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207 sheet music found Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2 # Bassoon # INTERMEDIATE/ADVANCED # Benjamin Harry Sajo # Kommos # Benjamin Sajo # SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...(+)
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers. Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1 # Bassoon # INTERMEDIATE/ADVANCED # Benjamin Harry Sajo # Kommos # Benjamin Sajo # SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin ...(+)
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers. Bassoon Quartet - Horn Piece
Bassoon Quartet - Horn Piece # 4 Bassoons # INTERMEDIATE/ADVANCED # Mike Lyons # Mike Lyons # at the end # Bassoon Quartet - Horn Piece # Lyons Music Services # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.767558 Composed by Mike Lyons. Arranged by Mike Lyons. Concert,Contempora...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.767558 Composed by Mike Lyons. Arranged by Mike Lyons. Concert,Contemporary. 34 pages. Lyons Music Services #5984929. Published by Lyons Music Services (A0.767558). An original horn quartet inspired by a conversation about writing for horns. There are three movements. After some time, I decided to see if this would work well on woodwinds and lo and behold, it sits really nicely on bassoon.The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the Contra at the end.This is a really enjoyable and exciting new addition to the Bassoon quartet repertoire. Sonata for Bassoon & Piano | new edition
Sonata for Bassoon & Piano | new edition # Bassoon, Piano (duet) # ADVANCED # Crystal Godfrey LaPoint # Sonata for Bassoon & Piano | n # CGL MUSIC . music publishing # SheetMusicPlus
Bassoon,Piano - Level 5 - Digital Download SKU: A0.1030736 Composed by Crystal Godfrey LaPoint. 20th Century,Concert,Contemporary. Score and part. 43 pag...(+)
Bassoon,Piano - Level 5 - Digital Download SKU: A0.1030736 Composed by Crystal Godfrey LaPoint. 20th Century,Concert,Contemporary. Score and part. 43 pages. CGL MUSIC . music publishing #6295895. Published by CGL MUSIC . music publishing (A0.1030736). Composer notes and links to performance videos: The 3 movements of this Sonata for Bassoon & Piano (Marziale, Pastorale, and Il Ponte di Londra) engage the listener with a balanced stylistic variety of tempi and character, while exploring the bassoon’s elegantly lyrical and expressive personality (so rarely celebrated by today’s composers). It offers bassoonists a fresh, appealing addition to their solo repertoire - a new work with an authentic contemporary voice that is eminently listenable and unpretentious. This Sonata for Bassoon & Piano delights performers and audiences alike, with vignettes of energetic rhythmic sophistication, soaring melodies, subtly poignant harmonies, and even a dash of wit and whimsy. Hear the entire sonata performed at The 2021 Meg Quigley Vivaldi Symposium by Dr. Sasha Gee Enegren and pianist, Sojung Park, on these 3 YouTube videos: Mvt. I at https://youtu.be/QGmuPl-9PCw, Mvt. II at https://youtu.be/c3FmcfxtulU, and Mvt. II at https://youtu.be/jYX0EV7lsUs. Enjoy! Swing Low Sweet Chariot. Gospel Song for Bassoon and Piano
Swing Low Sweet Chariot. Gospel Song for Bassoon and Piano # Bassoon, Piano (duet) # EASY # Sacred music # Gospel/Spiritual # Traditional # David McKeown # Swing Low Sweet Chariot. Gospe # David McKeown # SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.593286 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Sp...(+)
Bassoon,Piano - Level 2 - Digital Download SKU: A0.593286 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6418239. Published by David McKeown (A0.593286). Swing Low, Sweet Chariot is a beautiful spiritual arranged here for Solo Bassoon and Piano.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recenttimes Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. No.8 Beautiful Mind (Bassoon)
No.8 Beautiful Mind (Bassoon) # Bassoon # INTERMEDIATE # Chris Cobon # No.8 Beautiful Mind # Chris Cobon # SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.1001864 Composed by Chris Cobon. Contemporary,Jazz. Individual part. 7 pages. Chris Cobon #6383733. Pub...(+)
Bassoon Solo - Level 3 - Digital Download SKU: A0.1001864 Composed by Chris Cobon. Contemporary,Jazz. Individual part. 7 pages. Chris Cobon #6383733. Published by Chris Cobon (A0.1001864). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for the other pieces in the series, new ones being added regularly. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreBassoon partThe Music:Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy. These pieces move the focus from musical dexterity to stamina, tone, control. Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (I.Allegro) - bassoon duet
Beethoven: Duet mit zwei obligaten Augengläsern WoO 32 (Eyeglass Duo) (I.Allegro) - bassoon duet # 2 Bassoons (duet) # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # Ray Thompson # Beethoven: Duet mit zwei oblig # RayThompsonMusic # SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1097228 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Clas...(+)
Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1097228 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. Score and parts. 12 pages. RayThompsonMusic #701184. Published by RayThompsonMusic (A0.1097228). Translated as (Duet with Two Obligato Eyeglasses) or k/a The Obligato/Eyeglass Duo. Originally composed for viola/cello duet it is arranged here for bassoon duet. This arrangement is of of Mvt.I Allegro ONLY Mvt II Minuetto is also available on this site. This duet for viola and cello from 1796-1797 is believed to have been written for Beethoven's longtime frind, Baron Nikolaus Zmeskall. The Baron was an accomplished cellist, and Beethoven had played the viola back in Bonn. Both men wore spectacles at times, which is believed to be the genesis of the curious name. Apparently Beethoven wrote Zmeskall a letter containing these lines: Dearest Baron Garbage-truck driver, I am obliged to you for the weakness of your eyes. Perhaps Zmeskall lent Beethven his eyeglasses. Who knows? One thing is certain: the piece exudes a sense of sheer playfulness, similar in spirit (if not style) to Mozart's Duo for Violin and Viola in B-Flat. Arranged here for bassoon duet. I have changed the octaves in both parts in certain bars to suit the bassoon's range, and to avoid overlap. I have obviously removed the chords in the original viola part, which is now bsn 1, and somtrimes given the lower note in the chord to bsn 2 to give a better balance. Bsn 1 plays top Bb once I have NOT simply lowered the viola part an Octave, which you may find elsewhere. I have also simplified the tricky semi-quaver (sixteenth notes) broken chords passages. It suits the bassoon duet. 5 Famous Songs by Bach for Bassoon Quartet
5 Famous Songs by Bach for Bassoon Quartet # 4 Bassoons # BEGINNER # Classical # Christian Petzold, Johann Seba # Ander # 5 Famous Songs by Bach for Bas # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1137855 Composed by Christian Petzold, Johann Sebastian Bach, and Martin ...(+)
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1137855 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738116. Published by Woods Only, Arrangements (A0.1137855). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem. 5 Famous Songs by Bach for Bassoon Trio
5 Famous Songs by Bach for Bassoon Trio # 3 Bassoons # EASY # Classical # Christian Petzold, Johann Seba # Ander # 5 Famous Songs by Bach for Bas # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1138514 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Lut...(+)
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1138514 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738854. Published by Woods Only, Arrangements (A0.1138514). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem. 5 Famous Songs by Bach for Bassoon Quintet
5 Famous Songs by Bach for Bassoon Quintet # 5 Bassoons # BEGINNER # Classical # Bach, Martin Luther # Ander # 5 Famous Songs by Bach for Bas # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 1 - Digital Download SKU: A0.957292 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter...(+)
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 1 - Digital Download SKU: A0.957292 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748239. Published by Woods Only, Arrangements (A0.957292). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897552: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899753: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900254: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901515: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190367Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta. Tarantella from the Nutcracker for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Tw
Tarantella from the Nutcracker for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Tw # Bassoon, Violoncello # INTERMEDIATE/ADVANCED # Classical # Peter Ilyich Tchaikovsky # Daniel Kelley # Tarantella from the Nutcracker # Last Resort Music Publishing # SheetMusicPlus
Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 4 - Digital Download SKU: A0.530428 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Ke...(+)
Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 4 - Digital Download SKU: A0.530428 Composed by Peter Ilyich Tchaikovsky. Arranged by Daniel Kelley. Children,Christmas,Concert,Romantic Period,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3583283. Published by Last Resort Music Publishing (A0.530428). The Tarantella from the Tschaikovsky’s Nutcracker is a very fast dance movement in 6/8 and is traditionally performed by a male dancer immediately following the Pas de Deux. Don’t miss this delightful and energetic arrangement! Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & Bassoon Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other Nutcracker arrangements including Mother Ginger, Chocolate, Clara & the Nutcracker, Pas De Deux, Final Waltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children's Galop, Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March, Overture & Trepak! All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com