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432 sheet music found Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Beethoven: Sonata Op. 49 No. 2 for String Orchestra # String Orchestra # EASY # Classical # Ludwig van Beethoven # James M # Beethoven: Sonata Op. 49 No. 2 # jmsgu3 # SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Ins...(+)
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com. Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31 # String Orchestra # Classical # Ludwig van Beethoven, Cees Nie # Upstream Music # Prelude and Fugue in C major f # Upstream Music # SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...(+)
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity. Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O # String Orchestra # Classical # Ludwig van Beethoven, Cees Nie # Upstream Music # Maestoso and Fugue in D minor # Upstream Music # SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...(+)
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here. Beethoven: Bagatelle Op. 33 No.7 for String Orchestra
Beethoven: Bagatelle Op. 33 No.7 for String Orchestra # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # James M # Beethoven: Bagatelle Op. 33 No # jmsgu3 # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1209299 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1209299 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 23 pages. Jmsgu3 #807414. Published by jmsgu3 (A0.1209299). 7. Presto.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 7 of Beethoven's Op. 33 is a charming and playful piece, typical of Beethoven's early style. The piece is in A-flat major and marked Presto, which means fast. The main theme is catchy, fragmentary, and light, with a playful character that is maintained throughout the piece. The middle section is more lyrical and expressive, providing a sostenuto contrast to the playful character of the main theme. The piece is well-crafted and attractive. Overall, Bagatelle No. 7 is a delightful example of Beethoven's early style and a testament to his skill as a composer. Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra
Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # James M # Beethoven: Bagatelle Op. 33 No # jmsgu3 # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #807198. Published by jmsgu3 (A0.1209097). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form. Beethoven: Bagatelle Op. 33 No.6 for String Orchestra
Beethoven: Bagatelle Op. 33 No.6 for String Orchestra # String Orchestra # EASY # Classical # Ludwig van Beethoven # James M # Beethoven: Bagatelle Op. 33 No # jmsgu3 # SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 16 pages. Jmsgu3 #807240. Published by jmsgu3 (A0.1209126). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works. Beethoven: Bagatelle Op. 33 No. 3 for String Orchestra
Beethoven: Bagatelle Op. 33 No. 3 for String Orchestra # String Orchestra # EASY # Classical # Ludwig van Beethoven # James M # Beethoven: Bagatelle Op. 33 No # jmsgu3 # SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1208973 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1208973 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Standards. Score and Parts. 11 pages. Jmsgu3 #807080. Published by jmsgu3 (A0.1208973). 3. Allegretto.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Beethoven's Bagatelle No. 3 of Op. 33 showcases the composer's evolving style. Bagatelle No. 3 is in ternary form, with a lively and playful A section in F major that features a chromatic mediant relation. The A section is characterized by a rhythmic motif that is repeated throughout the piece, while the B section develops a lyrical melody that modulates briefly to the dominant: C major. The piece ends with a return to the A section, which is played with slight variations. Overall, Bagatelle No. 3 is a charming and delightful piece that showcases Beethoven's mastery of form and his ability to create memorable melodies. Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # James M # Beethoven: Bagatelle Op. 33 No # jmsgu3 # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #806801. Published by jmsgu3 (A0.1208721). 2. Scherzo: Allegro.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 2 of Op. 33 follows a simple ternary form, with a lively and playful Scherzo character. The piece is in the key of C major and is written in 2/4 time signature. The A section is characterized by a catchy and rhythmic melody that is repeated twice, with slight variations in the second repetition. The B section, in the relative key of A minor, provides a contrast to the A section with a more lyrical and expressive melody. The B section is also repeated twice, with slight variations in the second repetition. The A section returns in its original form to close the piece. The piece is relatively simple in terms of harmony and texture, with a clear melody and accompaniment. However, Beethoven's use of repetition, variation, and elaboration creates a sense of unity and coherence throughout the piece. Beethoven: Bagatelle Op. 33 No. 1 for String Orchestra
Beethoven: Bagatelle Op. 33 No. 1 for String Orchestra # String Orchestra # INTERMEDIATE # Classical # Ludwig van Beethoven # James M # Beethoven: Bagatelle Op. 33 No # jmsgu3 # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1208682 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1208682 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Traditional. Score and Parts. 18 pages. Jmsgu3 #806780. Published by jmsgu3 (A0.1208682). 1. Andante grazioso, quasi allegretto.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert. Beethoven: Suite WoO 33 for String Orchestra - Score Only
Beethoven: Suite WoO 33 for String Orchestra - Score Only # String Orchestra # EASY # Classical # Ludwig van Beethoven # James M # Beethoven: Suite WoO 33 for St # jmsgu3 # SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1239581 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Contest,Fe...(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1239581 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Historic,Instructional,Traditional. 27 pages. Jmsgu3 #834935. Published by jmsgu3 (A0.1239581). Vienna, 1799. Originally for Musical Clock.Beethoven's WoO 33 originally consisted of 5 pieces, with the first three likely intended for a musical clock, while the remaining two date from around 1795 with different instrumentation. These pieces were possibly completed by 1800 for an exhibition of waxworks and musical automata displayed by Count Josef Deym. The work showcases Beethoven's versatility and creativity in composing music for unconventional instruments, reflecting his innovative approach to composition. Beethoven: Eleven Bagatelles Op. 119 for String Orchestra
Beethoven: Eleven Bagatelles Op. 119 for String Orchestra # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # James M # Beethoven: Eleven Bagatelles O # jmsgu3 # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1232069 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1232069 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and Parts. 71 pages. Jmsgu3 #827745. Published by jmsgu3 (A0.1232069). Full score and performance parts for String Orchestra.Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle.No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo. Beethoven: Eleven Bagatelles Op. 119 String Orchestra - Score Only
Beethoven: Eleven Bagatelles Op. 119 String Orchestra - Score Only # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # James M # Beethoven: Eleven Bagatelles O # jmsgu3 # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1232022 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1232022 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 38 pages. Jmsgu3 #827696. Published by jmsgu3 (A0.1232022). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle. No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.