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338 sheet music found Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Mendelssohn: Song Without Words Op. 109 for Violin & Piano # Violin and Piano # INTERMEDIATE # Felix Mendelssohn # James M # Mendelssohn: Song Without Word # jmsgu3 # SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instruct...(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial. Mendelssohn: Wedding March for Piano Trio
Mendelssohn: Wedding March for Piano Trio # Piano Trio: piano, violin, cello # INTERMEDIATE # Classical # Felix Bartholdy Mendelssohn # James M # Mendelssohn: Wedding March for # jmsgu3 # SheetMusicPlus
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedd...(+)
Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o. Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet # String Quartet: 2 violins, viola, cello # INTERMEDIATE/ADVANCED # Classical # Felix Bartholdy Mendelssohn # James M # Mendelssohn: Prelude & Fugue i # jmsgu3 # SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James ...(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output. Mendelssohn: The Hebrides Overture for String Quartet
Mendelssohn: The Hebrides Overture for String Quartet # String Quartet: 2 violins, viola, cello # ADVANCED # Classical # Felix Bartholdy Mendelssohn # James M # Mendelssohn: The Hebrides Over # jmsgu3 # SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,...(+)
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.550016 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. Holiday,Multicultural,Romantic Period,Standards,World. 72 pages. Jmsgu3 #4574631. Published by jmsgu3 (A0.550016). The Hebrides Overture, also known as Fingal's Cave, is a concert overture composed by Felix Mendelssohn in 1830, revised in 1832, and published the following year as Mendelssohn's Op. 26. It is a standalone composition in a form familiar to the Romantic period and is not drawn from a stage work or opera. The overture consists of two primary themes, with the opening notes stating the theme Mendelssohn wrote while visiting Fingal's Cave and the second theme depicting movement at sea and rolling waves.Mendelssohn was inspired to compose this piece after visiting the Scottish island of Staffa and its famous Fingal’s Cave, which made a deep impression on him due to its echoing acoustics and the sound of waves crashing against rocks. The intense and rolling melodies within the music perfectly capture the sense of drama and awe of the Scottish landscape. The Hebrides Overture, also known as Fingal's Cave, has been used in popular culture in various ways. It has been performed by orchestras worldwide and has become part of the standard orchestral repertoire, retaining its position to the present day. The overture has also inspired literary works like Virginia Woolf's novel. Additionally, Mendelssohn's visit to the Hebrides and the composition of the overture have contributed to the popularity of Fingal's Cave as a tourist destination. Furthermore, the overture has been featured in recordings and concerts, contributing to its enduring presence in the musical landscape. Mendelssohn: The Fair Melusina Overture, Op. 32 for Violin & Piano
Mendelssohn: The Fair Melusina Overture, Op. 32 for Violin & Piano # Violin and Piano # INTERMEDIATE # Classical # Felix Bartholdy Mendelssohn # James Guthrie, ASCAP # Mendelssohn: The Fair Melusina # jmsgu3 # SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.551688 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romanti...(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.551688 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. 77 pages. Jmsgu3 #5336993. Published by jmsgu3 (A0.551688). Mendelssohn's Op. 32, The Fair Melusina Overture is a concert overture inspired by the legend of Melusine, a water sprite who marries a mortal under certain conditions. The overture is not a literal retelling of the story but rather a reflection of its themes and moods. Mendelssohn held this work in high regard, characterized by its dreamy and fluid musical landscape, reflecting the happiness and unhappiness of the two main characters. The piece was initially received politely, but Mendelssohn subsequently revised it, and it remains the least familiar of his series of concert overtures. The overture is known for its harmonic power and is sometimes rendered in English as The Fair Melusine. The legend of the fair Melusina is a tale of a water sprite who marries a mortal man under the condition that he must never see her on a Saturday. However, he eventually breaks his promise, leading to the tragic fate of Melusina. She is often depicted as a mermaid, a serpent from the waist down, or a dragon, and her story is associated with themes of love, trust, and the consequences of betrayal. The legend has inspired various literary and musical works, including Felix Mendelssohn's The Fair Melusina Overture, which reflects the themes and moods of the story. The tale has been revisited and revised over the centuries and continues to captivate audiences with its tragic and romantic elements. Mendelssohn - Piano Quartet No.3 in B minor, Op.3 ; MWV Q Q 17
Mendelssohn - Piano Quartet No.3 in B minor, Op.3 ; MWV Q Q 17 # String Quartet: 2 violins, viola, cello # Classical # Felix Bartholdy Mendelssohn # J # Mendelssohn - Piano Quartet No # J.G. Cuco Barber # SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Digital Download SKU: A0.1115947 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Chamb...(+)
Piano Quartet Cello,Piano,Viola,Violin - Digital Download SKU: A0.1115947 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 162 pages. J.G. Cuco Barber #717672. Published by J.G. Cuco Barber (A0.1115947). Work Title Piano Quartet No. 3 in B minor, Op. 3 Composer Mendelssohn, Felix Opus/Catalogue Number Op. 3 Key B minor Movements/Sections 4 movements: 1. Allegro molto - Più allegro (626 bars) 2. Andante (E major, 68 bars) 3. Allegro molto (F♯ minor, 463 bars) 4. Finale. Allegro vivace (477 bars) Year/Date of Composition 1824 October–1825 January First Publication 1825 – Berlin: Fr. Laue Dedication Johann Wolfgang von Goethe (1749–1832) Average Duration 31-33 minutes Composer Time Period Romantic Piece Style Romantic Instrumentation Piano, Violin, Viola, Cello. Mendelssohn - Piano Quartet No.2 in F minor, Op.2 ; MWV Q 13
Mendelssohn - Piano Quartet No.2 in F minor, Op.2 ; MWV Q 13 # String Quartet: 2 violins, viola, cello # Classical # Felix Bartholdy Mendelssohn # J # Mendelssohn - Piano Quartet No # J.G. Cuco Barber # SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Digital Download SKU: A0.1115830 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Chamb...(+)
Piano Quartet Cello,Piano,Viola,Violin - Digital Download SKU: A0.1115830 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 102 pages. J.G. Cuco Barber #717548. Published by J.G. Cuco Barber (A0.1115830). Work Title Piano Quartet No.2 Composer Mendelssohn, Felix Opus/Catalogue Number Op.2 ; MWV Q 13 Key F minor Movements/Sections 4 movements: I. Allegro molto (381 bars) II. Adagio (D-flat major, 99 bars) III. Intermezzo. Allegro moderato (109 bars) IV. Allegro molto vivace (365 bars) Year/Date of Composition 1823 First Publication 1824 - Berlin: Schlesinger Dedication Carl Friedrich Zelter (1758-1832) Average Duration 26-28 minutes Composer Time Period Romantic Piece Style Romantic Instrumentation violin, viola, cello, piano. Mendelssohn - Piano Quartet No.1 in C minor, Op.1 ; MWV Q 11
Mendelssohn - Piano Quartet No.1 in C minor, Op.1 ; MWV Q 11 # String Quartet: 2 violins, viola, cello # Classical # Felix Bartholdy Mendelssohn # J # Mendelssohn - Piano Quartet No # J.G. Cuco Barber # SheetMusicPlus
Piano Quartet Cello,Piano,Viola,Violin - Digital Download SKU: A0.1115689 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Chamb...(+)
Piano Quartet Cello,Piano,Viola,Violin - Digital Download SKU: A0.1115689 Composed by Felix Bartholdy Mendelssohn. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 86 pages. J.G. Cuco Barber #717444. Published by J.G. Cuco Barber (A0.1115689). Work Title Piano Quartet No.1 in C minor Composer Mendelssohn, Felix Opus/Catalogue Number Op.1 ; MWV Q 11 Key C minor Movements/Sections 4 movements: 1. Allegro vivace (300 bars) 2. Adagio (A-flat major, 118 bars) 3. Scherzo (129 bars) 4. Allegro moderato (170 bars) Year/Date of Composition 1822 First Publication 1823 - Berlin/Paris: Schlesinger Dedication Fürst Anton Radziwill Average Duration 28-30 minutes Composer Time Period Romantic Piece Style Classical Instrumentation violin, viola, cello, piano. Four Songs by Felix and Fanny Mendelssohn
Four Songs by Felix and Fanny Mendelssohn # String Quartet: 2 violins, viola, cello # INTERMEDIATE # Felix Mendelssohn # Stephen Levintow # Four Songs by Felix and Fanny # Cypress Publishing # SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssoh...(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssohn Hensel (1805-1847). Arranged by Stephen Levintow. 19th Century,Romantic Period. 29 pages. Cypress Publishing #986241. Published by Cypress Publishing (A0.1403057). The Lieder for voice and piano by Felix Mendelssohn, while of high quality, have mostly been overshadowed by those of his contemporary and friend Robert Schumann. But his Lieder ohne Worte (Songs Without Words) for piano solo with no vocal text, were and remain immensely popular, and had a great influence on his fellow composers, creating a genre of short poetic pieces for piano accessible to skilled amateurs and students as well as professionals.This set of four arrangements for string quartet begins with the best known and most loved of his vocal songs, Auf Flügeln des Gesanges (On Wings of Song), a setting of a poem by Heinrich Heine. Following are two Songs Without Words, a fine untitled one in G Major, and the famous Frühlingslied (Spring Song).In between them is a piece by his older sister, Fanny Mendelssohn Hensel, an accomplished composer with a catalog of over 450 works, some of which were originally published under Felix’s name. Like Felix, she wrote Lieder both with a sung text, and with no words, which she called Lieder für das Pianoforte. This little jewel is one of the latter, from her Opus 8. She gave it the title Lied (Lenau), a reference to the poet Nikolaus Lenau (1802-1850). But with neither sung text nor poem title indicated, it is a little mysterious. A gentle sinuous melody leads to some bold modulations before returning, not in the expected tonic key but on the dominant. Only in the last few bars does it resolve to the home key. The arrangement transposes the original D-Flat Major to D Major, which lies better for strings. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns. Romantic Violins Vol.2 - 4 Arrangements for 2 Violins Violin Duo Violin Group & Piano
Romantic Violins Vol.2 - 4 Arrangements for 2 Violins Violin Duo Violin Group & Piano # Violin and Piano # INTERMEDIATE/ADVANCED # Anton Rubenstein, Camille Sain # Tim TK Murray # Romantic Violins Vol.2 - 4 Arr # TK # SheetMusicPlus
Small Ensemble Piano,Violin - Level 4 - Digital Download SKU: A0.823996 Composed by Anton Rubenstein, Camille Saint-Saens, Felix Bartholdy Mendelssohn, a...(+)
Small Ensemble Piano,Violin - Level 4 - Digital Download SKU: A0.823996 Composed by Anton Rubenstein, Camille Saint-Saens, Felix Bartholdy Mendelssohn, and Peter Ilyich Tchaikovsky. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 40 pages. TK (Tim) Murray #4783099. Published by TK (Tim) Murray (A0.823996). Four arrangements for 2 violins ( Violin Duo, Violin Groups ) of contrasting Romantic repertoire from some of the great Composers - Volume 2 includes the sparkling joy of Mendelssohn's Capriccio Op16 No1, Tchaikovsky's heartfelt & dramatic Romance Op5, the passionately lyrical Romance by Rubenstein & the fun Dance that is 'Pas Redouble' by Saint-Saens. All of these great pieces work equally well for Violin Duo or Violin Groups and are loved by audiences and performers alike.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com Romantic Quartets of Progressive Difficulty, Volume 1 (String Quartet)
Romantic Quartets of Progressive Difficulty, Volume 1 (String Quartet) # String Quartet: 2 violins, viola, cello # INTERMEDIATE # Classical # Edvard Grieg, Fanny Cecile Men # Cody Myre # Romantic Quartets of Progressi # T.U.X. People's Music # SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.832042 Composed by Edvard Grieg, Fanny Cecile Mendelssohn, Frederic Chopin, Johannes B...(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.832042 Composed by Edvard Grieg, Fanny Cecile Mendelssohn, Frederic Chopin, Johannes Brahms, and Valborg Aulin. Arranged by Cody Myre. Contest,Festival,Instructional,Multicultural,Romantic Period,Standards,World. Score and parts. 101 pages. T.U.X. People's Music #6413873. Published by T.U.X. People's Music (A0.832042). These five romantic-era quartets have been carefully selected with any ensemble in mind. Each selection being made from a forgotten or neglected work of the past, these high quality arrangements are sure to challenge and excite even advanced quartets!FEATURING:Gangar, Grieg (M)Fugue in Ab minor, Brahms (MA)Waltz No. 3 in Ab, Chopin (MA)December, Mendelssohn (MA)VÃ¥rhelsning, Aulin (A)View more of Cody Myre's music at www.tuxpeoplesmusic.com