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11 sheet music found Comptine D'un Autre Été: L'après-midi
Comptine D'un Autre Été: L'après-midi # Violin # BEGINNER # Yann Tiersen # Fabio Eduardo de Oliveira # Comptine D'un Autre Été: L'a # Fabio Eduardo # SheetMusicPlus
Violin Solo - Level 1 - Digital Download SKU: A0.1181220 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. 2 pa...(+)
Violin Solo - Level 1 - Digital Download SKU: A0.1181220 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. 2 pages. Fabio Eduardo #781058. Published by Fabio Eduardo (A0.1181220). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadComptine D'un Autre Été: L'après Midi is considered one of Yann Tiersen's best piano compositions, from the album Amélie. These songs were the soundtrack for the French Academy Award winning motion picture film 'Le Fabuleux Destin d'Amélie Poulain. Yann Tierson is a noted French composer, most famous for Amélie. His music is mostly composed for piano, harpsichord, violin, and accordion. The animation is from Aniboom Animations, describing life as a song. The depiction is more on a meloncholy scale, describing the major climaxes of the life of an old man as his wife's death, his friend's death on the battlefield, and the rapture of his grandson. Comptine D'un Autre Été: L'après-midi
Comptine D'un Autre Été: L'après-midi # Violin # BEGINNER # Yann Tiersen # Fabio Eduardo de Oliveira # Comptine D'un Autre Été: L'a # Fabio Eduardo # SheetMusicPlus
Violin Solo - Level 1 - Digital Download SKU: A0.1198794 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Contemporary,Film/TV,Po...(+)
Violin Solo - Level 1 - Digital Download SKU: A0.1198794 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Contemporary,Film/TV,Pop. 2 pages. Fabio Eduardo #797877. Published by Fabio Eduardo (A0.1198794). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadYann Tiersen is a French Breton musician and composer. His musical career is split between studio recordings, music collaborations and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers and the violin, but also instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion or even typewriter. 12 Sonatas
12 Sonatas # Violin, Basso continuo # Francesco Geminiani # 12 Sonatas # Schott Music - Digital # SheetMusicPlus
Violin and basso continuo (harpsichord, piano); cello ad libitum - intermediate to advanced - Digital Download SKU: S9.Q2453 Nos. 1-3. Composed by...(+)
Violin and basso continuo (harpsichord, piano); cello ad libitum - intermediate to advanced - Digital Download SKU: S9.Q2453 Nos. 1-3. Composed by Francesco Geminiani. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q2453. Published by Schott Music - Digital (S9.Q2453). Francesco Saverio Geminiani (geb. ca. 1680 in Lucca, gest. 1762 in Dublin), einer der größten Geiger seiner Zeit, war in Rom noch Schüler von Corelli und übersiedelte 1714 nac England, wo er als Solist, Konzertmeister, Pädagoge, Konzertunternehmer und - Gemäldehändler tätig war. Sein reiches Schaffen begann mit den Violinsonaten op. 1, die er 1705 in Bologna veröffentlichte. Elf Jahre später widmete er in London ein weiteres op. 1 dem aus dem Leben Händels bekannten Hofkämmerer Baron von Kielmannsegge, 12 Violinsonaten, die aber nicht mit dem Jugendwerk identisch sind. Der Titel dieses op. 1(a), das schon 1717 in Amsterdam nachgedruckt wurde, lautet: Sonate/ a Violino, Violone, e Cembalo/ dedicate/ All Illustrissimo et Excellentissimo Signore/ Il Sig': Barone di Kilmanns'egge./ Cavallerizzo Maggiore e Ciamberlano/ Di Sua Maestà Britanica/ e Elettore di Brunswick e Lunebourg/ da/ Francesco Geminiani/ Opera Prima... Geminani, dessen impulsive und insbesondere in dynamisch-agogischer Hinsicht fortschrittliche Spielart den Interpretationsstil seiner Zeitgenossen nachhaltig beeinflusst hat, war ständig bestrebt, seine älteren Werke dem sich rasch wandelnden Geschmack anzupassen. Sein op. 1(a) gab er 1739 in London in teilweiser Umarbeitung neu heraus (Nachdruck Paris ca. 1740) und kündigte auf dem Titel an Le Prime Sonate a Violino, e Basso di F. Geminiano nuovamente ristampato, e con diligenza dello mano. 1757 erschien in London eine weitere Ausgabe, diesmal in Einrichtung als Concerti grossi VI Sonatas for two violins & a violoncello or harpsichord with a ripieno bass to be used when the violins are doubled, from the VI first solo's of his Opa Ia with a few additional movements. Sonata X, Op.5-10 for Violin & Viola
Sonata X, Op.5-10 for Violin & Viola # Violin, Viola (duet) # INTERMEDIATE # Classical # Arcangelo Corelli # Kamada, Mikio # Sonata X, Op.5-10 for Violin & # ACORDO Sheet Music # SheetMusicPlus
Instrumental Duet - Level 3 - Digital Download SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet M...(+)
Instrumental Duet - Level 3 - Digital Download SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Published by ACORDO Sheet Music (A0.1285513). Corelli's Op. 5 consists of 12 sonatas for violin and basso continuo. Sonata, Op.5, No.10 has five movements: I. Preludio, II. Allemanda, III. Sarabanda, IV. Gavotta, V. Giga. The fourth movement (IV) is especially well-known.Basso continuo is usually played by harpsichord and cello. However, Lumiere Duo has released a beautiful CD recording of Op. 5, No. 7, performed as a duet for violin and cello. The sheet music we're sharing here is arranged for duets of Op. 5, No. 10, for violin and viola.Viola is tuned one octave above the cello. As a result, the viola can't faithfully replicate the cello part from the original. There are notes that are too low for the viola's range. In the arrangement for violin and viola, we strive to stay true to the original notes. If the notes aren't in the viola's range, we raise them by one octave. However, following this rule too strictly can lead to unnatural sequences. In such cases, even when the note is within the viola's range, we use a note one octave higher to maintain naturalness. While there's no rigid rule for this treatment, we're trying to imagine what Corelli might do if he were arranging for violin and viola. Additionally, in the third and fourth movements, we've swapped the solo part and basso continuo part in the repeating sections. Shifting the melody to the viola brings a fresh sound. In the audio samples below, we've used a flute sound for the violin part and a clarinet sound for the viola part. This should help you better understand how the swapping works. Germaine Tailleferre: Trois Petits Danses dans le style "Louis XV" for oboe, violin, viola, cello a
Germaine Tailleferre: Trois Petits Danses dans le style "Louis XV" for oboe, violin, viola, cello a # String Trio: violin, viola, cello # INTERMEDIATE # Germaine Tailleferre # Germaine Tailleferre: Trois Pe # Musik Fabrik Music Publishing # SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.533997 Composed by Germaine Tailleferre. 20th Century,Baroque. Score and parts. 18 pages...(+)
Chi passa per ’sta strada
Chi passa per ’sta strada # Violin # Filippo Azzaiolo # Gordon Jackson # Chi passa per ’sta strada # Gordon Jackson # SheetMusicPlus
Large Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Organ,Recorder,Violin - Digital Download SKU: A0.1017675 Composed by Filippo Azzaiolo. Arranged by Go...(+)
Large Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Organ,Recorder,Violin - Digital Download SKU: A0.1017675 Composed by Filippo Azzaiolo. Arranged by Gordon Jackson. Classical,Folk,Multicultural,Renaissance,World. Score and parts. 8 pages. Gordon Jackson #6435525. Published by Gordon Jackson (A0.1017675). Chi passa per ’sta stradaThe sixteenth-century Italian composer, Filippo Azzaiolo (1530-1569), published three books of villotas (secular songs). In the first of these, Primo libro de villotte alla padoana a quattro voci, the first song (also the most popular) was Chi passa per ’sta strada (He who passes down this street). An exquisite chord sequence provide the basis for a simple melody, together with a set of variations I composed.The left-hand part (quite odd really, as I don’t play any keyboard instrument, but I’m sure you know what I mean!) shows the chords as I would play them on an octave mandola or a bouzouki (both tuned GDAE, one octave below mandolin or violin), and the chord diagrams show my fingerings for these. Other accompanists can simply use the chords’ letter names, also included, and work out their own fingerings/voicings. However, I strongly recommend keeping accompaniment simple and percussive, accentuating the rhythm, allowing the mandolin or other lead instrument space in which to play those variations.