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26 sheet music found When Fair Susan I Left. A Favorite Sea Song
When Fair Susan I Left. A Favorite Sea Song # When Fair Susan I Left. A Favo # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice; clarinet, guitar - Digital Download SKU: LV.1656 Spouses, Shipwrecks, Grief. Lester S. Levy Collection. 2 pages. Published by Johns Hopk...(+)
Piano and voice; clarinet, guitar - Digital Download SKU: LV.1656 Spouses, Shipwrecks, Grief. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1656). When Fair Susan I Left. A Favorite Sea Song. n. Published [n.d.] by J. Hewitt's Musical Repository, No. 59 Maiden Lane in New York. Composition of strophic with piano and voice; clarinet, guitar instrumentation. Subject headings for this piece include Spouses, Shipwrecks, Grief. First line reads Susan I left with a heart full of woe, and to sea went, my fortune to mend.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. A Prey to Tender Anguish. A Favorite Song
A Prey to Tender Anguish. A Favorite Song # 2 Guitars (duet) # Dr # A Prey to Tender Anguish. A Fa # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice; 2 guitars - Digital Download SKU: LV.1501 Composed by Dr. Haydn. Courtship, Love, Friendship, Deception, Grief, Distress, Death. Lester ...(+)
Piano and voice; 2 guitars - Digital Download SKU: LV.1501 Composed by Dr. Haydn. Courtship, Love, Friendship, Deception, Grief, Distress, Death. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1501). A Prey to Tender Anguish. A Favorite Song. Composed by Dr. Haydn. Published [n.d.] by J. Hewitt's Musical Repository, No. 59 Maiden Lane in New York. Composition of strophic with piano and voice; two guitars instrumentation. Subject headings for this piece include Courtship, Love, Friendship, Deception, Grief, Distress, Death. First line reads A prey to tender anguish, of ev'ry joy bereav'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. A Prey to Tender Anguish. A Favorite Song
A Prey to Tender Anguish. A Favorite Song # 2 Guitars (duet) # Dr # A Prey to Tender Anguish. A Fa # Johns Hopkins University Sheridan Libraries # SheetMusicPlus
Piano and voice; 2 guitars - Digital Download SKU: LV.1498 Composed by Dr. Haydn. Courtship, Love, Friendship, Deception, Grief, Distress, Death. Lester ...(+)
Piano and voice; 2 guitars - Digital Download SKU: LV.1498 Composed by Dr. Haydn. Courtship, Love, Friendship, Deception, Grief, Distress, Death. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1498). A Prey to Tender Anguish. A Favorite Song. Composed by Dr. Haydn. Published [n.d.] by Printed & Sold by Mallet & Graupner at their Conservatorio or Musical Academy in Boston. Composition of strophic with piano and voice; two guitars instrumentation. Subject headings for this piece include Courtship, Love, Friendship, Deception, Grief, Distress, Death. First line reads A prey to tender anguish, of ev'ry joy bereav'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some. Boat
Boat # Lyrics and Chords # EASY # Pop music # Ed Sheeran # Barry McCormick # Boat # B. McCormick # SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1229679 By Ed Sheeran. By Aaron Dessner and Ed Sheeran. Arranged by Barry McCormick. Pop,Singer/Songwriter. C...(+)
Guitar - Level 2 - Digital Download SKU: A0.1229679 By Ed Sheeran. By Aaron Dessner and Ed Sheeran. Arranged by Barry McCormick. Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B. McCormick #825446. Published by B. McCormick (A0.1229679). Elevate your performance with Ed Sheeran's Boat sheet music from his highly anticipated album Subtract. The song Boat is a poignant ballad that speaks to the heart. As Independent.co.uk writes, it's a powerful meditation on depression and hope. With this sheet music, you can bring this emotional power to your performance and really connect with your audience. This sheet music also has everything you need for a successful performance. Whether you're playing with a small group or solo, you'll have all the tools you need to create a beautiful and moving rendition of Boat. And with its digital format, you can practice anytime, anywhere, on any device. So don't miss out on this amazing opportunity to take your performance to the next level. Get Ed Sheeran's Boat sheet music today! Notes about the music This lead sheet makes it simple to get the information from the music that you need. The melody along with the chords give you all the information you need in its minimal form to create a performance. To make this piece more accessible I have arranged it in the key of G Major which is a third below the recorded version which is in B Major. This makes the higher notes more attainable to sing for a more people and makes it easier to play for most. Who likes playing with 5 sharps?! Structure With the repeats and D.S. markings this Lead Sheet will follow the form as heard on the recording. Melody As with all my arrangements, to try and minimise the number of pages needed, the small note heads in brackets indicate where the melody is different when repeated and these notes should be played/sung on the appropriate verse. The melismatic phrase on boat at the end of bar 37 is a simplification of what is sung on the recording and the performer is free to amend as it suits them. Alternatives. I have different versions of this piece which may suit different performers/instrumentalists more. All my versions are: Voice Piano and Guitar - Melody on its own stave with guitar chords above it and a piano accompaniment underneath; Voice Piano and Guitar - As above but the melody is combined with the right hand of the piano part; Guitar Lead Sheet - Melody with guitar chords; Ukulele Lead Sheet - Melody with Ukulele chords. Just click on the publisher link above or below this description which will take you to all my arrangements. About Ed Sheeran Ed Sheeran is one of the most successful and influential singer-songwriters of our time. He has released six studio albums, all of which have reached number one in the UK charts, and his songs have been streamed billions of times around the world. His songwriting style blends elements from folk, pop, hip-hop, and R&B to create a unique sound that resonates deeply with fans. With an ear for catchy hooks and clever lyrics, Ed Sheeran has crafted some of the biggest hits over recent years including Shape Of You, Thinking Out Loud, and Perfect. His music offers something for everyone as it combines soulful ballads with upbeat dance tracks. A true musical genius who continues to break boundaries in popular music today! Glory Of Love
Glory Of Love # 4 Guitars (Quartet) # INTERMEDIATE # Peter Cetera # Derek Hasted # Glory Of Love # Derek Hasted # SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1373435 By Peter Cetera. By David Babyface Foster, Diane Nini, and Peter Cetera. Arranged by Derek Hasted. Fi...(+)
Guitar - Level 3 - Digital Download SKU: A0.1373435 By Peter Cetera. By David Babyface Foster, Diane Nini, and Peter Cetera. Arranged by Derek Hasted. Film/TV,Pop,Rock. 24 pages. Derek Hasted #957801. Published by Derek Hasted (A0.1373435). THE GLORY OF LOVE (Peter Cetera) - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This power ballad makes a wonderful concert item for a Guitar Quartet or large ensemble - it has an impressively big sound. All the verses, choruses and breaks are present except the fade out, which is replaced by a defined end to the piece (so the audience knows when to applaud!)This arrangement sits somewhere between intermediate and advanced intermediate, with each of the parts having music in more than one voice from time to time to make a fuller sound.Everything is comfortable to play, and my transcription is based closely on the official video from Peter Cetera. I've changed the key slightly so the music fits the guitar neck better and the modulation in the reprise is in a familiar key for the players.The music rises and falls as the song progresses, making the dynamics happen almost automatically. But there are plenty of opportunities in the phrasing to make this ballad absolutely magical.This piece featured in the film Karate Kid II, so you can get your chops in, either on the guitar or in a Karate competition...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score. Auld Lang Syne
Auld Lang Syne # Guitar notes and tablatures # BEGINNER # Traditional Scottish Folk # Brian Streckfus # Auld Lang Syne # Brian Streckfus # SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional...(+)
Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies. Élégie
Élégie # Guitar # INTERMEDIATE # Contemporary # Francis Bebey # Ingrid Riollot # Élégie # Les Editions Doberman-Yppan # SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. Thank You For The Memories
Thank You For The Memories # Piano, Vocal and Guitar # INTERMEDIATE/ADVANCED # Dolly Parton # John Fries # Thank You For The Memories # John Fries # SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.717599 Composed by Dolly Parton. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Stan...(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.717599 Composed by Dolly Parton. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Score. 4 pages. John Fries #326036. Published by John Fries (A0.717599). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  This is a full lead sheet/piano solo arrangement of Thanks for the Memories. This popular song was composed by Ralph Rainger with lyrics by Leo Robin. and was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross. The song won the Academy Award for Best Original Song, and became Hope's signature tune, with many different lyrics adapted to any situation. In 2004, it finished No. 63 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Standard Music Reading for Beginning Guitar
Standard Music Reading for Beginning Guitar # Guitar # BEGINNER # Instructional # Jay Jordan # Standard Music Reading for Beg # Pro Creations Music # SheetMusicPlus
Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Mus...(+)
Acoustic Guitar - Level 1 - Digital Download SKU: A0.1315011 By Jay Jordan. By Jay Jordan. Instructional. Educational Method. 18 pages. Pro Creations Music #903760. Published by Pro Creations Music (A0.1315011). Beginning guitar courses at the middle school and high school level can be a popular addition to curricula that so often center around performing groups. Such a course, when offered as a general music course, i.e.,a course that has no prerequisite and no public performance component, can be an attractive way for students to complete an arts requirement without an extra-curricular commitment.  At the same time a class like beginning guitar may serve as the only chance a music educator has to introduce the very idea of music to students as both an art form and a language. In todayâ??s on-line world there are countless avenues for learning guitar, be it YouTube videos, dedicated apps, or TAB sites. While the sharing of user-generated transcriptions of popular songs using tablature may be quick and easy, TAB sites do not employ standard music notation (not to mention being rife with mistakes both practical and theoretical). Standard Music Reading for Beginning Guitar was developed as a sequential, practical method for learning the basics of standard music notation using acoustic guitar as a vehicle. It is not meant to replace other methods e.g., the learning of popular songs or a music theory component, but as a companion so that students can learn about music as a language while, hopefully, continuing to enjoy guitar playing for years to come.