Timpani Sheet Music to download and print

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Timpani

Kettledrum Overture, Opus 2 - Bassoon
Kettledrum Overture, Opus 2 - Bassoon #Bassoon #INTERMEDIATE/ADVANCED #Derrick R W Nicholas #Kettledrum Overture, Opus 2 - #Derrick Nicholas #SheetMusicPlus

Bassoon Solo - Level 4 - Digital Download SKU: A0.1006908 Composed by Derrick R W Nicholas. Concert,Contemporary. Individual part. 4 pages. Derrick Nicho...(+)

Bassoon Solo - Level 4 - Digital Download SKU: A0.1006908 Composed by Derrick R W Nicholas. Concert,Contemporary. Individual part. 4 pages. Derrick Nicholas #3018149. Published by Derrick Nicholas (A0.1006908). Overture for Timpani and Orchestra - Bassoonwww.derrickrwnicholas.com - Information - linked websites, social links and contact

The Song of Moses and of Miriam at the Red Sea-Bassoon
The Song of Moses and of Miriam at the Red Sea-Bassoon #Bassoon #EASY #Zachary Damm #The Song of Moses and of Miria #Digital Print Publishing #SheetMusicPlus

Bassoon Solo - Level 2 - Digital Download SKU: A0.969558 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Pu...(+)

Bassoon Solo - Level 2 - Digital Download SKU: A0.969558 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014299. Published by Digital Print Publishing (A0.969558). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the bassoon part: see also all the individual instrumental parts under the same title.

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.548686 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and parts. 10 pages. Jmsgu3 #3410489. Published by jmsgu3 (A0.548686). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de NoÃ«l The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840â€™s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de NoÃ«l. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850â€™s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeauâ€™s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Fatherâ€™s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didnâ€™t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com