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23 sheet music found A Mighty Fortress is Our God by Luther for Trumpet Quintet
A Mighty Fortress is Our God by Luther for Trumpet Quintet # Trumpet # EASY # Martin Luther # Ander # A Mighty Fortress is Our God b # Woods Only, Arrangements # SheetMusicPlus
Trumpet - Level 2 - Digital Download SKU: A0.1138525 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 ...(+)
Trumpet - Level 2 - Digital Download SKU: A0.1138525 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 pages. Woods Only, Arrangements #738866. Published by Woods Only, Arrangements (A0.1138525). This easy arrangement for trumpet quintet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem. Greensleeves - Trumpet
Greensleeves - Trumpet # Trumpet # BEGINNER # Anonymus # Alex Nunes Rodrigues # Greensleeves - Trumpet # Alex Rodrigues # SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1476856 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individ...(+)
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1476856 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Rodrigues #1054369. Published by Alex Rodrigues (A0.1476856). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music. Greensleeves - Trumpet (with chords)
Greensleeves - Trumpet (with chords) # Trumpet # BEGINNER # Anonymus # Alex Nunes Rodrigues # Greensleeves - Trumpet # Alex Rodrigues # SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1476854 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individ...(+)
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1476854 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Rodrigues #1054367. Published by Alex Rodrigues (A0.1476854). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music. Supplemental Practice Alternatives for Trumpet
Supplemental Practice Alternatives for Trumpet # Trumpet # INTERMEDIATE/ADVANCED # Charles Decker # Supplemental Practice Alternat # Charles Decker Music Press # SheetMusicPlus
Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exe...(+)
Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages. Charles Decker Music Press #4303103. Published by Charles Decker Music Press (A0.817143). Supplemental Practice Alternatives is a thirty-page compilation of alternative practice approaches designed to improve and stabilize essential trumpet performance skills that was developed over four decades of teaching ambitious trumpeters at all levels. These alternative practice approaches provide practical variations and suggestions on how to apply them to the myriad of etude and study books with the objective of advancing and mastering crucial aspects of trumpet performance. Supplemental Practice Alternatives include study approaches for First and Third-Valve Slide Intonation Control; Single and Multiple-Tonguing Consistency Development; Range Expansion Tone Control; Lip Trill and Shake Development; Long-Tone Studies Using Basic Triad and 7th Chord Modes; Developing Quick Modal Transitioning Capability Between Basic Scales (major, minors, whole tone, chromatic); Review of Supplemental Scales Frequently Encountered (whole tone, blues, pentatonic); Advancing Fingering Coordination with emphasis on third-finger control; and two helpful supplements - a review of Common Italian terms Categorized into Meaningful Genres and 25 Practice Suggestions passed on by generations of successful musicians..For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) as well as my First Technical Studies for Trumpet for young students with Charles Decker Music Press at Sheet Music Plus. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Luther: Out of the Depths for Trumpet & Piano
Luther: Out of the Depths for Trumpet & Piano # Trumpet # BEGINNER # Martin Luther # James M # Luther: Out of the Depths for # jmsgu3 # SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...(+)
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine. Intermediate Serial Studies for Trumpet
Intermediate Serial Studies for Trumpet # Trumpet # INTERMEDIATE/ADVANCED # Charles Decker # Intermediate Serial Studies fo # Charles Decker Music Press # SheetMusicPlus
Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Deck...(+)
Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142). Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. The First Noel for Trumpet & Piano
The First Noel for Trumpet & Piano # Trumpet # BEGINNER # Christmas # Traditional # James M # The First Noel for Trumpet & P # jmsgu3 # SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score...(+)
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com