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148 sheet music found Schubert: Ave Maria for Bassoon & Piano
Schubert: Ave Maria for Bassoon & Piano # 2 Bassoons (duet) # BEGINNER # Classical # Franz Schubert # James M # Schubert: Ave Maria for Bassoo # jmsgu3 # SheetMusicPlus
Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548694 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...(+)
Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548694 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411135. Published by jmsgu3 (A0.548694). A Bassoon Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bassoon part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. La Primavera (The Spring) by Vivaldi - Bassoon Duet and Piano with Chord Notations
La Primavera (The Spring) by Vivaldi - Bassoon Duet and Piano with Chord Notations # 2 Bassoons (duet) # EASY # Classical # Antonio Vivaldi # Glauco Fernandes # La Primavera # Glauco Fernandes # SheetMusicPlus
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1408404 Composed by Antonio Vivaldi. Arranged by Glauco Fern...(+)
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1408404 Composed by Antonio Vivaldi. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Instructional,Wedding. 5 pages. Glauco Fernandes #990989. Published by Glauco Fernandes (A0.1408404). Discover the vivacity of the Baroque era with our exclusive and simplified arrangement of Antonio Vivaldi's La Primavera (The Spring) from The Four Seasons, specifically crafted for a duet. This arrangement is designed to bring to life the joyful and energetic spirit of spring in an accessible manner, making it the perfect choice for duet musicians of various skill levels, from developing students to professionals looking for a charming yet simpler piece to complement their repertoires.For educators and music teachers, this simplified sheet music for duet offers a wonderful way to introduce students to Vivaldi's vibrant style and the music of the Baroque period. It provides a less intimidating approach to exploring classical works, allowing students to enhance their musical techniques and confidence while actively engaging in duet performance.Professional musicians will find this arrangement of La Primavera a valuable and practical addition to their duet repertoire, particularly suitable for events requiring shorter pieces or for moments seeking to touch the audience's hearts with the unmistakable beauty of Vivaldi, without the complexity of his complete works.This arrangement ensures that the essence and brilliance of Vivaldi's Spring are preserved while making the piece more accessible for duet performance, ensuring a rewarding musical experience for both performers and listeners. Explore the renewal and vitality of Spring through this charming and simplified arrangement tailored for duet.Tags: simplified sheet music, duet, Antonio Vivaldi, The Four Seasons, La Primavera, The Spring, Baroque music, music education, musical arrangement, live performance, music learning, ensemble performance, piano. Sullivan: The Lost Chord for Bassoon & Piano
Sullivan: The Lost Chord for Bassoon & Piano # 2 Bassoons (duet) # INTERMEDIATE/ADVANCED # Sir Arthur Seymour Sullivan # James M # dynamic control # Sullivan: The Lost Chord for B # jmsgu3 # SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Gut...(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.549452 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 15 pages. Jmsgu3 #3497185. Published by jmsgu3 (A0.549452). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.   Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano
Grieg: Morning Mood from Peer Gynt Suite for Bassoon & Piano # 2 Bassoons (duet) # INTERMEDIATE # Classical # Edvard Grieg # James M # Grieg: Morning Mood from Peer # jmsgu3 # SheetMusicPlus
Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romant...(+)
Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.549517 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 17 pages. Jmsgu3 #3504441. Published by jmsgu3 (A0.549517). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Canon by Pachelbel - Bassoon Duet with Piano and Chord Notation
Canon by Pachelbel - Bassoon Duet with Piano and Chord Notation # 2 Bassoons (duet) # INTERMEDIATE # Classical # Johann Pachelbel # Glauco Fernandes # Canon by Pachelbel - Bassoon D # Glauco Fernandes # SheetMusicPlus
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1370385 By Johann Pachelbel. By Johann Pachelbel. Arranged b...(+)
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1370385 By Johann Pachelbel. By Johann Pachelbel. Arranged by Glauco Fernandes. Baroque,Chamber,Classical,Wedding. 10 pages. Glauco Fernandes #954761. Published by Glauco Fernandes (A0.1370385). Embark on a journey into the sublime grandeur of classical music with the exclusive sheet music for the arrangement of Johann Pachelbel's Canon in D. This exquisitely crafted arrangement is thoughtfully designed for intermediate-level musicians, offering a captivating musical experience that serves as both an enriching challenge for those honing their skills and a valuable addition to the repertoire of professional musicians.The sheet music for Canon in D stands out for its accessible approach, providing beginner musicians with a stimulating challenge to enhance their instrument-playing abilities. Simultaneously, more experienced musicians will find in this arrangement a rare gem to enrich their repertoires, imparting a unique and engaging interpretation to Pachelbel's majestic composition.Ideal for a variety of events, this arrangement of Canon in D adds a touch of elegance to performances, particularly suitable for weddings where the classical beauty of this piece can create a truly memorable atmosphere. Whether for celebratory moments or as part of a professional repertoire, this sheet music offers a lush and sophisticated interpretation, elevating any occasion.Acquire the Canon in D sheet music now and immerse yourself in the classical opulence of this iconic composition. With its intrinsic quality, this arrangement will not only pose a stimulating challenge for burgeoning musicians but also become an indispensable piece for professionals looking to enrich and diversify their repertoires.If you're seeking more high-quality sheet music, we suggest searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com. O Holy Night - 2 Bassoons, Piano and Optional Drum Set - Intermediate Level
O Holy Night - 2 Bassoons, Piano and Optional Drum Set - Intermediate Level # 2 Bassoons (duet) # INTERMEDIATE # Christmas # Adolphe-Charles Adam # Raymond Fenech # O Holy Night - 2 Bassoons, Pia # Raymond Fenech # SheetMusicPlus
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760409 Composed by Adolphe-Charles Adam. Arranged by Raymond...(+)
Instrumental Duet,Piano Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.760409 Composed by Adolphe-Charles Adam. Arranged by Raymond Fenech. Christmas,Holiday,Pop,Praise and Worship,Traditional. Score and parts. 16 pages. Raymond Fenech #3632363. Published by Raymond Fenech (A0.760409). O Holy Night is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem Minuit, chrétiens (Midnight, Christians) written by a wine merchant and poet, Placide Cappeau (1808â??1877). In both the French original and the English version of the carol, as well as many other languages, the text reflects on the birth of Jesus and on humanity's redemption. The Duration is approx. 3.38 minutes and the level is Early Intermediate. This arrangement could be played with the Drum Set. O Holy Night is catered for school concerts, but could also be played in other concerts as well. The Boar of Brinnhard (bassoon and piano)
The Boar of Brinnhard (bassoon and piano) # 2 Bassoons (duet) # INTERMEDIATE # David Warin Solomons # The Boar of Brinnhard # David Warin Solomons # SheetMusicPlus
Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.576206 Composed by David Warin Solomons. Classical,Contemporary,Holiday,Wedding. 4 pages. ...(+)
Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.576206 Composed by David Warin Solomons. Classical,Contemporary,Holiday,Wedding. 4 pages. David Warin Solomons #7329. Published by David Warin Solomons (A0.576206). At the request of the Brinnhard family (of Yorkshire) I set a poem by Vicki Brinnhard relating to their family coat of arms, featuring the boar. This is the simplified version for bassoon and piano based on the vocal version. The pdf file contains the full score and a separate bassoon part. The sound sample is an electronic preview. The version for voice and piano, the orchestrated version (with bodhran, harp, shawm, double basses and voice) and the instrumental version (with bodhran, harp, shawm, double basses and bassoon) are all also available on this site. Luther: Out of the Depths for Bassoon & Piano
Luther: Out of the Depths for Bassoon & Piano # 2 Bassoons (duet) # BEGINNER # Martin Luther # James M # piano # Luther: Out of the Depths for # jmsgu3 # SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,I...(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.548710 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and parts. 4 pages. Jmsgu3 #3411733. Published by jmsgu3 (A0.548710). Out of the Depths I Cry to You by Martin Luther arranged for bassoon & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine. Bach-Gounod: Ave Maria for Bassoon & Piano
Bach-Gounod: Ave Maria for Bassoon & Piano # 2 Bassoons (duet) # EASY # Bach-Gounod # James M # Piano, S0 # Bach-Gounod: Ave Maria for Bas # jmsgu3 # SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Chr...(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #3490133. Published by jmsgu3 (A0.549363). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano, S0.661791. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â