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3,002 sheet music found Forgive this Frail Heart That Beats, Aria for Dramatic Soprano from the Contemporary Opera Germain
Forgive this Frail Heart That Beats, Aria for Dramatic Soprano from the Contemporary Opera Germain # Piano, Voice # ADVANCED # James Nathaniel Holland # Forgive this Frail Heart That # James Nathaniel Holland # SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.730372 Composed by James Nathaniel Holland. Contemporary,Opera. Score. 11 pages. James Nathaniel H...(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.730372 Composed by James Nathaniel Holland. Contemporary,Opera. Score. 11 pages. James Nathaniel Holland #3005025. Published by James Nathaniel Holland (A0.730372). The moving and beautiful aria of the contemporary opera in English, Germain, by American Costa Rican composer James Nathaniel Holland. It is the end of Act II of the opera. The setting is the State House Ballroom filled with attendees. A viscious-tongued minister, Nadine, has been spreading rumors and hearsay to the press and the public. In this aria, Tamina, the wife of the Prime Minister of Timbaksha, has reached her breaking point and can bear no more that her husband is perpetually unfaithful.Video presentation: https://www.youtube.com/watch?v=Wc3wMjVyk5Y(Duration: 5:43) (Range: B3 to Bb5)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. An American Story: George Gershwin. One act opera
An American Story: George Gershwin. One act opera # Piano, Voice # Misha Stefanuk # An American Story: George Gers # Misha Stefanuk # SheetMusicPlus
Piano,Vocal,Voice - Advanced Intermediate - Digital Download SKU: A0.502406 Composed by Misha Stefanuk. Broadway,Contemporary,Folk,Musical/Show. Score. 1...(+)
Piano,Vocal,Voice - Advanced Intermediate - Digital Download SKU: A0.502406 Composed by Misha Stefanuk. Broadway,Contemporary,Folk,Musical/Show. Score. 123 pages. Published by Misha Stefanuk (A0.502406). An American Story: George Gershwin is a brief, jazz-infused opera in one act on the subject of George Gershwin, one of America's greatest and most influential composers. Although fictional, most of the opera's story is based upon biographical facts and direct quotes from George Gershwin's interviews and other sources.In this show, the audience is given a brief glimpse at the music and style of 1920s, when George and his brother, the champion lyricist, Ira Gershwin, were first starting to experience great success the world over. Their Broadway shows were in high demand, and many of them were made into lucrative Hollywood movies. Their shows are still often performed today.An American Story opens with a scene in which George and Ira are working through a piece they have written and are discussing their successes of the past year, including George's appearance on the cover of Time magazine. The operagoes on to introduce two female characters including Kay Swift, who was a significant composer at the time, as well and a strong influence upon George.Gertrude Lawrence, the British singer for whom George and Ira Gershwin wrote the musical Oh, Kay! also appears later in the opera, when she rehearses with George.An American Story: George Gershwin is The New Opera's second work dedicated to popularizing the life stories of historical and cultural figures, following Wolfy, an opera focusing on the life of Wolfgang Amadeus Mozart. This helps further The New Opera's mission to cultivate a growing interest in artistic and musical subjects for audiences of all ages and social levels and extend our enthusiasm for outstanding achievement in the arts.Complete You tube playlist can be found here https://www.youtube.com/playlist?list=PLUIlJVpmilpf_2ikBsnqhccqxAa4Gyy2x The One Upstairs, A Comic Opera in One Act, Piano Vocal Score
The One Upstairs, A Comic Opera in One Act, Piano Vocal Score # Piano, Voice # INTERMEDIATE/ADVANCED # James Nathaniel Holland # The One Upstairs, A Comic Oper # James Nathaniel Holland # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730242 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Musical/Show,Opera. Scor...(+)
Mammoth (opera) - Vocal Score
Mammoth (opera) - Vocal Score # Piano, Voice # INTERMEDIATE/ADVANCED # James Bersey # Mammoth # James Bersey # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1410611 By James Bersey. By James Bersey. 21st Century,Broadway,Chamber,Comedy,Musical/Show,Opera....(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1410611 By James Bersey. By James Bersey. 21st Century,Broadway,Chamber,Comedy,Musical/Show,Opera. Score. 311 pages. James Bersey #993031. Published by James Bersey (A0.1410611). Mammoth, Opera in Two ActsOriginal Story, Words & Music by James Thomas BerseyMammoth is a short, philisphophical, comical opera which illuminates the connection between science and faith. This is the complete VOCAL SCORE which enableschamber concert performances with piano accompaniment.This offer permits the print off of enough copies for One cast only Maximum 15 copies.All performances should be notified to PRS for Music (UK),ASCAP (USA) or global affiated performing rights' organisations (P.R.O).This work is protected by international copyright law. Any form or reproduction including email forwarding is not permitted.The complete opera for voices and full orchestra with contemporary rhythmn sectionis also available on request from the composer.About the composer:https://britishmusiccollection.org.uk/composer/james-bersey Opera Scenes for Women
Opera Scenes for Women # Piano, Voice # INTERMEDIATE/ADVANCED # Philip Seward # Opera Scenes for Women # Music Anon # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. ...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance. VIVALDI Antonio: Mi vuoi tradir, lo sò (version 2), aria from the opera "La verità in cimento", ar
VIVALDI Antonio: Mi vuoi tradir, lo sò (version 2), aria from the opera "La verità in cimento", ar # Piano, Voice # INTERMEDIATE/ADVANCED # Classical # Antonio VIVALDI # Sergei PICHUGIN # VIVALDI Antonio: Mi vuoi tradi # Really Good Music, LLC. # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869046 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Conc...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869046 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 7 pages. Really Good Music, LLC. #6444197. Published by Really Good Music, LLC. (A0.869046). Mi vuoi tradir, lo sò (version 2) is one of two contralto (or countertenor) arias from the opera La verità in cimento (Truth in Contention, 1720) by Antonio VIVALDI (1678 – 1741), composed on the same lyrics. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of C minor (D4 – F5) for high voice. SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", arranged for Voice an
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an # Piano, Voice # INTERMEDIATE # Antonio SARTORIO # Sergei PICHUGIN # SARTORIO Antonio: Dolce Amor, # Really Good Music, LLC. # SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868660 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Con...(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868660 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 5 pages. Really Good Music, LLC. #4366444. Published by Really Good Music, LLC. (A0.868660). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the key of G minor (D4 – F5) for high voice. . VIVALDI Antonio: Mi vuoi tradir, lo sò (version 1), an aria from the opera "La verità in cimento",
VIVALDI Antonio: Mi vuoi tradir, lo sò (version 1), an aria from the opera "La verità in cimento", # Piano, Voice # INTERMEDIATE/ADVANCED # Classical # Antonio VIVALDI # Sergei PICHUGIN # VIVALDI Antonio: Mi vuoi tradi # Really Good Music, LLC. # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869041 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Conc...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869041 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 6 pages. Really Good Music, LLC. #6444165. Published by Really Good Music, LLC. (A0.869041). Mi vuoi tradir, lo sò (version 1) is one of two contralto (or countertenor) arias from the opera La verità in cimento (Truth in Contention, 1720) by Antonio VIVALDI (1678 – 1741), composed on the same lyrics. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (A3 – D5) for low voice. VIVALDI Antonio: Mi vuoi tradir, lo sò (version 2), aria from the opera "La verità in cimento", ar
VIVALDI Antonio: Mi vuoi tradir, lo sò (version 2), aria from the opera "La verità in cimento", ar # Piano, Voice # INTERMEDIATE/ADVANCED # Classical # Antonio VIVALDI # Sergei PICHUGIN # VIVALDI Antonio: Mi vuoi tradi # Really Good Music, LLC. # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869044 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Conc...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869044 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 7 pages. Really Good Music, LLC. #6444189. Published by Really Good Music, LLC. (A0.869044). Mi vuoi tradir, lo sò (version 2) is one of two contralto (or countertenor) arias from the opera La verità in cimento (Truth in Contention, 1720) by Antonio VIVALDI (1678 – 1741), composed on the same lyrics. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (B3 – D5) for low voice. VIVALDI Antonio: Mi vuoi tradir, lo sò (version 1), aria from the opera "La verità in cimento", ar
VIVALDI Antonio: Mi vuoi tradir, lo sò (version 1), aria from the opera "La verità in cimento", ar # Piano, Voice # INTERMEDIATE/ADVANCED # Classical # Antonio VIVALDI # Sergei PICHUGIN # VIVALDI Antonio: Mi vuoi tradi # Really Good Music, LLC. # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869043 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Conc...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.869043 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 6 pages. Really Good Music, LLC. #6444185. Published by Really Good Music, LLC. (A0.869043). Mi vuoi tradir, lo sò (version 1) is one of two contralto (or countertenor) arias from the opera La verità in cimento (Truth in Contention, 1720) by Antonio VIVALDI (1678 – 1741), composed on the same lyrics. The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. It may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – F5) for high voice. After the Opera. Latest Comic Song
After the Opera. Latest Comic Song # Piano, Voice # L # After the Opera. Latest Comic # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.4082 Arranged by L. Frederic. Recreation, Leisure, Courtship, Wealth, Money. Lester S. Levy Collection. 4 page...(+)
Piano and voice - Digital Download SKU: LV.4082 Arranged by L. Frederic. Recreation, Leisure, Courtship, Wealth, Money. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4082). After the Opera. Latest Comic Song. Arr. by L. Frederic. Published 1871 by White & Goullaud, 86 Tremont St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Recreation, Leisure, Courtship, Wealth, Money. First line reads After the Opera's over, Gas tries to out shine the stars.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. After the Opera
After the Opera # Piano, Voice # Carl Hess # After the Opera # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice - Digital Download SKU: LV.19175 Arranged by Carl Hess. Portraits, Hides & skins, Sculpture, Wealth, Entertainment, Leisure. Lester S. Le...(+)
Piano and voice - Digital Download SKU: LV.19175 Arranged by Carl Hess. Portraits, Hides & skins, Sculpture, Wealth, Entertainment, Leisure. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19175). Mr. J.H. Milburn's Musical Bouquet. After the Opera. Arranged by Carl Hess. Published 1872 by M. Gray, 623 & 625 Clay St. in San Francisco. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Hides & skins, Sculpture, Wealth, Entertainment, Leisure. First line reads After the Opera's over, Gas tries to outshine the stars.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. CALDARA Antonio: Selve, amiche, aria from the "Opera-Pastorale" "La costanza in amor vince l'inganno
CALDARA Antonio: Selve, amiche, aria from the "Opera-Pastorale" "La costanza in amor vince l'inganno # Piano, Voice # INTERMEDIATE # Antonio CALDARA # Sergei PICHUGIN # CALDARA Antonio: Selve, amiche # Really Good Music, LLC. # SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.869039 Composed by Antonio CALDARA (1670 – 1736). Arranged by Sergei PICHUGIN. Baroque,Conc...(+)