bassklar. (auch Altsax. u. Tenorsax.) * 4 (4. auch Kfg.) - 6 * 4 (4. auch Basstrp..) * 3 * 2 - P. S. (3 Kuhgl. * kl. Trgl. * hg. Beck. * Beckenpaar * 3 Tamt. * kl. Tr. * Mil. Tr. [m. u. o. Schnarrs.] * 3 Tomt. * 3 Bong. * Holztr. * gr. Tr. [mit oder ohne Beck.] * Mar. * Peitsche * Ratsche * Metallbl. * Glsp. * Xyl. * Vibr. * Marimba * Fingerzimb. * Rohrengl.) (8 Spieler) - 2 Hfn. * 2 Klav. * Cel. - Str. Auf der Buhne: 4 Hr. (auch durch Trp. im Orchester ersetzbar) * 2 Git. * 2 Mand. * 3 Kuhgl. Revidierte und reduzierte Fassung (1992) Orchester: 4 (2. mit B-Fuss, 3. auch Picc., 4. auch Altfl. u. Picc.) * 2 * 2 Engl. Hr. * 4 (3. auch Altsax., 4. auch Altsax., Tenorsax. u. Bassklar.) * 4 (4. auch Kfg.) - 4 * 4 * Basstrp. * 3 * 1 - P. S. (3 Kuhgl. * kl. Trgl. * Rohrengl. * hg. Beck. * Beck. * 3 Tamt. * 3 Tomt. * Tamb. * Mil. Tr. [m. u. o. Schnarrs.] * 3 Bong. * Holztr. * gr. Tr. [mit oder ohne Beck.] * Mar. * Peitsche * Metallbl. * Xyl. * Vibr. * Mar.) (8 Spieler) - Hfe. * Klav. (auch zu 4 Hd. ad lib.) * Cel. * Mand. - Str. Hinter der Buhne: 4 Trp. (auch durch Trp. im Orchester ersetzbar) - Git. * 2 Mand. - 3 Kuhgl. (ad lib.) Prolog (ad lib.): Dionysus * Tenor - P. S. (Legno * gr. Tr. * Vibr. * Marimba) - Hfe. * Klav. - TonbandRevidierte Fassung (1992) Orchester : 4 (2. mit B-Fuß, 3. auch Picc., 4. auch Altfl. u. Picc.) · 2 · 2 Engl. Hr. · 4 (3., 4. auch Altsax., 4. auch Es-Klar.) · Bassklar. (auch Altsax. u. Tenorsax.) · 4 (4. auch Kfg.) – 6 · 4 (4. auch Basstrp..) · 3 · 2 – P. S. (3 Kuhgl. · kl. Trgl. · hg. Beck. · Beckenpaar · 3 Tamt. · kl. Tr. · Mil. Tr. [m. u. o. Schnarrs.] · 3 Tomt. · 3 Bong. · Holztr. · gr. Tr. [mit oder ohne Beck.] · Mar. · Peitsche · Ratsche · Metallbl. · Glsp. · Xyl. · Vibr. · Marimba · Fingerzimb. · Röhrengl.) (8 Spieler) – 2 Hfn. · 2 Klav. · Cel. – Str. Auf der Bühne: 4 Hr. (auch durch Trp. im Orchester ersetzbar) · 2 Git. · 2 Mand. · 3 Kuhgl. Revidierte und reduzierte Fassung (1992) Orchester: 4 (2. mit B-Fuß, 3. auch Picc., 4. auch Altfl. u. Picc.) · 2 · 2 Engl. Hr. · 4 (3. auch Altsax., 4. auch Altsax., Tenorsax. u. Bassklar.) · 4 (4. auch Kfg.) – 4 · 4 · Basstrp. · 3 · 1 – P. S. (3 Kuhgl. · kl. Trgl. · Röhrengl. · hg. Beck. · Beck. · 3 Tamt. · 3 Tomt. · Tamb. · Mil. Tr. [m. u. o. Schnarrs.] · 3 Bong. · Holztr. · gr. Tr. [mit oder ohne Beck.] · Mar. · Peitsche · Metallbl. · Xyl. · Vibr. · Mar.) (8 Spieler) – Hfe. · Klav. (auch zu 4 Hd. ad lib.) · Cel. · Mand. – Str. Hinter der Bühne: 4 Trp. (auch durch Trp. im Orchester ersetzbar) – Git. · 2 Mand. – 3 Kuhgl. (ad lib.) Prolog (ad lib.): Dionysus · Tenor – P. S. (Legno · gr. Tr. · Vibr. · Marimba) – Hfe. · Klav. – Tonband. Ferrocarril de los Altos. Fox Guatemalteco por Domingo Bethancourt Mazariegos
Ferrocarril de los Altos. Fox Guatemalteco por Domingo Bethancourt Mazariegos # Piano solo # INTERMEDIATE/ADVANCED # Domingo Bethancourt Mazariegos # Juan Carlos Cortés Aguirre # Ferrocarril de los Altos. Fox # Juan Carlos Cortés Aguirre # SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1120188 By Domingo Bethancourt Mazariegos. By Domingo Bethancourt Mazariegos. Arranged by Juan Carlos Cor...(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1120188 By Domingo Bethancourt Mazariegos. By Domingo Bethancourt Mazariegos. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721506. Published by Juan Carlos Cortés Aguirre (A0.1120188). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. El maestro Domingo Bethancourt Mazariegos (Quetzaltenango, 1906-1980) fue un marimbista y compositor guatemalteco. Sus obras para marimba se encuentran entre las más populares de Centro américa. Para la inauguración del Ferrocarril de los Altos, Mingo (como le decÃan a Domingo Bethancourt) compuso una melodÃa con ese nombre, de tan grande éxito, que muy pronto fue grabada en Estados Unidos por la marimba Centroamericana. Un tren convertido en melodÃa inmortal El 30 de marzo de 1930 fue inaugurado el ferrocarril de Los Altos, tren eléctrico cuya vÃa conectaba a Retalhuleu con Quetzaltenango. El ambiente era festivo y en el aire vibró la melodÃa conmemorativa de un joven compositor llamado Román Domingo Bethancourt Mazariegos, UNA LEYENDA MUSICAL Campana y pito preceden a la festiva melodÃa Ferrocarril de Los Altos. Tal composición de Domingo Bethancourt surgió para celebrar el nuevo tren eléctrico de occidente. La construcción empezó en septiembre de 1924, concesionada a una firma alemana. El costo final serÃa de 8 millones de Quetzales. Empezó a funcionar el 30 de marzo de 1930, pero solo duró tres años. Problemas financieros y el fuerte invierno de 1933 golpearon el proyecto que pretendÃa extenderse al Occidente del paÃs, pero que al final fue desmantelado. ¿Cómo se financió el Ferrocarril de Los Altos? Con nostalgia, los quetzaltecos, guardan como recuerdo del Ferrocarril de Los Altos, un monumento ubicado en el Parque Guzmán, de Totonicapán y la conocida melodÃa nacional de marimba, obra de Domingo Betancourt, que lleva el nombre de este innovador proyecto. A Night In Tunisia
A Night In Tunisia # Jazz # Dizzy Gillespie # Keith Terrett # A Night In Tunisia # Keith Terrett # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and...(+)
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.