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668 sheet music found The Best Hymns of All Time (for Strings) Book 1
The Best Hymns of All Time (for Strings) Book 1 # String Quartet: 2 violins, viola, cello # EASY # Sacred music # Various # Worship, General Worship # The Best Hymns of All Time # Colin
Kirkpatrick Publications # SheetMusicPlus
String Quartet, String
Orchestra - Early
Intermediate - Digital
Download
Composed by Various. Arranged
by Colin Kirkpatrick.
Christian, Sacred, Prais...(+)
String Quartet, String
Orchestra - Early
Intermediate - Digital
Download
Composed by Various. Arranged
by Colin Kirkpatrick.
Christian, Sacred, Praise &
Worship, General Worship.
Score, Set of Parts. 60
pages. Published by Colin
Kirkpatrick Publications The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick
Book 1
We’re really excited to present our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts but could be used with virtually any combination of stringed instruments from string quartet upwards. Book 1 includes full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass reading from the same part. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio sample.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The score and all the parts are contained in a single 60-page PDF file.
Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse).
The audio samples include Abide with me (Eventide); All Through the Night (Ar Hyd y Nos); Nearer my God to Thee (Bethany), Soldiers of Christ, Arise (Diademata) and What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. Bist du bei mir / When you are near - 2 Low voices, String quartet
Bist du bei mir / When you are near - 2 Low voices, String quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
Voice Duet Low Voice - Level 3 - Digital Download SKU: A0.1163569 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classical,...(+)
Voice Duet Low Voice - Level 3 - Digital Download SKU: A0.1163569 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classical,Wedding. 18 pages. John Ross #763861. Published by John Ross (A0.1163569). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of Bb, is for two low voices and string quartet. It is also available for two high voices (key of D) or two medium voices (key of C).Added to the original German words are new lyrics, When you are near, making this duet ideal for weddings, anniversaries, and special occasions. Score and parts are included. Bist du bei mir / When you are near - 2 Medium voices, String quartet
Bist du bei mir / When you are near - 2 Medium voices, String quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
Voice Duet Medium Voice - Level 3 - Digital Download SKU: A0.1163516 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classic...(+)
Voice Duet Medium Voice - Level 3 - Digital Download SKU: A0.1163516 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classical,Wedding. 18 pages. John Ross #763851. Published by John Ross (A0.1163516). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of C, is for two medium voices and string quartet. It is also available for two high voices (key of D) or two low voices (key of Bb).Added to the original German words are new lyrics, When you are near, making this duet ideal for weddings, anniversaries, and special occasions. Score and parts are included. Bist du bei mir / When you are near - 2 High voices, String quartet
Bist du bei mir / When you are near - 2 High voices, String quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
Voice Duet High Voice - Level 3 - Digital Download SKU: A0.1163506 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classical...(+)
Voice Duet High Voice - Level 3 - Digital Download SKU: A0.1163506 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Classical,Wedding. 18 pages. John Ross #763842. Published by John Ross (A0.1163506). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of D, is for two high voices and string quartet. It is also available for two medium voices (key of C) or two low voices (key of Bb).Added to the original German words are new lyrics, When you are near, making this duet ideal for weddings, anniversaries, and special occasions. Score and parts are included. Your Favorite Christmas Hymns and Carols for Strings, Book 2
Your Favorite Christmas Hymns and Carols for Strings, Book 2 # String Quartet: 2 violins, viola, cello # EASY # Christmas # Various # Your Favorite Christmas Hymns # Colin
Kirkpatrick Publications # SheetMusicPlus
String Quartet, String
Orchestra - Early
Intermediate - Digital
Download
Composed by Various. Arranged
by Colin Kirkpatrick.
Christian, Praise & ...(+)
String Quartet, String
Orchestra - Early
Intermediate - Digital
Download
Composed by Various. Arranged
by Colin Kirkpatrick.
Christian, Praise & Worship,
General Worship, Christmas.
Score, Set of Parts. 67
pages. Published by Colin
Kirkpatrick Publications Your Favorite Christmas Hymns and Carols for Strings, Book 2
Arranged by Colin Kirkpatrick
This is the second volume of the collection of best-loved Christmas hymns and carols arranged for strings, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for first violin, second violin, viola, cello and optional double bass. Both cello and bass parts appear on a single staff. The arrangements can be used with string quartet, string quintet or string ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. You can create a brighter string tone by asking the more advanced first and second violin players to play an octave higher when necessary. You can hear this effect in the audio samples.
The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in string-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely.
Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas).
The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the brass collection of the same name. Adagio in G Minor (for String Quartet)
Adagio in G Minor (for String Quartet) # String Quartet: 2 violins, viola, cello # Classical # Tomaso Giovanni Albinoni # Flavio Regis Cunha # Adagio in G Minor # FRC Musi # SheetMusicPlus
String Quartet, Cello, Viola,
Violin - Digital Download
By Tomaso Giovanni Albinoni.
By Tomaso Giovanni Albinoni
(1671-1751). Arranged by
Flavio Regis ...(+)
String Quartet, Cello, Viola,
Violin - Digital Download
By Tomaso Giovanni Albinoni.
By Tomaso Giovanni Albinoni
(1671-1751). Arranged by
Flavio Regis Cunha. 20th
Century, Baroque, Wedding.
Score and parts. 17 pages.
Published by FRC Musi Adagio in G Minor (for String Quartet)The Adagio in G minor for violin, strings, and organ continuo is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment by Albinoni. There is a continuing scholarly debate about whether the alleged fragment was real, or a musical hoax perpetrated by Giazotto, but there is no doubt about Giazotto's authorship of the remainder of the work.This arrangement was written for string quartet. Enjoy!.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds. Say You Won't Let Go - String Quartet - James Arthur arr. Cellobat
Say You Won't Let Go - String Quartet - James Arthur arr. Cellobat # String Quartet: 2 violins, viola, cello # INTERMEDIATE/ADVANCED # Contemporary # James Arthur/Neil
Ormandy/St # Sarah Cellobat
Chaffee # Say You Won't Let Go - String # Sarah
Chaffee # SheetMusicPlus
String Quartet - Advanced
Intermediate - Digital
Download
By James Arthur/Neil
Ormandy/Steven Solomon.
Arranged by Sarah Cellobat
Chaffee. Score, Set...(+)
String Quartet - Advanced
Intermediate - Digital
Download
By James Arthur/Neil
Ormandy/Steven Solomon.
Arranged by Sarah Cellobat
Chaffee. Score, Set of Parts.
16 pages. Published by Sarah
Chaffee British singer/songwriter James Arthur came onto the global scene after his victory on the TV show "The X Factor" and has been winning people over with his soulful voice ever since! His song "Say You Won't Let Go" is a beautiful ballad about life, love, and the longevity of relationships, and it has become increasingly popular as a wedding-music staple. Perfect for ceremonies, cocktail hour, and even proposals, this arrangement for string quartet brings the powerful song to life with just as much passion, soul, and dynamic variety as the original. Playable for advanced-intermediate students and sightreadable for professionals - make sure your cellist and violist keep a steady beat on the syncopated acoustic-guitar line!
Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee Fugue in G minor (Little Organ Fugue) (BWV 578) by JS Bach - arranged for String Quartet
Fugue in G minor (Little Organ Fugue) (BWV 578) by JS Bach - - String Quartet # String Quartet: 2 violins, viola, cello # Classical # Johann Sebastian Bach # Pietro Prugna # Fugue in G minor # Pietro Prugna # SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.497956 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,...(+)
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.497956 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Christmas,Classical,Sacred,Spiritual. Score and parts. 14 pages. Published by Pietro Prugna (A0.497956). This beautiful piece by JS Bach was originally written for Organ. It is arranged for String Quartet. The various voices can be played by different musicians. They are also heard more clearly by audience. Where possible, Violin 2 can be played by a 5-stringed violin or a viola. Violin 1 score is edited for easy turning after page 1. The pdf includes the Full Score for String Quartet and Set of Parts (Violin I, Violin II, Viola and Cello). For Violin II, both options of using a regular 4-stringed Violin and alternatives (Viola or 5-stringed Violin) are in the same sheet music/music score. Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello # String Quartet: 2 violins, viola, cello # ADVANCED # Contemporary # Jacques Leguerney # II. Intermezzo # Jacques Leguerney: String Quar # Musik Fabrik Music Publishing # SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg. Bist du bei mir / When you are near - Low voice, String quartet
Bist du bei mir / When you are near - Low voice, String quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1163591 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Wedding. 1...(+)
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1163591 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Wedding. 13 pages. John Ross #763934. Published by John Ross (A0.1163591). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of Bb, is for low voice and string quartet. It is also available for high voice (key of D) or medium voice (key of C).Added to the original German words are new lyrics, When you are near, making this aria ideal for weddings, anniversaries, and special occasions. Bist du bei mir / When you are near - High voice, String quartet
Bist du bei mir / When you are near - High voice, String quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1163578 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Wedding. ...(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1163578 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Wedding. 18 pages. John Ross #763921. Published by John Ross (A0.1163578). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of D, is for high voice and string quartet. It is also available for medium voice (key of C) or low voice (key of Bb).Added to the original German words are new lyrics, When you are near, making this aria ideal for weddings, anniversaries, and special occasions. Bist du bei mir / When you are near - Medium voice, String quartet
Bist du bei mir / When you are near - Medium voice, String quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE # G # John Ross # Bist du bei mir / When you are # John Ross # SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1163584 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Wedding...(+)
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1163584 Composed by G.H. Stolzel / J.S. Bach. Arranged by John Ross. Baroque,Chamber,Wedding. 18 pages. John Ross #763927. Published by John Ross (A0.1163584). Bist du bei mir is an aria from Stolzel's opera Diomedes (1718), best known now as forming part of the Notebook for Anna Magdalena Bach (1725).This arrangement, in the key of C, is for medium voice and string quartet. It is also available for high voice (key of D) or low voice (key of Bb).Added to the original German words are new lyrics, When you are near, making this aria ideal for weddings, anniversaries, and special occasions. Canon - Pachelbel, arranged for string quartet with adapted viola part
Canon - Pachelbel, - string quartet with adapted viola part # String Quartet: 2 violins, viola, cello # INTERMEDIATE # Classical # Johann Pachelbel # Dan Edwards # Canon - Pachelbel, - string qu # arr. Dan Edwards # SheetMusicPlus
String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 p...(+)
String Quintet - Level 3 - Digital Download SKU: A0.901334 Composed by Johann Pachelbel. Arranged by Dan Edwards. Baroque,Holiday,Standards,Wedding. 17 pages. Arr. Dan Edwards #6590467. Published by arr. Dan Edwards (A0.901334). Canon in D by Johann Pachelbel, arranged for string quartet, string quintet, or string orchestra by Dan Edwards. Dan is a prize-winning composer and arranger, and was the staff arranger for the Countess of Wessex's String Orchestra for many years. danedwardscreative.com This is an arrangement like no other!Pachelbel's Canon is a hugely popular piece, but unfortunately it was not written for the string quartet. The original is for three violins and basso continuo, so this presents quite a few problems when string quartets attempt to play it. - Firstly, the 'viola' part is extraordinarily high, not only making it very difficult to play, but making that one voice stick out much more than the other three in the highest parts of the piece. Usually the high bits are just transposed down an octave but this isn't very satisfying. My solution in this arrangement is to swap the voices of the canon around so that the viola always plays the lowest part. Have a look at the score to see what I mean - the viola part isn't transposed, but it never goes above an E on the A string. - Secondly, the first two bars should have harmony, as there should be a keyboard instrument accompanying the cello. To compensate for this I've added some simple harmony in small note heads at the start, before each canon entry. - Thirdly, the cellist always gets lost in this piece. I know because I am a cellist and I always get stressed out towards the end of this piece. So I've added a reduced-size violin 1 part to the cello part so the cellist can follow along and know exactly when the piece is going to end! Includes a full score (6 pages), and complete set of parts. Violin 1 - 3 pages. Violin 2 - 3 pages. Viola - 2 pages. Cello/ bass - 3 pages.