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87 sheet music found Missa melismatica
Missa melismatica # Choral SATB # ADVANCED # Hermann Schroeder # Missa melismatica # Schott Music - Digital # SheetMusicPlus
Mixed choir a cappella - advanced - Digital Download SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downlo...(+)
Mixed choir a cappella - advanced - Digital Download SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 16 minutes. Schott Music - Digital #Q6889. Published by Schott Music - Digital (S9.Q6889). Latin.Herrmann Schroeder (1904-1984), one of the most important church music composers of the 20th century, wrote this Latin mass in 1961, i.e. at the beginning of the Second Vatican Council. The Council marked a turning point in the field of church music: Masses in the respective native languages gained more and more acceptance, Gregorian chant faded into the background, stylistic features of popular music were also taken up in church music. Today, about 50 years after the beginning of the Council, one can see a return to Gregorian chant and polyphonic vocal music, and this is why even works such as Schroeder's Latin Missa melismatica arouse great interest again. The work takes the free intonation of the Gregorian chant as a starting-point and is enriched with wide-spun melodic arcs in elaborate polyphony, according to Schroeder's opinion that Gregorian chant and polyphony are particularly suitable for giving expression to the mysticism and irrationality of religious faith in the liturgy. A demanding work for good choirs, duration ca. 16 minutes. Miserere Mei
Miserere Mei # Choral SATB # EASY # César Zumel # Miserere Mei # César Zumel # SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.939977 Composed by César Zumel. Christian,Easter,Gospel,Spiritual. Octavo. 3 pages. César ...(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.939977 Composed by César Zumel. Christian,Easter,Gospel,Spiritual. Octavo. 3 pages. César Zumel #3067073. Published by César Zumel (A0.939977). Great way to start a concert! Miserere (psalm 50) is a processional march for SATB choir. First bars are really a processional march, while chorus is a poliphonic song generating an atmosphere of round. Verses are gregorian imitation. Effective and easy for creating an atmosphere in line with Easter sorrow. It could be performed marching the choir, and an small group singing the gregorian imitation.Tesiture not so demanding makes it afordable for all type of choirs. The highest tesiture has a short durationg going back to relaxed one soon. It is usefull for conductors to start to work the Easter season, using it as warming up exercise (progresivity, mantric, self voice control,...).It is really interesting for starting a concert marching the choir to the stage, or at least to start the concert.At services it could be used at communio.For aditional info, please contact czmorago@gmail.com Kyrie & Agnus Dei
Kyrie & Agnus Dei # Choral SATB # Sofia Söderberg # Kyrie & Agnus Dei # Bo Ejeby Forlag - Digital # SheetMusicPlus
SATB chorus - Digital Download SKU: BJ.1406 Composed by Sofia Söderberg. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1406. Published by Bo ...(+)
SATB chorus - Digital Download SKU: BJ.1406 Composed by Sofia Söderberg. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1406. Published by Bo Ejeby Forlag - Digital (BJ.1406). 8.27 x 11.7 inches.Music based on Gregorian themes.In the autumn of 2015, Malmo Live Vokalensemble performed Thierry Machuel's Paroles contre l'oubli - words against oblivion. In a large-scale art project, prisoners serving a life sentence at the Clairvaux high-security prison in north-eastern France were interviewed by the composer, who set their stories to music. The piece is incredibly dark, coloured by the innermost thoughts of individuals who know they will never again be free, people who are slipping into oblivion. Clairvaux wasn't always a prison, though - it was formerly an important monastery. Established by St. Bernhard in 1115 and closed in connection with the French Revolution, Clairvaux is a mythic place. For some, it is an abbey where thousands of monks voluntarily chose the path of saints, plunging themselves into the blessed silence of darkness. For others, it is a prison, the sheer name of which inspires terror and generates horrific images. My intention was that we, with our concert, would create a bridge between the present and the past, between incarceration and voluntary solitude. So I sought out the historical sources for our earliest notated music, from the French abbey of Solemn, and composed a variety of versions based on Gregorian themes. Kyrie and Agnus Dei are two of them. - Sofia Soderberg. Veni Sancte Spiritus - SATB choir
Veni Sancte Spiritus - SATB choir # Choral SATB # ADVANCED # Sacred music # Erik Spangler # Veni Sancte Spiritus - SATB ch # Erik Spangler # SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals. Te Deum
Te Deum # Choral SATB # Duarte Domingues # Te Deum # S. Caeciliae Publisher # SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1467817 Composed by Duarte Domingues. Classical,Contemporary,Latin,Religious,Sacred. 56...(+)
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1467817 Composed by Duarte Domingues. Classical,Contemporary,Latin,Religious,Sacred. 56 pages. S. Caeciliae Publisher #1046117. Published by S. Caeciliae Publisher (A0.1467817). The Te Deum is a thanksgiving hymn of the IV/V century, attributed to Saint Ambrose and Saint Augustine. The text has a distinctly trinitarian structure, developing around the praise to the Most Holy Trinity.With inspirations of O. Messiæn, A. Pärt, J. Langlais, M. Duruflé and G. Finzi, composers who dwelled on the sacred music in their time, and based on the gregorian tonus solemnis of the Te Deum, this work aims to be an echo of the western sacred music of the XX century. It adopts a classic configuration for organ and choir, with solo parts in both voice and organ. It is explored, above all, the illustration of the text and the liturgy with the several musical resources that these composers utilized in their writing.I. Te Deum laudamusII. Tibi omnes AngeliIII. Te gloriosusIV. Te per orbemV. Tu Rex gloriæVI. Tu devictoVII. Te ergo quæsumusIncludes General and Choir Score.