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27 sheet music found Recondita armonia - Tosca
Recondita armonia - Tosca # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # INTERMEDIATE/ADVANCED # Vittorio Tamburrano # Vittorio Tamburrano # Recondita armonia - Tosca # Vittorio Tamburrano # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Pucci...(+)
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1490915 By Vittorio Tamburrano. By Giacomo Puccini. Arranged by Vittorio Tamburrano. 20th Century,Classical,Opera. 12 pages. Vittorio Tamburrano #1067700. Published by Vittorio Tamburrano (A0.1490915). IntroduzioneLa trascrizione per quintetto di fiati di Recondita armonia, una delle arie più iconiche dell'opera Tosca di Giacomo Puccini, è concepita per mantenere l'intensità emotiva e la bellezza melodica dell'originale, adattandola a una formazione cameristica che possa esprimere al meglio le sfumature timbriche e dinamiche del brano.Struttura e AdattamentoLa trascrizione è stata realizzata per flauto, oboe, clarinetto, fagotto e corno. Ogni strumento svolge un ruolo specifico nel ricreare la ricchezza orchestrale dell'originale, pur rimanendo fedele alla scrittura vocale e orchestrale di Puccini.- Flauto: Il flauto è stato scelto per riprodurre le linee melodiche più alte e leggere, spesso simili a quelle del violino nella versione orchestrale. La sua brillantezza e agilità permettono di mantenere la chiarezza e la dolcezza della melodia principale.- Oboe: L'oboe, con il suo timbro caldo e penetrante, ricrea l'espressività e l'intensità della voce di Cavaradossi, catturando le sfumature emotive della melodia principale. La sua capacità di sostenere note lunghe e di modulare il vibrato è essenziale per trasmettere il lirismo dell'aria.- Clarinetto: Il clarinetto fornisce un supporto armonico ricco e flessibile, spesso accompagnando la melodia con contrappunti sottili e intermezzi melodici. La sua estensione e dinamica lo rendono perfetto per passare dalle tonalità più gravi a quelle più acute, aggiungendo profondità alla trascrizione.- Fagotto: Il fagotto sostiene la struttura armonica con il suo timbro profondo e caldo, riproducendo le linee del basso continuo. Inoltre, è impiegato per sottolineare i momenti più drammatici e le modulazioni, aggiungendo gravità e intensità al quintetto.- Corno: Il corno, con la sua capacità di esprimere potenza e delicatezza, è utilizzato per ricreare i momenti di tensione e rilascio presenti nell'originale orchestrale. Il suo ruolo è fondamentale per evocare l'atmosfera maestosa e romantica dell'aria.Considerazioni Timbriche e DinamicheL'adattamento per quintetto di fiati tiene conto delle caratteristiche timbriche degli strumenti, creando un equilibrio sonoro che permette di mantenere l'espressività e la ricchezza dinamica dell'aria originale. Le dinamiche sono attentamente calibrate per ricreare i crescendo e diminuendo che caratterizzano l'intensità dell'aria, mentre l'articolazione è stata adattata per sfruttare al meglio le capacità espressive di ciascun strumento.Sfide e SoluzioniUna delle principali sfide nel trascrivere Recondita armonia per quintetto di fiati è stata quella di preservare l'ampiezza orchestrale e la potenza espressiva della melodia vocale. Per raggiungere questo obiettivo, ho utilizzato una scrittura contrappuntistica che permette ai vari strumenti di dialogare tra loro, ricreando l'interazione tra voce solista e orchestra presente nell'originale.ConclusioneQuesta trascrizione per quintetto di fiati di Recondita armonia riesce a mantenere la forza drammatica e l'intensità emotiva dell'originale, offrendo una nuova prospettiva su un capolavoro dell'opera lirica. Il risultato è un arrangiamento che rispetta la grandezza della musica di Puccini, permettendo a un ensemble da camera di esplorare e esprimere le sfumature di uno dei momenti più emozionanti di Tosca. Adagio
Adagio # Bassoon, Piano (duet) # INTERMEDIATE # Louis Spohr # Adagio # Schott Music - Digital # SheetMusicPlus
Bassoon (cello, violin, flute, clarinet in Bb) and piano - intermediate - Digital Download SKU: S9.Q11390 Kritische Ausgabe nach den Quellen. Comp...(+)
Bassoon (cello, violin, flute, clarinet in Bb) and piano - intermediate - Digital Download SKU: S9.Q11390 Kritische Ausgabe nach den Quellen. Composed by Louis Spohr. This edition: Sheet music. Downloadable. Schott Music - Digital #Q11390. Published by Schott Music - Digital (S9.Q11390). The composer, violinist and educationalist Louis Spohr (1784–1859) caused a sensation as a child already: At the age of 5, he took his first violin lessons and at the age of 15 was employed as chamber musician of the Duke's orchestra. Very soon, his fame as a virtuoso violinist ran ahead of him, and he undertook concert tours throughout Europe. On these trips, he was often accompanied by his first wife, a virtuoso harpist and pianist. For their joint music-making, Spohr wrote a Sonata for violin and harp the adagio of which was rearranged for bassoon and piano. It was followed by arrangements for other melodic instruments, although not by Spohr himself. This is a melodious setting – now cantabile, now passionate – which is worth playing and listening to. TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE/ADVANCED # Georg Philipp Telemann # Pat Spence # TELEMANN: QUARTET IN G MAJOR T # Piper Publications # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 176...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Holiday,Wedding. 40 pages. Piper Publications #6533127. Published by Piper Publications (A0.811818). This quartet is the second piece in the first of three sets of ‘Tafelmusik’ published in Hamburg by Telemann in 1763. The numbers of players required ranged from a single treble instrument with continuo (cello & harpsichord) to pairs of trumpets, horns and violins with string orchestra with continuo which provided the entertainment for the guests at the most important feasts.The quartet was originally written for flute, oboe, violin and continuo and has been arranged for flute, oboe, clarinet & bassoon. Some additional phrasings and dynamics have been added in parentheses ( ) or dashed lines and passages of music have been redistributed among the parts with some octave transposition to accommodate the range of the wind instruments.There are three movements: Largo - Allegro - Largo, Vivace - Moderato - Vivace & Grave - Vivace. The quartet is suitable for advanced intermediate players and above.The short Grave introduction to the final Vivace would have afforded the three treble instrument players a bar/measure each to perform a short improvised cadenza before the infectious romp of the final Vivace. (Rather like the present day introductions of the athletes before important competitions - the difference being that the 18th century musicians had already demonstrated their prowess.Telemann clearly had very talented musicians available and provided them with music which was enjoyable to play for an appreciative audience of patrons to enjoy. Pas de Deux from The Satyricon Ballet Arranged for Bassoon and Piano
Pas de Deux from The Satyricon Ballet Arranged for Bassoon and Piano # Bassoon # INTERMEDIATE # James Nathaniel Holland # Pas de Deux from The Satyricon # James Nathaniel Holland # SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.730262 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. ...(+)
Bassoon Solo - Level 3 - Digital Download SKU: A0.730262 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James Nathaniel Holland #1910769. Published by James Nathaniel Holland (A0.730262). Arranged for Bassoon solo and Orchestra Reduction Piano Accompaniment (Duration: 5:12) Enjoy playing this beautiful Pas de Deux from James Nathaniel Holland's ballet The Satyricon Meditative and relaxing, a nice addition to cafe music repertoire, weddings and special music for religious services. Originally written for viola, violin and orchestra. Piano full score and part included. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland Mr. Blue Sky
Mr. Blue Sky # Bassoon, Piano (duet) # INTERMEDIATE # Electric Light Orchestra # Lawrence H Underwood # Mr. Blue Sky # Lawrence H Underwood # SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1091660 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Fil...(+)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1091660 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695814. Published by Lawrence H Underwood (A0.1091660). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series! Adagio BWV 974 from Concerto in D Minor after Marcello for wind quartet
Adagio BWV 974 from Concerto in D Minor after Marcello for wind quartet # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE/ADVANCED # Classical # BACH–MARCELLO # Klas Krantz # Adagio BWV 974 from Concerto i # Amadeus Music # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1171161 By BACH–MARCELLO. By Bach, Marcello. A...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1171161 By BACH–MARCELLO. By Bach, Marcello. Arranged by Klas Krantz. Baroque,Classical. 9 pages. Amadeus Music #771499. Published by Amadeus Music (A0.1171161). Unornamented (easy) flute part included.Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.Known from Fifty Shades of Grey. Bist du bei mir, Be thou with me BWV 508 for wind quartet
Bist du bei mir, Be thou with me BWV 508 for wind quartet # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE # Classical # Johann Sebastian Bach # Klas Krantz # Bist du bei mir, Be thou with # Amadeus Music # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.532564 Composed by Johann Sebastian Bach. Arranged by...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.532564 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Wedding. 8 pages. Amadeus Music #6460899. Published by Amadeus Music (A0.532564). Johann Sebastian Bach (1685–1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. The Song of Moses and of Miriam at the Red Sea-Bassoon
The Song of Moses and of Miriam at the Red Sea-Bassoon # Bassoon # EASY # Zachary Damm # The Song of Moses and of Miria # Digital Print Publishing # SheetMusicPlus
Bassoon Solo - Level 2 - Digital Download SKU: A0.969558 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Pu...(+)
Bassoon Solo - Level 2 - Digital Download SKU: A0.969558 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014299. Published by Digital Print Publishing (A0.969558). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the bassoon part: see also all the individual instrumental parts under the same title. Allegro (from "Concerto for Four Claviers") (G min) (Bassoon Quintet)
Allegro (from "Concerto for Four Claviers") (G min) (Bassoon Quintet) # Basson ensemble # ADVANCED # Classical # Johann Sebastian Bach # Regis Bookshar # Allegro # Regis Bookshar # SheetMusicPlus
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.813392 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructiona...(+)
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.813392 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209789. Published by Regis Bookshar (A0.813392). Bassoon Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Bassoon Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for 5 Bassoons, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it. Allegro (from "Concerto for Four Claviers") (A min) (Bassoon Quintet)
Allegro (from "Concerto for Four Claviers") (A min) (Bassoon Quintet) # Basson ensemble # ADVANCED # Classical # Johann Sebastian Bach # Regis Bookshar # Allegro # Regis Bookshar # SheetMusicPlus
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.813366 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructiona...(+)
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.813366 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 44 pages. Regis Bookshar #6209721. Published by Regis Bookshar (A0.813366). Bassoon Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Bassoon Quintet while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (44 pages). In addition to this version for 5 Bassoons, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it. Air on the G String by Bach for Clarinet and Bassoon Duet
Air on the G String by Bach for Clarinet and Bassoon Duet # Clarinet, Bassoon (duet) # BEGINNER # Classical # Johann Sebastian Bach # Ander # Air on the G String by Bach fo # Woods Only, Arrangements # SheetMusicPlus
Bassoon,Clarinet,Instrumental Duet - Level 1 - Digital Download SKU: A0.1038535 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Classical,W...(+)
Bassoon,Clarinet,Instrumental Duet - Level 1 - Digital Download SKU: A0.1038535 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Classical,Wedding. 5 pages. Woods Only, Arrangements #643499. Published by Woods Only, Arrangements (A0.1038535). This easy arrangement for clarinet and bassoon duet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano
DvoÅ™ák: Largo from the New World Symphony for Bassoon & Piano # 2 Bassoons (duet) # EASY # Classical # Antonin Dvorak # James M # dynamic c control # DvoÅ™ák: Largo from the Ne # jmsgu3 # SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. ...(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.549433 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3494213. Published by jmsgu3 (A0.549433). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic c control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  Air on the G String by Bach for Bassoon Trio
Air on the G String by Bach for Bassoon Trio # 3 Bassoons # BEGINNER # Classical # Johann Sebastian Bach # Ander # Air on the G String by Bach fo # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 1 - Digital Download SKU: A0.988582 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Wedding...(+)
Woodwind Ensemble,Woodwind Trio Bassoon - Level 1 - Digital Download SKU: A0.988582 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Wedding. 6 pages. Woods Only, Arrangements #594089. Published by Woods Only, Arrangements (A0.988582). This easy arrangement for bassoon trio was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 5 Famous Songs by Bach for Bassoon Quartet
5 Famous Songs by Bach for Bassoon Quartet # 4 Bassoons # BEGINNER # Classical # Christian Petzold, Johann Seba # Ander # 5 Famous Songs by Bach for Bas # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1137855 Composed by Christian Petzold, Johann Sebastian Bach, and Martin ...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1137855 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738116. Published by Woods Only, Arrangements (A0.1137855). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.