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4 sheet music found IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement
IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement # Piano, Voice # INTERMEDIATE # Chinese Lyrics by HU XING - TI # ROBERT VAN HORNE # IWOMAH? # White Piano International Publishing # SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HO...(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Instructional,Multicultural,New Age,Romantic Period,Singer/Songwriter,World. Score. 6 pages. White Piano International Publishing #997105. Published by White Piano International Publishing (A0.1415786). IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal by ROBERT VAN HORNE & HU XING - TING 胡ç»å»·6 pagesIWOMAH? (DO YOU STILL LOVE ME?) was initially composed and published as a piano solo back in 1993. Currently featured on Robert's album “CHINA LOVE,†this piece is available as an early and advanced intermediate piano solo for purchase on SHEET MUSIC PLUS and SHEET MUSIC DIRECT.The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me? I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.In the early 2000s, Mr. Hu Xing-Ting 胡ç»å»·, a well-known lyricist from Beijing, China, penned lyrics for IWOMAH? (DO YOU STILL LOVE ME?) as well as other tracks from “CHINA LOVE.†His visit to California in 2004, part of a cultural exchange program, provided an opportunity for me to meet him, a honor indeed.Despite my lack of proficiency in Chinese, his lyrics are universally regarded as warm and profound. The Piano/Vocal Sheet Music of IWOMAH? (DO YOU STILL LOVE ME?) includes a clearly notated piano accompaniment alongside vocal parts and chord symbols, offering comprehensive guidance for singers (proficient in Chinese characters) and pianists aiming for an expressive rendition.IWOMAH? (DO YOU STILL LOVE ME?) is a beautifully melodic piece suitable for vocalists who give concerts and recitals, appealing even to those unfamiliar with Mandarin. Currently, there are no English lyrics to this piece. Originally in the key of E Flat, it boasts universal charm.For those interested, a performance of Robert playing IWOMAH? (DO YOU STILL LOVE ME?) as a piano solo without vocals can be enjoyed on YouTube at: http://www.youtube.com/watch?v=zgjmV4yl9zEPublished by White Piano International PublishingRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com. "Quincie", Quintet For Two Violins, Viola, Cello And Piano
"Quincie", Quintet For Two Violins, Viola, Cello And Piano # Piano Quintet: piano, 2 violins, viola, cello # ADVANCED # Cello - Will Mace, Robert Asto # "Quincie", Quintet For Two Vio # Geraldine # SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, a...(+)
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!! Nimrod (from 'Enigma Variations', IX) for Piano Solo
Nimrod (from 'Enigma Variations', IX) for Piano Solo # Piano solo # INTERMEDIATE # Classical # Edward Elgar
# Edward Elgar # Nimrod # Flavio Regis Cunha # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
Composed by Edward Elgar
(1857-1934). Arranged by
Edward Elgar. Romantic
Period, Funeral, Recital.
Score...(+)
Piano Solo - Intermediate -
Digital Download
Composed by Edward Elgar
(1857-1934). Arranged by
Edward Elgar. Romantic
Period, Funeral, Recital.
Score. 8 pages. Published by
Flavio Regis Cunha Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.
Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.
In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.
The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.
In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."
This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.
An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score Nimrod (for Violin Solo and Piano)
Nimrod (for Violin Solo and Piano) # Violin and Piano # INTERMEDIATE # Classical # Edward Elgar
# Flavio Regis Cunha # Nimrod # Flavio Regis Cunha # SheetMusicPlus
Piano Solo, Violin -
Intermediate - Digital
Download
Composed by Edward Elgar
(1857-1934). Arranged by
Flavio Regis Cunha. Romantic
Period, Easter, W...(+)
Piano Solo, Violin -
Intermediate - Digital
Download
Composed by Edward Elgar
(1857-1934). Arranged by
Flavio Regis Cunha. Romantic
Period, Easter, Wedding,
Funeral, Recital. Score, Solo
Part. 8 pages. Published by
Flavio Regis Cunha Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.
Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.
In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.
The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.
In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."
This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.
An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score