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2,854 sheet music found HOLY, HOLY, HOLY! LORD GOD ALMIGHTY (For Soprano Saxophone and Piano)
HOLY, HOLY, HOLY! LORD GOD ALMIGHTY (For Soprano Saxophone and Piano) # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Christmas # John Bacchus
Dykes # Flávio
Régis C # Worship,
Wedding # HOLY, HOLY, HOLY! LORD GOD ALM # Flavio Regis Cunha # SheetMusicPlus
Soprano Saxophone and Piano -
Advanced Intermediate -
Digital Download
Composed by John Bacchus
Dykes. Arranged by Flávio
Régis Cunha. Ch...(+)
Soprano Saxophone and Piano -
Advanced Intermediate -
Digital Download
Composed by John Bacchus
Dykes. Arranged by Flávio
Régis Cunha. Christian,
Contemporary Christian,
Sacred, Praise & Worship,
Wedding. Individual Part,
Score, Set of Parts, Solo
Part. 9 pages. Published by
Flavio Regis Cunha This is a beautiful arrangement for Soprano Saxophone with piano accompaniment. The piano does not act simply as an accompanying instrument, but performs solo parts in this much-loved hymn. This arrangement can be used in services, during preludes or postludes, weddings and other liturgical situations. For an intermediate-advanced level.
Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha. The Promised Land (On Jordan's Stormy Banks) Soprano Sax
The Promised Land (On Jordan's Stormy Banks) Soprano Sax # Soprano Saxophone and Piano # INTERMEDIATE # Sacred music # American Folk
Hymn # Michael
Ware # The Promised Land # MusicWare
Press # SheetMusicPlus
Piano Accompaniment, Soprano
Sax - Intermediate - Digital
Download
Composed by American Folk
Hymn. Arranged by Michael
Ware. Christian, Sacred,
Gener...(+)
Piano Accompaniment, Soprano
Sax - Intermediate - Digital
Download
Composed by American Folk
Hymn. Arranged by Michael
Ware. Christian, Sacred,
General Worship, Funeral,
Recital. Score, Solo Part. 9
pages. Published by MusicWare
Press The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised. 18 Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano
18 Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano # Soprano Saxophone and Piano # Gospel/Spiritual # Various # Worship # 18 Gospel Hymns Vol.1 for Solo # David McKeown # SheetMusicPlus
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred,
Praise & Worship. Score, Solo
Part. 50 pages. Published by
D...(+)
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred,
Praise & Worship. Score, Solo
Part. 50 pages. Published by
David McKeown 18 Easy Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows
· Abide with Me,
· Amazing Grace,
· Blessed Assurance,
· Deep River,
· Down by the Riverside,
· Go Down Moses,
· Go Tell It on the Mountain,
· He’s Got the Whole World in HIs Hands,
· Higher Ground,
· Jesus on the Mainline,
· Joshua Fought the Battle of Jericho,
· Just a Closer Walk with Thee,
· Just as I Am,
· Just Over in the Glory Land,
· Kumbaya My Lord,
· Love Lifted Me,
· Nobody Knows the Trouble I’ve Seen,
· Nothing but the Blood of Jesus.
If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.
There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 18 Gospel Hymns Vol.2 for Solo Soprano Recorder and Piano
18 Gospel Hymns Vol.2 for Solo Soprano Recorder and Piano # Descent (Soprano) Recorder, Piano # Sacred music # Various # Worship # 18 Gospel Hymns Vol.2 for Solo # David McKeown # SheetMusicPlus
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred,
Praise & Worship. Score, Solo
Part. 49 pages. Published by
D...(+)
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred,
Praise & Worship. Score, Solo
Part. 49 pages. Published by
David McKeown 18 Easy Gospel Hymns Vol.2 for Solo Soprano Recorder and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.
The hymns are in alphabetical order and are as follows
· O Mary Don’t You Weep,
· O When the Saints,
· Old Time Religion,
· Onward Christian Soldiers,
· Rock of Ages,
· Shall We Gather at the River,
· Stand Up, Stand Up for Jesus,
· Standing in the Need of Prayer,
· Swing Low Sweet Chariot,
· Steal Away,
· There is a Fountain Filled with Blood,
· There is Power in the Blood,
· This Little Light of Mine,
· Wade in the Water,
· Were You There?
· What a Friend We Have in Jesus,
· When the Roll Is Called Up Yonder,
· When We All Get to Heaven.
If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Soprano Recorder and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.
To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook. 6 Easy Dixieland Tunes - Soprano recorder and Piano
6 Easy Dixieland Tunes - Soprano recorder and Piano # Descent (Soprano) Recorder, Piano # BEGINNER # Jazz # American
Traditional, Mark W # Francesco Leone # 6 Easy Dixieland Tunes - Sopra # Glissato Music Publishing # SheetMusicPlus
Composed by American
Traditional, Mark W.
Sheafe,Thornton W. Allen.
Arranged by Francesco Leone.
Dixieland, Repertoire,
Classroom, Anniversary,
Recital. P...(+)
Composed by American
Traditional, Mark W.
Sheafe,Thornton W. Allen.
Arranged by Francesco Leone.
Dixieland, Repertoire,
Classroom, Anniversary,
Recital. Piano Reduction, Solo
Part. 24 pages. Published by
Glissato Music Publishing "6 Easy Dixieland Tunes" Soprano Recorder and Piano, great ideas for beginner/intermediate player, comfortable range and key (complete parts). Contents:
1. Down By The Riverside ? trad. (key G)
2. Joshua Fight The Battle of Jerico ? trad. (key A min.)
3. Just A Closer Walk With Thee ? trad. (key C)
4. Swing Low, Sweet Chariot - trad. (key F)
5. Washington and Lee Swing ? Mark W. Sheafe and Thornton W. Allen. (key C)
6. When The Saints Go Marching In - trad. (key F). LETTERS FROM A POET IN ITALY (Complete Song Cycle) Mvts 1-4 Soprano and Piano
LETTERS FROM A POET IN ITALY (Complete Song Cycle) Mvts 1-4 Soprano and Piano # Piano, Voice # ADVANCED # Performance of Eighteen in Ita # Original composition # LETTERS FROM A POET IN ITALY # Francis Osentowski # SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081918 By Performance of Eighteen in Italy by Marsha Anderson , Francis Osentowski, Piano. By Fra...(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081918 By Performance of Eighteen in Italy by Marsha Anderson , Francis Osentowski, Piano. By Francis Osentowski, DMA University of North Texas, Jerry McElveen, Texts. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Opera. Score. 29 pages. Francis Osentowski #686049. Published by Francis Osentowski (A0.1081918). LETTERS FROM A POET IN ITALY is a song cycle for soprano and soprano. This site includes of all four songs: 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. DAVID The cycle is my setting of poems by Jerry McElveen, my friend and an awesome poet and professor at Richland College. Jerry wrote several poems during a tour of Italy made up of a group of faculty and spouses. On our last day in Rome...he surprised everyone by performing his new works. The minute he started reading I knew this would be a great text to set to music. This cycle has been performed often in the DFW Tx. area...first by Marsha Anderson, my colleague at North Lake College and later by the young soprano Erin Acorn. Marsha earned a living in Italy for over 20 years as an opera singer and taught me lots of valuable details about the substiles of composing for this vocal style. You can hear her beautiful voice on recordings we made at a performance in the concert hall at UTA Arlington. In retrospect, I like the tempos to relax more than these recordings, so the vocal lines have more time to breath. The cycle also received a positive review by the famous music critic for the Dallas Morning News, Scott Cantrell. Thank you to Scott! I kept the vocal lines away from extreme high and low pitches...and several singers have told me the voice lines are very comfortable for them. Singable by professionals AND young sopranos. Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano) # Piano, Voice # INTERMEDIATE/ADVANCED # Pasquale Cafaro # Nicole Elyse DiPaolo # Belle luci, che accendete from # Nicole Elyse DiPaolo # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com . Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key) # Arthur Le Clerq # Kim Kirkman # Nobody Love a Fairy When She's # Kim Kirkman # SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musi...(+)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!