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65 sheet music found Nocturne for violin and orchestra
Nocturne for violin and orchestra # Orchestra, Violin # Classical # Nocturne for violin and orches # Schott Music -
Digital # SheetMusicPlus
Violin and orchestra -
Digital Download
Completed and orchestrated
after the sketches of Debussy
by Robert Orledge. Composed
by Robert Orledge and Clau...(+)
Violin and orchestra -
Digital Download
Completed and orchestrated
after the sketches of Debussy
by Robert Orledge. Composed
by Robert Orledge and Claude
Debussy (1862-1918). Arranged
by Robert Orledge. This
edition: vocal/piano score.
Violin Library. Downloadable.
Duration 10 minutes. Schott
Music - Digital #Q46518.
Published by Schott Music -
Digital The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).
We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.
My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective. Sicilienne, for Clarinet, Harp or Piano, and String Quartet, Op. 78
Sicilienne, for Clarinet, Harp or Piano, and String Quartet, Op. 78 # String Quartet: 2 violins, viola, cello # ADVANCED # Classical # Gabriel Faure # Alexander Timofeev # Sicilienne, for Clarinet, Harp # Alexander Timofeev # SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.966143 Composed by Gabriel Faure. Arranged by Alexander Timofeev. Romantic Period. Sco...(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.966143 Composed by Gabriel Faure. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 22 pages. Alexander Timofeev #6667921. Published by Alexander Timofeev (A0.966143). Includes score, clarinet part (in Bb), harp (or piano), violin 1, violin 2, viola, and cello parts.Gabriel Fauré composed Sicilienne, Op. 78, in 1893. It was originally scored for orchestra. This arrangement for Clarinet, Harp, and String Quartet was written for clarinetist Stanislav Chernyshev and the Opus Nova Chamber Music Series, Fort Worth, TX. Nocturne for Small Orchestra
Nocturne for Small Orchestra # Violin # Jordan Grigg # Nocturne for Small Orchestra # Jordan Grigg # SheetMusicPlus
Alto Voice,Cello,Choir,Double Bass,Hand Percussion,Harp,Horn,Piano,Soprano voice,Timpani,Viola,Violin - Digital Download SKU: A0.1057409 Composed by Jord...(+)
Alto Voice,Cello,Choir,Double Bass,Hand Percussion,Harp,Horn,Piano,Soprano voice,Timpani,Viola,Violin - Digital Download SKU: A0.1057409 Composed by Jordan Grigg. 20th Century,Concert,Standards. Full Performance. Duration 714. Jordan Grigg #3464673. Published by Jordan Grigg (A0.1057409). Allegro (from "Concerto for Four Claviers") (G min) (Violin Quintet)
Allegro (from "Concerto for Four Claviers") (G min) (Violin Quintet) # Violin ensemble # ADVANCED # Classical # Johann Sebastian Bach # Regis Bookshar # Allegro # Regis Bookshar # SheetMusicPlus
String Ensemble,String Quintet Violin - Level 5 - Digital Download SKU: A0.813409 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,...(+)
String Ensemble,String Quintet Violin - Level 5 - Digital Download SKU: A0.813409 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209859. Published by Regis Bookshar (A0.813409). Violin Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Violin Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Violins, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it. The Romance of Night for String Orchestra and Harp Movement No. 1
The Romance of Night for String Orchestra and Harp Movement No. 1Violin, Viola, Cello, Double Bass, Orchestra
Intermediate/advanced level # Contemporary # Ben Walter # The Romance of Night for Strin # Benjamin T. Walter # SheetMusicPlus
By Ben Walter. For Violin, Viola, Cello, Double Bass, Orchestra. Sacred, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. S...(+)
Violin Concerto
Violin Concerto # Fazil Say # Violin Concerto # Schott Music - Digital # SheetMusicPlus
Picc. · 2 · 1 · Engl. Hr. · 2 · 1 · Kfg. - 4 · 2 · 1 · 1 - P. S. (Vibr. · Marimba · hg. Beck. · Tamb. · kl. Tr. · gr. ...(+)
Picc. · 2 · 1 · Engl. Hr. · 2 · 1 · Kfg. - 4 · 2 · 1 · 1 - P. S. (Vibr. · Marimba · hg. Beck. · Tamb. · kl. Tr. · gr. Tr. · Rototoms · Bar Chimes · Woodbl. · Kudüm · Bendir · Darbuka) (4 Spieler) - Hfe. · Cel. - Str. violin and orchestra - Digital Download SKU: S9.Q7002 1001 Nights in the Harem. Composed by Fazil Say. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Op. 25. Duration 28 minutes. Schott Music - Digital #Q7002. Published by Schott Music - Digital (S9.Q7002). My Violin Concerto consists of four movements whose inspiration is loosely connected with Scheherazade’s One Thousand and One Nights. The first movement is set inside the harem; a variety of women from the harem are introduced, each with her own different personality. The second movement is a frenzy of dance – in effect a party night with an abundance of different types of dance music. The third movement depicts the next morning and consists primarily of variations on a well-known Turkish song. The fourth movement begins dramatically, but develops during the course of the movement more and more into a reminiscence of all the previous events and the work culminates dreamily in a happy mood with sensuous oriental sounds. As appropriate for an oriental soundscape, the orchestra includes a series of Turkish percussion instruments such as a kudüm or bendir, but also glockenspiel, marimba und vibraphone, celesta and harp. It is however the solo violin which tells the story and also accompanies the listener through the entire work. The violin part is highly virtuoso and unites the four movements into an intensely atmospheric whole in which the solo violin soars off into a solo cadenza between each movement, sometimes accompanied by one of the percussion instruments. As is customary, the present piano reduction is initially intended as an aid for the study of this work, but during my tour programmes with Patricia Kopatchinskaya and Burhan Öçal we have utilised this material to create a trio version for violin, piano and percussion. Fazıl Say.