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23 sheet music found Élégie
Élégie # Guitar # INTERMEDIATE # Contemporary # Francis Bebey # Ingrid Riollot # Élégie # Les Editions Doberman-Yppan # SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos # Guitar # INTERMEDIATE/ADVANCED # Classical # Richard Strauss # Rod Whittle # for solo classical guitar # Chorus and Aria from Ariadne a # Maggie Creek Music # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o. 'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos # Guitar # INTERMEDIATE/ADVANCED # Classical # Richard Strauss # Rod Whittle # for solo classical guitar # 'A golden time ...' from Ariad # Maggie Creek Music # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so. Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos # Guitar # INTERMEDIATE # Classical # Richard Strauss # Rod Whittle # Excerpt from the Last Part of # Maggie Creek Music # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som. Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos # Guitar # INTERMEDIATE/ADVANCED # Classical # Richard Strauss # Rod Whittle # for solo classical guitar # Overture from Ariadne auf Naxo # Maggie Creek Music # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr. Nothing Else Matters
Nothing Else Matters # Rock # Metallica # Derek Hasted # Nothing Else Matters # Derek Hasted # SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1434489 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek ...(+)
Guitar - Level 4 - Digital Download SKU: A0.1434489 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #1014651. Published by Derek Hasted (A0.1434489). NOTHING ELSE MATTERS (Metallica) - 3 GUITARS or LARGE ENSEMBLEFor Classical Guitar primarily - also suits Acoustic Guitar or Electric GuitarDerek Hasted writes This is an astonishing piece - hypnotically repetitive, yet full of contrasts, big builds and a reflecting ending. And well-known to so, so many people.My arrangement for 3 guitars is somewhere between intermediate (for Guitars 1 & 3) and advanced intermediate (Guitar 2), and will also suit a large ensemble.Guitar 1 is the tune, and Guitar 3 provides the countermelodies. Both are 3 pages long, and a bit of sticky tape to the joins will ensure they fit a normal music stand with no page turns.Guitar 2 (the electric guitar part) is 4 pages, but I have placed open strings and then a bar’s rest at the foot of the page to allow plenty of time for page turns. On a classical guitar we can’t bend the top string by a semitone, so my arrangement uses slurs to make a very acceptable alternative (and a couple of bars have yet more alternatives in the score).The full 6 minutes of the original is here, in the same key, using a variety of textures that help to capture the build-up and decay of the original.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score. Prelúdio 2
Prelúdio 2 # Guitar # INTERMEDIATE # Allegro Instrumental Banda # Jeferson Mota de Oliveira # Prelúdio 2 # JEFERSON MOTA DE OLIVEIRA # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Banda. By Jeferson Mota de Oliveira. Arranged by Jeferson Mota de Olivei...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1244166 By Allegro Instrumental Banda. By Jeferson Mota de Oliveira. Arranged by Jeferson Mota de Oliveira. Christmas,Classical,Renaissance,Soul,Wedding. Individual part. 1 pages. JEFERSON MOTA DE OLIVEIRA #839138. Published by JEFERSON MOTA DE OLIVEIRA (A0.1244166). Esse é um Prelúdio para violão solo.Um prelúdio é uma composição musical instrumental curta e independente que geralmente serve como introdução a uma peça mais extensa, como uma ópera, uma suÃte, uma sonata ou um concerto. O termo prelúdio vem do latim praeludium, que significa tocar antes.Os prelúdios são caracterizados por sua natureza improvisatória e exploratória, permitindo ao compositor ou ao intérprete explorar diferentes melodias, harmonias e texturas musicais. Eles podem apresentar uma variedade de estilos e formas musicais, desde peças virtuosÃsticas e brilhantes até prelúdios mais introspectivos e contemplativos.Os prelúdios têm sido escritos e apreciados ao longo da história da música em várias épocas e gêneros musicais, como no perÃodo barroco com os prelúdios de Johann Sebastian Bach, no perÃodo romântico com os prelúdios de Frédéric Chopin e no jazz com os prelúdios improvisados pelos pianistas de jazz. Texas Hold 'em
Texas Hold 'em # 2 Guitars (duet) # BEGINNER # Beyonce # Jhonatan Lucio Viana # Texas Hold 'em # JLVPartitura # SheetMusicPlus
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1390900 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, E...(+)
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1390900 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Jhonatan Lucio Viana. 21st Century,Country,Holiday,Pop,R & B. 15 pages. JLVPartitura #974433. Published by JLVPartitura (A0.1390900). Immerse yourself in this arrangement of TEXAS HOLD 'EM by BEYONCE for DUET GUITAR.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Original Key.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices. Texas Hold 'em
Texas Hold 'em # 2 Guitars (duet) # BEGINNER # Beyonce # Jhonatan Lucio Viana # Texas Hold 'em # JLVPartitura # SheetMusicPlus
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1390903 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, E...(+)
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1390903 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Jhonatan Lucio Viana. 21st Century,Country,Holiday,Pop,R & B. 12 pages. JLVPartitura #974436. Published by JLVPartitura (A0.1390903). Immerse yourself in this arrangement of TEXAS HOLD 'EM by BEYONCE for DUET GUITAR + CHORDS.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Original Key.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices. Texas Hold 'em
Texas Hold 'em # Beyonce # Jhonatan Lucio Viana # Texas Hold 'em # JLVPartitura # SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1390907 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, M...(+)
Guitar - Level 1 - Digital Download SKU: A0.1390907 By Beyonce. By (Beyonce Knowles), (Megan Bulow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Jhonatan Lucio Viana. 21st Century,Country,Holiday,Pop,R & B. Chords/Lyrics. 23 pages. JLVPartitura #974440. Published by JLVPartitura (A0.1390907). Immerse yourself in this arrangement of TEXAS HOLD 'EM by BEYONCE for DUET GUITAR + LYRICS + CHORDS.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Original Key.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices. The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) # Piano, Vocal and Guitar # INTERMEDIATE # David Warin Solomons # The Poohratorio # David Warin Solomons # SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporar...(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc. 8 Swinging Xmas Carols for Guitar & Piano
8 Swinging Xmas Carols for Guitar & Piano # Guitar # INTERMEDIATE # Christmas # Keith Terrett # Keith Terrett # Piano # 8 Swinging Xmas Carols for Gui # Keith Terrett # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise &...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Individual part. 31 pages. Keith Terrett #903814. Published by Keith Terrett (A0.1315071). An exciting arrangement of eight popular swinging xmas carols arranged for Guitar & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.. Paint It, Black
Paint It, Black # Guitar notes and tablatures # BEGINNER # The Rolling Stones # Jhonatan Lucio Viana # Paint It, Black # JLVPartitura # SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1429910 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Jhonatan Lucio ...(+)
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1429910 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Jhonatan Lucio Viana. 20th Century,Classical,Contemporary,Film/TV,Rock. Tablature. 3 pages. JLVPartitura #1010545. Published by JLVPartitura (A0.1429910). Paint It Black (Rolling Stones) for Duet Guitar Easy in Tab.Description:Explore the magic of this iconic arrangement for the song Paint It Black by the Rolling Stones. Thrilling and engaging, this high-quality PDF score brings the unique energy of the music in the key of Em (E minor), providing an authentic performance experience. Additionally, follow along with the included MP3 audio for inspiring sonic reference. Don't miss the opportunity to add this masterpiece to your repertoire and let your musical creativity flourish.Key Features:Exciting arrangement of the song Paint It Black by the Rolling Stones.Notation in Em (E minor), the original key of the song, for an authentic interpretation.High-quality PDF format for easy viewing and printing.Included MP3 audio for inspiring sonic reference.Beginner-friendly arrangement.Suitable for musicians of all skill levels.I am thrilled to present this arrangement to you. I invite you to explore my diverse collection of concert band arrangements and music scores on my website. Simply search for 'Jhonatan Lucio Viana' to discover a wide variety of sheet music options awaiting you.rolling stones sheet music, paint it black arrangement, pdf sheet music in e minor, quality sheet music, rolling stones arrangement, sheet music with mp3 audio, exciting sheet music, classic rolling stones music, rolling stones sheet music, paint it black arrangement, rolling stones classic, paint it black sheet music, rolling stones sheet music, musical arrangement paint it black, paint it black cover, instrumental version paint it black, sheet music for musicians paint it black, digital sheet music paint it black, musical notes paint it black, classic rolling stones sheet music, rock rolling stones sheet music, famous rolling stones sheet music, popular rolling stones sheet music, sheet music for rolling stones band, sheet music for rolling stones ensemble, sheet music for rolling stones musical group, paint it black guitar sheet music, paint it black drum sheet music, paint it black bass sheet music, rolling stones guitar sheet music, rolling stones drum sheet music, rolling stones bass sheet music, paint it black instrument arrangement, rock music sheet music, classic rock sheet music, classic rolling stones sheet music, rolling stones rock sheet music, famous rolling stones guitar sheet music, famous rolling stones drum sheet music, famous rolling stones bass sheet music, famous rock music sheet music. Paint It, Black
Paint It, Black # The Rolling Stones # Jhonatan Lucio Viana # Paint It, Black # JLVPartitura # SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1429916 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Jhonatan Lucio Viana. 20th Cent...(+)
Guitar - Level 2 - Digital Download SKU: A0.1429916 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Jhonatan Lucio Viana. 20th Century,Classical,Contemporary,Film/TV,Rock. Guitar Tab. 3 pages. JLVPartitura #1010551. Published by JLVPartitura (A0.1429916). Paint It Black (Rolling Stones) for Duet Guitar Easy Intermediate with Tab + Chords.Description:Explore the magic of this iconic arrangement for the song Paint It Black by the Rolling Stones. Thrilling and engaging, this high-quality PDF score brings the unique energy of the music in the key of Em (E minor), providing an authentic performance experience. Additionally, follow along with the included MP3 audio for inspiring sonic reference. Don't miss the opportunity to add this masterpiece to your repertoire and let your musical creativity flourish.Key Features:Exciting arrangement of the song Paint It Black by the Rolling Stones.Notation in Em (E minor), the original key of the song, for an authentic interpretation.High-quality PDF format for easy viewing and printing.Included MP3 audio for inspiring sonic reference.Easy Intermediate arrangement.Suitable for musicians of all skill levels.I am thrilled to present this arrangement to you. I invite you to explore my diverse collection of concert band arrangements and music scores on my website. Simply search for 'Jhonatan Lucio Viana' to discover a wide variety of sheet music options awaiting you.rolling stones sheet music, paint it black arrangement, pdf sheet music in e minor, quality sheet music, rolling stones arrangement, sheet music with mp3 audio, exciting sheet music, classic rolling stones music, rolling stones sheet music, paint it black arrangement, rolling stones classic, paint it black sheet music, rolling stones sheet music, musical arrangement paint it black, paint it black cover, instrumental version paint it black, sheet music for musicians paint it black, digital sheet music paint it black, musical notes paint it black, classic rolling stones sheet music, rock rolling stones sheet music, famous rolling stones sheet music, popular rolling stones sheet music, sheet music for rolling stones band, sheet music for rolling stones ensemble, sheet music for rolling stones musical group, paint it black guitar sheet music, paint it black drum sheet music, paint it black bass sheet music, rolling stones guitar sheet music, rolling stones drum sheet music, rolling stones bass sheet music, paint it black instrument arrangement, rock music sheet music, classic rock sheet music, classic rolling stones sheet music, rolling stones rock sheet music, famous rolling stones guitar sheet music, famous rolling stones drum sheet music, famous rolling stones bass sheet music, famous rock music sheet music. Clair de Lune by Debussy - Guitar Duet
Clair de Lune by Debussy - Guitar Duet # 2 Guitars (duet) # EASY # Classical # Claude Debussy # Glauco Fernandes # Clair de Lune by Debussy - Gui # Glauco Fernandes # SheetMusicPlus
Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1363671 By Claude Debussy. By Claude Debussy. Arranged by Glauco Fernandes. 20th Century,Ch...(+)
Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1363671 By Claude Debussy. By Claude Debussy. Arranged by Glauco Fernandes. 20th Century,Chamber,Classical,Instructional,Wedding. 4 pages. Glauco Fernandes #948066. Published by Glauco Fernandes (A0.1363671). Discover the timeless beauty of classical music with the exclusive sheet music for the arrangement of Clair de Lune by Claude Debussy. This arrangement has been carefully crafted to meet the needs of musicians at all levels, making it the perfect choice for students seeking accessible challenges, teachers in search of high-quality teaching materials, and professionals looking for charming repertoire for various events, including weddings.With an easy and accessible approach, the Clair de Lune sheet music stands out for its practicality, allowing musicians of different skill levels to explore the harmonic and emotional richness of the piece. The notes are arranged in a clear and understandable manner, facilitating interpretation and providing an enriching musical experience.Ideal for inclusion in recitals, social events, and especially weddings, this sheet music offers a touch of sophistication and romance. The arrangement preserves the essence of the original composition while adapting the complexity to ensure a smooth and engaging performance.Get the Clair de Lune sheet music now and enhance your repertoire with a timeless piece that will captivate audiences and elevate your performances to a new level. Invest in musical quality, practicality, and versatility – the perfect choice for musicians aiming to exceed expectations and create memorable moments through classical music.If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic). Folk Songs For Classical Guitar - Volume 9 (Songs 217-243)
Folk Songs For Classical Guitar - Volume 9 (Songs 217-243) # Traditional/Anonymous # Socrates Arvanitakis # Folk Songs For Classical Guita # Socrates Arvanitakis # SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Class...(+)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152788 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 44 pages. Socrates Arvanitakis #753026. Published by Socrates Arvanitakis (A0.1152788). This is the ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 9 (Songs 217-243)Crystal Spring (The)Cuckoo (the)Cumha MhicCupid’s GardenCutting Down the PinesDabbling in the DewDance to your DaddyDarby KellyDashing Away With the Smoothing IronDashing White Sergeant (the) continue hereDavy LowstonDean CadalanDeath and the LadyDeath of Admiral Benbow (the)Death of Queen Jane (the)Derby Ram (the)DerwentwaterDerwentwater’s FarewellDeserter (the) version ADeserter (the) version BDevil and the Farmer’s Wife (the)Dewy Dells of Yarrow (the)DiademDialogue between Jacob and Esau (A)Dicky of Tauton DeneDidn’t My Lord Deliver DanielDigger’s Song (the). Golden Hour
Golden Hour # Piano, Guitar (duet) # INTERMEDIATE # Rock # Jvke # Langanho # Golden Hour # Avery Lynn Jordan # SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.1188970 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Score and part. 8 p...(+)
Guitar,Piano - Level 3 - Digital Download SKU: A0.1188970 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Score and part. 8 pages. Avery Lynn Jordan #788583. Published by Avery Lynn Jordan (A0.1188970). This transcription was made for Guitar Tablature and Piano, of which is intended for music students who already have some prior knowledge of instrumental performance, which does not prevent it from being played by professionals in the area, and can be used in various events such as concerts, weddings or didactic events as well. Golden Hour is the third song released from JVKE's debut album, where before announcing the title and pre-save link, JVKE shared on his Instagram story on July 12, 2022, This song has a special place in my heart and I can't wait to share it with all of you. I did my best to incorporate the beauty in every detail of the production..