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3 sheet music found Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet # Bassoon # INTERMEDIATE # Instructional # Joshua Hauser #   # Donut Etudes vol. 3: Don’t S # Slide Ride # SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Publis...(+)
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy! The Oyster Girl - 2 flutes, oboe & clarinet/bassoon
The Oyster Girl - 2 flutes, oboe & clarinet/bassoon # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE # Traditional English # Catriona Melville-Mason # The Oyster Girl - 2 flutes, ob # C Melville-Mason # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.956670 Composed by Traditional English. Arranged by C...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.956670 Composed by Traditional English. Arranged by Catriona Melville-Mason. Folk,Multicultural,Standards,World. 15 pages. C Melville-Mason #6867579. Published by C Melville-Mason (A0.956670). This cheerful jig originates from the North of England (although some sources suggest Ireland) and, as with many traditional tunes, it exists in a number of slightly different variants. The Oyster Girl is often used for Morris or maypole dancing, as well as being a popular pub session tune. Here, the tune is arranged for 4-part mixed woodwind combination of 2 flutes, oboe and either clarinet in B-flat or bassoon. As well as being an enjoyable, upbeat piece to perform, this arrangement is also ideal as a demonstration of the different tone colours of the instruments, as each takes a turn with the melody.Although classed as 'intermediate', the difficulty of the piece really depends on how fast you attempt to play it! BOISMORTIER SONATA IN G MINOR OPUS 34 No. 1 for flute, oboe, clarinet & bassoon
BOISMORTIER SONATA IN G MINOR OPUS 34 No. 1 for flute, oboe, clarinet & bassoon # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE # Joseph Boden de Boismortier # Pat Spence # BOISMORTIER SONATA IN G MINOR # Piper Publications # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811749 Composed by Joseph Boden de Boismortier (1689 ...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811749 Composed by Joseph Boden de Boismortier (1689 - 1755). Arranged by Pat Spence. Baroque,Concert,Graduation,Instructional,Standards. 28 pages. Piper Publications #5755439. Published by Piper Publications (A0.811749). The first of six 'SONATES à quatre parties différentes et également travaillées' for 3 Flutes, violins or 'autres Instruments avec la Basse' published in Paris in 1731. The arrangement for flute, oboe, clarinet & bassoon anticipates the availability of the clarinet by a couple of decades. There are 4 movements, Adagio, Presto, Adagio & Allegro in the French baroque style. The only dynamic indicated is the piano at the end of the last movement. Players of intermediate ability and above will enjoy the independent part playing and the opportunity to add extra decorations in the adagios.