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538,506 sheet music found There's a Sweet Little Girl (and She's Waiting For Me)
There's a Sweet Little Girl (and She's Waiting For Me) # Piano, Voice # R # There's a Sweet Little Girl # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.23992 Composed by R.A. Browne. Military parades & ceremonies, Soldiers, Courtship, Love, World War I. Lester S...(+)
Piano and voice - Digital Download SKU: LV.23992 Composed by R.A. Browne. Military parades & ceremonies, Soldiers, Courtship, Love, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23992). There's a Sweet Little Girl (and She's Waiting For Me). Words by Paul Wilson. Music by R.A. Browne. Published 1918 by Church, Paxson and Company, 1867-69 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Military parades & ceremonies, Soldiers, Courtship, Love, World War I. First line reads Away across the ocean there's a son of Uncle Sam, who's helping make new history with cannon, shell and ram.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 # Piano solo # INTERMEDIATE/ADVANCED # Classical # Claude
Debussy/Robert Orledg # Debussy Inconnu: Album of work # Musik
Fabrik Music Publishing # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire, Recital. ...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire, Recital. Score.
71 pages. Published by Musik
Fabrik Music Publishing Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher. Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 # Piano solo # INTERMEDIATE/ADVANCED # Classical # Claude
Debussy/Robert Orledg # Debussy Inconnu: Album of work # Musik Fabrik
Music Publishing # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire. Score. 76...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire. Score. 76 pages.
Published by Musik Fabrik
Music Publishing Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher. Hymns Refreshed Songbook (14 Sacred Solos for Intermediate Piano)
Hymns Refreshed Songbook (14 Sacred Solos for Intermediate Piano) # Piano solo # INTERMEDIATE # Sacred music # Various # Pam Turner # Hymns Refreshed Songbook # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
Composed by Various.
Arranged by Pam Turner.
Christian, Contemporary
Christian, Gospel, Sacred,
General Worshi...(+)
Piano Solo - Intermediate -
Digital Download
Composed by Various.
Arranged by Pam Turner.
Christian, Contemporary
Christian, Gospel, Sacred,
General Worship. Sheet Music
Single. 62 pages. Published
by Pamela Turner Hymns Refreshed is a collection of timeless hymns updated to contemporary styling. Great for church services, weddings, Recitals, or your own enjoyment. Graded from Late Intermediate to Early Advanced, these polished arrangements will suit any occasion where sacred music is desired.
Complete your sacred library with Hymns Refreshed, Hymns Refreshed 2 (593745), and Hymns Refreshed 3! (803581)
Connect with Pam at www.pamturnerpiano.com and on facebook at https://facebook.com/pamturnerpiano
Contains For the Beauty of the Earth; In Christ There Is No East or West; Holy, Holy, Holy; My Shepherd Will Supply My Need; He Leadeth Me; Amazing Grace; Near the Cross; Come, Thou Fount of Every Blessing; Joshua Fought the Battle of Jericho; Abide With Me; Be Still My Soul; Nearer My God to Thee; Be Thou My Vision; Come, Ye Thankful People, Come. Rinking Rose, or, She Said She'd Be My Bride
Rinking Rose, or, She Said She'd Be My Bride # Piano, Voice # Walter Redmond # Rinking Rose, or, She Said She # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.15850 Composed by Walter Redmond. Roller skating, Couples, Accidents, Athletic facilities, Courtship & love, I...(+)
Piano and voice - Digital Download SKU: LV.15850 Composed by Walter Redmond. Roller skating, Couples, Accidents, Athletic facilities, Courtship & love, Injuries, Physicians. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15850). Rinking Rose, or, She Said She'd Be My Bride. Written by Chas. Townley. Composed by Walter Redmond. Published [n.d.] by Francis Brothers & Day, 351 Oxford Street, W. in London. Composition of strophic with chorus [includes spoken narrative] with piano and voice instrumentation. Subject headings for this piece include Roller skating, Couples, Accidents, Athletic facilities, Courtship & love, Injuries, Physicians. First line reads You've heard of roller skating rinks Where ladies learn the arts.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. She Was Happy Till She Met You
She Was Happy Till She Met You # Piano, Voice # Charles Graham & Monroe H # She Was Happy Till She Met You # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.5722 Composed by Charles Graham & Monroe H. Rosenfeld. Mothers & children, Couples, Disgrace, Spouses, Farewel...(+)
Piano and voice - Digital Download SKU: LV.5722 Composed by Charles Graham & Monroe H. Rosenfeld. Mothers & children, Couples, Disgrace, Spouses, Farewells. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5722). She Was Happy Till She Met You. by Chas. Graham and Monroe H. Rosenfeld. Published 1899 by Howley, Haviland & Co., 1260-66 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Couples, Disgrace, Spouses, Farewells. First line reads 'Twas a bright and sunny day, when a young wife went away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. Kind, Kind and Gentle is She. A Favorite Scotch Ballad
Kind, Kind and Gentle is She. A Favorite Scotch Ballad # Piano, Voice # W # Kind, Kind and Gentle is She. # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.19355 Composed by W.C. Peters. Portraits, Gardens, Architectural elements--Arches, Courtship & love. Lester S....(+)
Piano and voice - Digital Download SKU: LV.19355 Composed by W.C. Peters. Portraits, Gardens, Architectural elements--Arches, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19355). Kind, Kind and Gentle is She. A Favorite Scotch Ballad. Written by Gabriel H. Barbour. Composed by W.C. Peters. Published [n.d.] by Hewitt & Jaques, 239 Broadway in New York. Composition of strophic with refrain with piano and voice instrumentation. Subject headings for this piece include Portraits, Gardens, Architectural elements--Arches, Courtship & love. First line reads Kind, kind and gentle is she, Kind is my Mary; the tender blossom o' the tree Can ne'er compare wi' Mary First line of refrain Sae kind, kind and gentle is she, Kind is my Mary.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. She Wore a Wreath of Roses. Ballad
She Wore a Wreath of Roses. Ballad # Piano, Voice # J # Composed by J # She Wore a Wreath of Roses. Ba # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.17970 Composed by J.P. Knight. Courtship & love, Weddings, Widows, Emotion--pain. Lester S. Levy Collection. 3...(+)
Piano and voice - Digital Download SKU: LV.17970 Composed by J.P. Knight. Courtship & love, Weddings, Widows, Emotion--pain. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17970). She Wore a Wreath of Roses. Ballad. Written by T.H. Bayly, Esqr.; Composed by J.P. Knight. Published [n.d.] by John Cole in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Weddings, Widows, Emotion--pain. First line reads She wore a wreath of roses The night that first we met.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. Ed Sheeran - Best Part of Me - Piano Solo
Ed Sheeran - Best Part of Me - Piano Solo # Piano solo # INTERMEDIATE # Pop music # Ed Sheeran, Yebba # Mario
Stallbaumer # Ed Sheeran - Best Part of Me - # Mario
Stallbaumer # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
By Ed Sheeran, Yebba.
Arranged by Mario
Stallbaumer. 4 pages.
Published by Mario
Stallbaumer...(+)
Piano Solo - Intermediate -
Digital Download
By Ed Sheeran, Yebba.
Arranged by Mario
Stallbaumer. 4 pages.
Published by Mario
Stallbaumer Here's how to play "Best Part of Me" by Ed Sheeran (feat. YEBBA) on piano!
With this piano sheet music, you can learn how to play "Best Part of Me" on piano.
It's an accurate piano arragement of the whole piece which is quite easy to play, and sounds amazing!
The whole melody is included in the piano part, so it makes for a great instrumental (piano solo) version.
"Best Part of Me" is a beautiful, romantic pop ballad. It starts very softly and builds up to an emotional chorus. The whole song sounds just wonderful on piano!
The song was released in July 2019 as the fourth single from Ed Sheeran's 4th studio album "No.6 Collaborations Project".
Here are the full lyrics to "Best Part of Me" by Ed Sheeran:
My lungs are black, my heart is pure
My hands are scarred from nights before
And my hair is thinnin', falling out
Of all the wrong places
I am a little insecure
My eyes are crossed, but they're still blue
I bite my nails and tell the truth
I go from thin to overweight
Day to day it fluctuates
My skin is inked, but faded too
But she loves me, she loves me
Why the hell she love me
When she could have anyone else?
Oh you love me, you love me
Why the hell do you love me?
'Cause I don't even love myself
Baby, the best part of me is you
And lately everything's making sense too
Oh baby, I'm so in love with you
I overthink and still forget
I lose my phone and place my bets
And I never catch the train on time
Always thirty minutes behind
Your worries ain't seen nothin' yet
But you love me, you love me
Why the hell you love me so
When you could have anyone else?
Yeah yeah, he loves me, he loves me
And I bet he never lets me go
And shows me how to love myself
'Cause, baby, the best part of me is you, woah
Lately everything's making sense too
Baby, I'm so in love with you
(With you)
Baby, the best part of me is you, woah
Lately everything's making sense too
Oh baby, I'm so in love with you (Ooh)
Baby, I'm so in love with you, yeah, yeah
Oh baby, I'm so in love with you Hymns Refreshed 3 (12 Sacred Piano Solos for Late Intermediates)
Hymns Refreshed 3 (12 Sacred Piano Solos for Late Intermediates) # Easy Piano # INTERMEDIATE # Sacred music # Various # Hymns Refreshed 3 # Pamela Turner # SheetMusicPlus
Composed by Various. Arranged
by Pam Turner. Christian,
Contemporary Christian,
Gospel, Sacred, Easter. Sheet
Music Single. 52 pages.
Published by Pam...(+)
Composed by Various. Arranged
by Pam Turner. Christian,
Contemporary Christian,
Gospel, Sacred, Easter. Sheet
Music Single. 52 pages.
Published by Pamela Turner Hymns Refreshed 3 is a collection of timeless hymns updated to contemporary styling. Great for church services, weddings, Recitals, or your own enjoyment. Graded from Late Intermediate to Early Advanced, these polished arrangements will suit any occasion where sacred music is desired.
Complete your sacred library with Hymns Refreshed (1002349), Hymns Refreshed 2 (593745), and the new Hymns Refreshed 3!
THIS BOOK CONTAINS:
All Hail the Power of Jesus' Name
A Mighty Fortress is Our God
Give Me Jesus
O God Beyond All Praising
Guide Me, O Thou Great Jehovah
O the Deep, Deep Love of Jesus
In the Garden
Never Grow Old
O Day of Peace
Doxology
Christ the Lord Is Risen Today
God So Loved the World
Connect with Pam at www.pamturnerpiano.com and on facebook at https://facebook.com/groups/pamturnerpiano I Wonder If She's Waiting. Ballad
I Wonder If She's Waiting. Ballad # Piano, Voice # Harry Von Tilzer # I Wonder If She's Waiting. Bal # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.5375 Composed by Harry Von Tilzer. Portraits, Parks, Silhouettes, Moonlight, Bodies of water, Courtship, Love,...(+)
Piano and voice - Digital Download SKU: LV.5375 Composed by Harry Von Tilzer. Portraits, Parks, Silhouettes, Moonlight, Bodies of water, Courtship, Love, Farewells. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5375). I Wonder If She's Waiting. Ballad. Words by Andrew B. Sterling. Music by Harry Von Tilzer. Published 1899 by T.B. Harms & Co., 18 East 22nd Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Parks, Silhouettes, Moonlight, Bodies of water, Courtship, Love, Farewells. First line reads Just a year ago I stood beside the river, and the girl I loved was standing by my side.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. She Borrowed My Only Husband (And Forgot To Bring Him Back)
She Borrowed My Only Husband (And Forgot To Bring Him Back) # Piano, Voice # May Irwin # She Borrowed My Only Husband # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.7163 Composed by May Irwin. Portraits, Spouses, Adultery, Friendship, Deception, Neighbors. Lester S. Levy Col...(+)
Piano and voice - Digital Download SKU: LV.7163 Composed by May Irwin. Portraits, Spouses, Adultery, Friendship, Deception, Neighbors. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7163). She Borrowed My Only Husband (And Forgot To Bring Him Back). Words by Wm. J. McKenna. Music by May Irwin. Published 1907 by Rose & Snyder Co., 42 W. 28th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Spouses, Adultery, Friendship, Deception, Neighbors. First line reads I had a lovely lady friend who lives next door tto me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.