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You've selected:
Julia Ward Howe
PIANO
Sheetmusic to print
36 sheet music found
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1
26
Battle Hhmy Of Teh Republic
Battle Hhmy Of Teh Republic
#
C Instruments
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Julia Ward Howe
#
John Fries
#
Battle Hhmy Of Teh Republic
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1381055 Composed by Julia Ward Howe. Arranged by John Fries. Christian,Patriotic,Praise & Worship,Relig...
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C Instrument - Level 4 - Digital Download SKU: A0.1381055 Composed by Julia Ward Howe. Arranged by John Fries. Christian,Patriotic,Praise & Worship,Religious,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #965773. Published by John Fries (A0.1381055). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle Hymn of the Republic is a popular American patriotic song written by the abolitionist writer Julia Ward Howe. It is also known as Mine Eyes Have Seen the Glory or Glory, Glory Hallelujah outside of the United States. The song was written in 1861 at the outbreak of the Civil War, and was called forth by the sight of troops for the seat of war. It was published in February, 1862, in The Atlantic Monthly.
$3.99 ≈
3.68€
Battle Hymn of the Republic
Battle Hymn of the Republic
#
Piano, Voice
#
EASY
#
Julia Ward Howe
#
Hal Wright
#
Battle Hymn of the Republic
#
Tyler Hilderbrand
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.873069 Composed by Julia Ward Howe. Arranged by Hal Wright. Children,Patriotic. Score. 10 pages. T...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.873069 Composed by Julia Ward Howe. Arranged by Hal Wright. Children,Patriotic. Score. 10 pages. Tyler Hilderbrand #3508457. Published by Tyler Hilderbrand (A0.873069). This composition is easy-to-read, fun to play, and features a single line melody along with the full score for the intermediate piano player. Guitar chords also included. Perfect for use at home or school. Professional arrangement by Hal Wright.
$2.99 ≈
2.76€
Battle Hymn of the Republic for 2 Pianos
Battle Hymn of the Republic for 2 Pianos
#
Words by Julia Ward Howe, Trad
#
Lauri Wood
#
Battle Hymn of the Republic fo
#
Woodridge Music Studio, LLC
#
SheetMusicPlus
Instrumental Duet - Level 4 - Digital Download SKU: A0.923244 Composed by Words by Julia Ward Howe, Traditional American Melody. Arranged by Lauri Wood. ...
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Instrumental Duet - Level 4 - Digital Download SKU: A0.923244 Composed by Words by Julia Ward Howe, Traditional American Melody. Arranged by Lauri Wood. Folk,Holiday,Patriotic. 13 pages. Woodridge Music Studio, LLC #3866255. Published by Woodridge Music Studio, LLC (A0.923244). An energetic arrangement of this popular patriotic piece featuring solos between the 2 pianos. For advanced intermediate players.
$8.00 ≈
7.39€
The Battle Hymn of the Republic
The Battle Hymn of the Republic
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Amy J
#
Amy J
#
The Battle Hymn of the Republi
#
Amy J. Snyder
#
SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1106022 By Amy J. Snyder. By lyrics by Julia Ward Howe and traditional folk melody. Arranged by Amy J. Snyder....
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Piano - Level 4 - Digital Download SKU: A0.1106022 By Amy J. Snyder. By lyrics by Julia Ward Howe and traditional folk melody. Arranged by Amy J. Snyder. Folk,Historic,Holiday,Jazz,Patriotic. Full Performance. Duration 252. Amy J. Snyder #709162. Published by Amy J. Snyder (A0.1106022). The Battle Hymn of the Republic in piano solo, advanced intermediate level, in a unique style of light jazz. Great for patriotic gatherings and holidays.
$2.25 ≈
2.08€
Battle Hymn of the Republic Piano and Voice
Battle Hymn of the Republic Piano and Voice
#
Piano, Voice
#
INTERMEDIATE
#
Julia Ward Howe and William St
#
Brian Lockard
#
Battle Hymn of the Republic Pi
#
Brian Lockard
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.741369 Composed by Julia Ward Howe and William Steffe. Arranged by Brian Lockard. Christian,Holida...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.741369 Composed by Julia Ward Howe and William Steffe. Arranged by Brian Lockard. Christian,Holiday,Patriotic. Score. 4 pages. Brian Lockard #5307841. Published by Brian Lockard (A0.741369). Straight-forward march setting of four verses. Great for congregational singing.
$3.99 ≈
3.68€
Battle Hymn of the Republic
Battle Hymn of the Republic
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
William Steffe
#
James J Morehead
#
Battle Hymn of the Republic
#
James J. Morehead
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1137156 Composed by William Steffe. Arranged by James J Morehead. Classical,Opera,Patriotic,Sacred...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1137156 Composed by William Steffe. Arranged by James J Morehead. Classical,Opera,Patriotic,Sacred,Traditional. Score. 5 pages. James J. Morehead #737305. Published by James J. Morehead (A0.1137156). Lovely Patriotic Arrangement of The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory or Glory, Glory, Hallelujah. Each verse modulates to a new exciting key with Julia Ward Howe's original lyrics from her first, sixth and fifth published verses. A lovely call and response between the piano and the singer complete the final chorus. Exciting solo setting.
$1.99 ≈
1.84€
The Battle Hymn of the Repubulic
The Battle Hymn of the Repubulic
#
Piano, Voice
#
EASY
#
Julia Ward Howe
#
Hal Wright
#
The Battle Hymn of the Repubul
#
Tyler Hilderbrand
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.873128 Composed by Julia Ward Howe. Arranged by Hal Wright. Children,Christian,Christmas,Instructi...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.873128 Composed by Julia Ward Howe. Arranged by Hal Wright. Children,Christian,Christmas,Instructional. Score. 10 pages. Tyler Hilderbrand #3509573. Published by Tyler Hilderbrand (A0.873128). This composition is easy-to-read, fun to play, and features a single line melody along with the full score for the intermediate piano player. Guitar chords also included. Perfect for use at home or school. Professional arrangement by Hal Wright.
$2.99 ≈
2.76€
Battle Hymn of the Republic (Vencendo vem Jesus)
Battle Hymn of the Republic (Vencendo vem Jesus)
#
Piano, Vocal and Guitar
#
EASY
#
Sacred music
#
Julia Ward Howe
#
Davis Munhoz
#
Battle Hymn of the Republic
#
DAVIS MUNHOZ
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.963793 Composed by Julia Ward Howe. Arranged by Davis Munhoz. Christian,Praise & Worship. S...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.963793 Composed by Julia Ward Howe. Arranged by Davis Munhoz. Christian,Praise & Worship. Score. 41 pages. DAVIS MUNHOZ #4312257. Published by DAVIS MUNHOZ (A0.963793). Arranjos simplificados, mas que soam bem, independentemente do nÃvel da sua orquestra. Para Deus, toda a glória!
$9.99 ≈
9.23€
Battle Hymn of the Republic
Battle Hymn of the Republic
#
Piano solo
#
INTERMEDIATE
#
Julia Ward Howe
#
Jacki Alexander
#
Battle Hymn of the Republic
#
Jacki Alexander
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.821473 Composed by Julia Ward Howe. Arranged by Jacki Alexander. Christian,Folk,Holiday,Patriotic. Score....
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Piano Solo - Level 3 - Digital Download SKU: A0.821473 Composed by Julia Ward Howe. Arranged by Jacki Alexander. Christian,Folk,Holiday,Patriotic. Score. 5 pages. Jacki Alexander #3556963. Published by Jacki Alexander (A0.821473). Arranged by Jacki Alexander, Premier Piano Music, Battle Hymn of the Republic is written in the lyrical style in the key of G major for the intermediate pianist. Syncopation, shifting tempos and wide dynamic shifts make this arrangement a magnificent patriotic piece for U.S.A. holidays! For more of Jacki's music, continue looking here at Sheet Music Plus, where Jacki is a past winner of the Holiday Arranging Contest, and at www.PremierPianoMusic.com, where she is a co-owner and composer. .
$5.25 ≈
4.85€
The Battle Hymn
The Battle Hymn
#
Piano solo
#
EASY
#
Justin Unger
#
Sérgio Matias da Cunha
#
The Battle Hymn
#
Sérgio Matias da Cunha
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1304383 By Justin Unger. By Greg Bieck, Julia Ward Howe, and Justin Unger. Arranged by Sérgio Matias d...
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Piano Solo - Level 2 - Digital Download SKU: A0.1304383 By Justin Unger. By Greg Bieck, Julia Ward Howe, and Justin Unger. Arranged by Sérgio Matias da Cunha. Country,Historic,Instructional,Patriotic,Religious. Score. 1 pages. Sérgio Matias da Cunha #893875. Published by Sérgio Matias da Cunha (A0.1304383). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, dedilhado e células rÃtmicas envolvendo quartos de tempo, apresentando um acompanhamento estratégico e harmonioso, baseado em quintas e oitavas justas simultâneas, buscando o melhor efeito com simplicidade e precisão. Arranjo com efeito inspirador, imponente e altivo, enfatizando o caráter tético e resoluto deste tradicional e empolgante tema musical. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa.
$4.99 ≈
4.61€
Battle Hymn Of The Republic
Battle Hymn Of The Republic
#
Piano solo
#
EASY
#
Julia Ward Howe, William Steff
#
Harvey Minchin
#
Battle Hymn Of The Republic
#
Harvey Minchin
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.881277 Composed by Julia Ward Howe, William Steffe. Arranged by Harvey Minchin. Gospel,Holiday,Patriotic,...
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Piano Solo - Level 2 - Digital Download SKU: A0.881277 Composed by Julia Ward Howe, William Steffe. Arranged by Harvey Minchin. Gospel,Holiday,Patriotic,Spiritual. Score. 3 pages. Harvey Minchin #3460087. Published by Harvey Minchin (A0.881277). 2018 Keyboard Contest Entry - Public Domain Keyboard Solo - This arrangement for solo piano is a great recital piece and certainly a crowd favorite. It is perfect for any patriotic themed performance or as a closing or encore piece for any performance. The piece starts soft and builds to a full march.
$3.99 ≈
3.68€
BATTLE HYMN OF THE REPUBLIC
BATTLE HYMN OF THE REPUBLIC
#
Piano solo
#
EASY
#
Patriotic
#
Julia Ward Howe
#
Ginny Lee Wright
#
BATTLE HYMN OF THE REPUBLIC
#
Ginny Lee Wright
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.919509 Composed by Julia Ward Howe. Arranged by Ginny Lee Wright. Christian,Concert,Holiday,Instructional...
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Piano Solo - Level 2 - Digital Download SKU: A0.919509 Composed by Julia Ward Howe. Arranged by Ginny Lee Wright. Christian,Concert,Holiday,Instructional,Patriotic. Score. 2 pages. Ginny Lee Wright #3407847. Published by Ginny Lee Wright (A0.919509). Energetic melody against a marching left hand. Perfect for patriotic gatherings or recital. Encourages softer touch students to work on a firmer, yet artistic, touch on the keys. Enjoyable to play. Enjoyable to hear. .
$3.99 ≈
3.68€
Battle Hymn of the Republic - piano solo with lyrics and chords
Battle Hymn of the Republic - piano solo with lyrics and chords
#
Piano solo
#
INTERMEDIATE
#
Julia Ward Howe
#
Kaleb Brasee
#
Key of G
#
Battle Hymn of the Republic -
#
Kaleb Brasee
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.894336 Composed by Julia Ward Howe. Arranged by Kaleb Brasee. Folk,Patriotic,Sacred. Score. 5 page...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.894336 Composed by Julia Ward Howe. Arranged by Kaleb Brasee. Folk,Patriotic,Sacred. Score. 5 pages. Kaleb Brasee #5989565. Published by Kaleb Brasee (A0.894336). Piano arrangement for the hymn and patriotic song Battle Hymn of the Republic. Key of G. 3 verses on 5 pages for piano/keyboard, with lyrics and chords. Based on the YouTube video by Kaleb Brasee.
$1.99 ≈
1.84€
The Battle Hymn
The Battle Hymn
#
Piano solo
#
EASY
#
Justin Unger
#
Sérgio Matias da Cunha
#
The Battle Hymn
#
Sérgio Matias da Cunha
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1269397 By Justin Unger. By Greg Bieck, Julia Ward Howe, and Justin Unger. Arranged by Sérgio Matias d...
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Piano Solo - Level 2 - Digital Download SKU: A0.1269397 By Justin Unger. By Greg Bieck, Julia Ward Howe, and Justin Unger. Arranged by Sérgio Matias da Cunha. Easter,Instructional,March,Patriotic,Praise & Worship. Score. 1 pages. Sérgio Matias da Cunha #861917. Published by Sérgio Matias da Cunha (A0.1269397). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, dedilhado e células rÃtmicas envolvendo quartos de tempo, apresentando um acompanhamento estratégico e harmonioso, baseado em quintas e oitavas justas simultâneas, buscando o melhor efeito com simplicidade e precisão. Arranjo com efeito inspirador, imponente e altivo, enfatizando o caráter tético e resoluto deste tradicional e empolgante tema musical. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99 ≈
4.61€
The Battle Hymn of the Republic - Piano Solo
The Battle Hymn of the Republic - Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Julia Ward Howe
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K
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The Battle Hymn of the Republi
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K L Phillips
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SheetMusicPlus
Composed by Julia Ward Howe (text) and William Steffe (music). Arranged by K.L. Phillips. Christian, Concert, Holiday, Patriotic, Sacred. Score. 5 pag...
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Composed by Julia Ward Howe (text) and William Steffe (music). Arranged by K.L. Phillips. Christian, Concert, Holiday, Patriotic, Sacred. Score. 5 pages. K L Phillips #6346479. Published by K L Phillips
$3.99 ≈
3.68€
Battle Hymn of the Republic Trio (1 Piano, 6 Hands)
Battle Hymn of the Republic Trio (1 Piano, 6 Hands)
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1 Piano, 6 hands
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EASY
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Americana
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Julia Ward Howe
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Michelle Ayler
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Battle Hymn of the Republic Tr
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MEA Music
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SheetMusicPlus
1 Piano 6 Hands - Early Intermediate - Digital Download Composed by Julia Ward Howe. Arranged by Michelle Ayler. Christian, Repertoire, Fourth of Jul...
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1 Piano 6 Hands - Early Intermediate - Digital Download Composed by Julia Ward Howe. Arranged by Michelle Ayler. Christian, Repertoire, Fourth of July, Recital, Patriotic. Score, Set of Parts, Sheet Music Single. 7 pages. Published by MEA Music
$5.95 ≈
5.50€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.16€
Battle Hymn of the Republic by Julia Ward Howe - Piano/Vocal, Singer Pro
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Piano, Voice
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Julia Ward Howe
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Battle Hymn of the Republic
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Musicnotes
Performed by: The Irish Tenors: Battle Hymn of the Republic Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: The Irish Tenors: Battle Hymn of the Republic Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal, instruments: Piano;Voice; 5 pages -- Holiday & Special Occasion~~Patriotic~~Americana
$5.79 ≈
5.35€
Battle Hymn Of The Republic
Battle Hymn Of The Republic
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Easy Piano
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EASY
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Julia Ward Howe
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Hymn
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Battle Hymn Of The Republic
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Julia Ward Howe. American; Hymn; Patriotic. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.27284). - - American; Hymn; Patriotic - Hal Leonard ...
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By Julia Ward Howe. American; Hymn; Patriotic. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.27284). - - American; Hymn; Patriotic - Hal Leonard - Digital Sheet Music
$3.99 ≈
3.68€
The Battle Hymn of the Republic - for intermediate piano
The Battle Hymn of the Republic - for intermediate piano
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Easy Piano
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INTERMEDIATE
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Julia Ward Howe, William Steff
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Samuel Stokes
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The Battle Hymn of the Republi
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SamuelStokesMusic.com
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SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.560653 Composed by Julia Ward Howe, William Steffe. Arranged by Samuel Stokes. Folk,Holiday,Patriotic,Tra...
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Easy Piano - Level 3 - Digital Download SKU: A0.560653 Composed by Julia Ward Howe, William Steffe. Arranged by Samuel Stokes. Folk,Holiday,Patriotic,Traditional. Score. 1 pages. SamuelStokesMusic.com #2331271. Published by SamuelStokesMusic.com (A0.560653). This is an intermediate piano arrangement of The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$2.99 ≈
2.76€
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