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2 sheet music found Three Folk Songs for Solo Piano
Three Folk Songs for Solo Piano # Piano solo # INTERMEDIATE # Contemporary # Andrew Middleton # Three Folk Songs for Solo Pian # Andrew Middleton # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
Composed by Andrew Middleton.
21st Century, Contemporary
Classical, Folk. Score, Solo
Part. 10 pages. Publ...(+)
Piano Solo - Intermediate -
Digital Download
Composed by Andrew Middleton.
21st Century, Contemporary
Classical, Folk. Score, Solo
Part. 10 pages. Published by
Andrew Middleton Composed in April 2021, Three Folk Songs, are a re-working for folk melodies from the North East of England that explore the combination of folk with jazz and modal harmonies. The first, Waters of Tyne, has a lullaby quality that moves fluidly and dreamily throughout different keys. The second, Blow the Wind Southerly, has a more static harmony allowing the melody to unfold throughout the piece. The third and final movement of the collection, The Keel Row, is a fast dance played out over a repeating ostinato.
The piece was originally composed for vibraphone for Japanese percussionist, Mizuki Aita, and later transcribed for solo piano. Crystal
Crystal # Piano solo # INTERMEDIATE # Contemporary # Amy Gordon # Crystal # Amy Gordon # SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1024529 Composed by Amy Gordon. 20th Century,Contemporary. Score. 11 pages. Amy Gordon #4638257. Publishe...(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1024529 Composed by Amy Gordon. 20th Century,Contemporary. Score. 11 pages. Amy Gordon #4638257. Published by Amy Gordon (A0.1024529). Crystal is a three-movement vibraphone and piano duet (Adagio, Moderato, and Presto) centered around the suspended chord, which does not clearly define a major or a minor tonal world. Similar to Marginalia, Crystal relies on tonally ambiguous harmonies such as the second and seventh.It begins and ends with a dissonant, bell-like vibraphone idea, referencing chord clusters often used in Balinese Gamelan.Adagio employs a rhythmic canon between the vibraphone and the left and right hand piano parts. Parallel sevenths and cross-rhythms are the building blocks of this movement.Moderato uses a repeating rhythmic ostinato throughout the movement, which is first introduced by the vibraphone and then taken on by the piano.Presto opens with a folk-like melody in the vibraphone and then leads into a more lyrical, quartal melody. It uses the parallel sevenths and cross-rhythms found in the first movement. The coda basically repeats the piece’s introduction with slightly less dissonant vibraphone chords. Throughout the entire piece, it is never firmly established whether the piece is in major or minor.For more information, visit www.amygordonmusic.com.