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173 sheet music found Baroque Guitar Anthology
Baroque Guitar Anthology # Guitar # INTERMEDIATE # Classical # Baroque Guitar Anthology # Schott
Music - Digital # SheetMusicPlus
Guitar - intermediate -
Digital Download
16 Guitar and Lute Pieces.
This edition: Sheet music.
Schott Anthology Series.
Downloadable. Op. Vol. 3.
Sch...(+)
Guitar - intermediate -
Digital Download
16 Guitar and Lute Pieces.
This edition: Sheet music.
Schott Anthology Series.
Downloadable. Op. Vol. 3.
Schott Music - Digital
#Q54509. Published by Schott
Music - Digital English - French - German.
The third volume is the latest addition to the Baroque Guitar Anthology series and contains 16 original works by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis.
Including pieces by Weiss, de Visee, Hagen and Daube amongst others, it presents a carefully selected range of work, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.
The book contains composer biographies and teaching notes on all of the works.
Suitable for students of ca. 6-7 years of playing experience, or those of grades 5-6 level.
Also available:
Baroque Guitar Anthology:
Vol 1 - ED 13357
Vol 2 - ED 13437
Vol 4 - ED 13489
Romantic Guitar Anthology:
Vol 1 - ED 13110
Vol 2 .- ED 13111
Vol 3 - ED 13112
Vol 4 - ED 13113
BAROQUE GUITAR ANTHOLOGIES - press reviews
This is a significant contribution to Baroque literature... teacher and student are the lucky beneficiaries of this great collection. Jens, Stuart and Schott are all to be congratulated. - COLIN TOMMIS, EUROPEAN GUITAR TEACHERS ASSOCIATION 25 Sonatas for Solo Guitar
25 Sonatas for Solo Guitar # Guitar # INTERMEDIATE/ADVANCED # Classical # Domenico
Scarlatti # Rafa Guerrero # 25 Sonatas for Solo Guitar # SheetMusicPlus
Guitar - Advanced
Intermediate - Digital
Download
Composed by Domenico
Scarlatti (1685-1757).
Arranged by Rafa Guerrero.
Baroque Period, Repertoire, ...(+)
Guitar - Advanced
Intermediate - Digital
Download
Composed by Domenico
Scarlatti (1685-1757).
Arranged by Rafa Guerrero.
Baroque Period, Repertoire,
Recital. 93 pages. Published
by Rafael Guerrero Verdugo 25 new transcriptions for the guitar repertoire. It contains the sonatas K55, K79, K112, K151, K168, K169, K171, K197, K217, K266, K305, K325, K341, K364, K396, K399, K455, K459, K464, K473, K488, K515, K526, K540 and K547. In addition, it includes a table with all (or almost) the sonatas transcribed in the last century. If you like Scarlatti music, this book will give you months of fun playing a bunch of new transcriptions. Level: average high to advanced. 25 Arrangements for flute and classical guitar
25 Arrangements for flute and classical guitar # Flute and Guitar # INTERMEDIATE # Classical # Traditional,
Franz Schubert, # David
Warin Solomons # 25 Arrangements for flute and # David
Warin Solomons # SheetMusicPlus
Composed by Traditional,
Franz Schubert, William Byrd,
Thomas Morley, Henry Purcell,
Johannes Brahms, Stephen
Collins Foster, Thomas Moore,
Philip Ros...(+)
Composed by Traditional,
Franz Schubert, William Byrd,
Thomas Morley, Henry Purcell,
Johannes Brahms, Stephen
Collins Foster, Thomas Moore,
Philip Rosseter, Robert
Jones. Arranged by David
Warin Solomons. 20th Century,
Romantic Period, Classical
Period, Baroque Period.
Score, Set of Parts. 163
pages. Published by David
Warin Solomons These works are all also available separately on this site, but if you are interested in acquiring this album, it will afford you a very big discount.All pieces are arranged by David Warin Solomons and the scores and parts are all provided in the pdf.The sound sample is Lass of Richmond Hill (advanced version) electronic preview.The pieces are as follows:Lass of Richmond Hill (advanced version)Lass of Richmond Hill (simple version)Love's God is a Boy (Jones)Sapphic Ode (Brahms)O du Fröhliche (O sanctissima)Dansons mais sans oublier (based on a Haitian lullaby)When Laura Smiles (Philip Rosseter)To the Maypole haste away (including an extended version)Beautiful dreamer (Stephen Foster)Believe me if all those ndearing young charms (Thomas Moore)Cradle Song (William Byrd)Davy oy vey Davy (a harmonic minor version of Davy Davy Knick Knack)Nobody's JiggBailero (from Songs of the Auvergne)Ound Onoren (from Songs of the Auvergne)L'aio de rotso (from Songs of the Auvergne)The Entertainer (Scott Joplin)Polly Wolly DoodleAn die Musik (Schubert)Dido's Lament (Purcell)Es ist ein Ros Entsprungen (after Praetorius)If music be the food of love (Purcell)It was a lover and his lass (Morley)Nymphs and Shepherds (Purcell)What shall I do (Purcell). Scarborough Fair Guitar trio
Scarborough Fair Guitar trio # 3 Guitars (trio) # EASY # Classical # Traditional # PianoSheetNow # Scarborough Fair Guitar trio # PianoSheetNow # SheetMusicPlus
Guitar Tab, Guitar trio,
Classical Guitar, Acoustic
Guitar, Fingerstyle Guitar -
Early Intermediate - Digital
Download
Composed by Traditional.
Arran...(+)
Guitar Tab, Guitar trio,
Classical Guitar, Acoustic
Guitar, Fingerstyle Guitar -
Early Intermediate - Digital
Download
Composed by Traditional.
Arranged by PianoSheetNow.
Romantic Period, Classical
Period, Baroque Period,
Renaissance, Recital. Score,
Set of Parts, Tablature. 18
pages. Published by
PianoSheetNow "Scarborough Fair" is a traditional English ballad that hangs in some versions at least upon a possible visit by an unidentified person (the "third party") to the Yorkshire town of Scarborough.
The song implies the tale of a man who instructs the third party to tell his former love, who lives in said fair town, to perform for him a series of impossible tasks, such as making for him a shirt without a seam and then washing it in a dry well, adding that if she were to complete these tasks he would take her back into his affections. Often the song is sung as a duet, with the woman then giving her sometime lover a series of equally impossible tasks, promising to give him his seamless shirt once he has finished.
Here is a version for Guitar trio with standard guitar notation and tablature. 9 pages all Gtrs, 3 pages Gtr1, 3 pages Gtr2, 3 pages Gtr3 - total 18 pages in landscape page format for easier interpreting.
With downlaodable mp3 for audio help.
Guitar 3 easy to early intemrediate, Guitar 1 and 2 (which plays the melody) easy. Bach for Guitar Prelude BWV 999
Bach for Guitar Prelude BWV 999 # Guitar notes and tablatures # Classical # Johann Sebastian
Bach # PianoSheetNow # Bach for Guitar Prelude BWV 99 # PianoSheetNow # SheetMusicPlus
Composed by Johann Sebastian
Bach (1685-1750). Arranged by
PianoSheetNow. 21st Century,
20th Century, Romantic
Period, Classical Period,
Baroque Perio...(+)
Composed by Johann Sebastian
Bach (1685-1750). Arranged by
PianoSheetNow. 21st Century,
20th Century, Romantic
Period, Classical Period,
Baroque Period. Sheet Music
Single, Tablature. 2 pages.
Published by PianoSheetNow Prelude in C Minor BWV 999, also termed The Little Prelude in C Minor, is a piece written by Johann Sebastian Bach sometime between 1717 and 1723.Though originally composed for Lute-Harpsichord it has since been adapted for various instruments, including lute, piano and guitar.
For Guitar fingerstyle solo.
With Guitar tablature. With finger position suggestions. With downloadable mp3 for audio-help.
Early intermediate, 2:05'min.
Pages: Two (2) pages. Menuet (from the Anna Magdalena notebooks)
Menuet (from the Anna Magdalena notebooks) # Guitar # BEGINNER # Classical # Johann Sebastian Bach # Rodrigo Faleiros # Menuet # Rodrigo Faleiros # SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Tradi...(+)
Solo Guitar - Level 1 - Digital Download SKU: A0.1444675 Composed by Johann Sebastian Bach. Arranged by Rodrigo Faleiros. Baroque,Chamber,Standards,Traditional. Individual part. 1 pages. Rodrigo Faleiros #1024537. Published by Rodrigo Faleiros (A0.1444675). Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features:Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience.Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar.Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence.This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.Step into the serene world of baroque music with this graceful arrangement of Johann Sebastian Bach’s Menuet from the Anna Magdalena Bach notebooks, tailored for solo classical guitar. This sheet music is meticulously crafted to include only the melody, making it exceptionally accessible and ideal for beginners. Complete with fingerings, it serves as a gentle introduction to the world of classical guitar.Key Features: Beginner Level: Specifically designed for newcomers to the instrument, focusing on the melody to ensure a smooth learning experience. Solo Classical Guitar Melody: The pure melody line allows beginners to concentrate on the fundamental sounds of the classical guitar. Fingerings Provided: Essential guidance with fingerings to help you navigate the fretboard with confidence. This “Menuet” arrangement is a delightful way to start your classical guitar journey, offering a piece that is both easy to learn and deeply rooted in musical history.For more beginner-friendly arrangements and to continue your exploration of music, click here to see my collection. Suite for Guitar No. 1 Op. 25 (1/2) Tablatur
Suite for Guitar No. 1 Op. 25 (1/2) Tablatur # Guitar # ADVANCED # Classical # Fabio Henrique Teles Martins # Fabio Henrique Teles Martins # Suite for Guitar No. 1 Op. 25 # Fabio Dentello # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Tel...(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1201762 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 13 pages. Fabio Dentello #800379. Published by Fabio Dentello (A0.1201762). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition. Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur)
Suite for Guitar No. 1 Op. 25 (1/2) (Partitur +Tablatur) # Guitar # ADVANCED # Classical # Fabio Henrique Teles Martins # Fabio Henrique Teles Martins # Suite for Guitar No. 1 Op. 25 # Fabio Dentello # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Tel...(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1201763 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 23 pages. Fabio Dentello #800380. Published by Fabio Dentello (A0.1201763). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition. Suite for Guitar No. 1 Op. 25 (1/2) Partitur
Suite for Guitar No. 1 Op. 25 (1/2) Partitur # Guitar # ADVANCED # Classical # Fabio Henrique Teles Martins # Fabio Henrique Teles Martins # Suite for Guitar No. 1 Op. 25 # Fabio Dentello # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Tel...(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1201759 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Baroque,Classical,Romantic Period. Individual part. 10 pages. Fabio Dentello #800376. Published by Fabio Dentello (A0.1201759). My aim in composing this Guitar Suite was to showcase my ability to write in the Baroque Suite style. Having written an ebook on the subject, I wanted to provide a practical example of each movement type, explained in an accessible yet thorough manner. I'm proud to say that this Suite is my first such example, and I'm delighted with the final product.Moving forward, I plan to expand the Suite into an orchestral context, and I can't wait to see how it sounds in that form. The Suite follows a traditional Baroque structure, consisting of five movements: Allemande, Courante, Sarabande, Gavotte (including Musette), and Gigue. It is a challenging piece, but I believe it's well worth the effort, as it's a beautiful and rewarding composition. Fantasia Upon A Cabbage
Fantasia Upon A Cabbage # 4 Guitars (Quartet) # INTERMEDIATE # Classical # Derek Hasted # Derek Hasted # Fantasia Upon A Cabbage # Derek Hasted # SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy,Renaissance. 18 pages. De...(+)
Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy,Renaissance. 18 pages. Derek Hasted #979126. Published by Derek Hasted (A0.1395754). FANTASIA UPON A CABBAGE - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarPerfect for School Music Teachers and for adults with a sense of the ridiculous...Derek Hasted writes This really does need a bit of explanation. Well, more than a bit...As a Guitar Teacher I often have to teach beginners how to read music, and of course the seven names of the musical notes can be made to spell words. Like CABBAGE.This, then, is a little piece of kitchen-based nonsense, cooking up a rather unappetising dish comprising cabbage, egg, beef and a lot, lot more cabbage. Iâ??ve arranged it (if that is the word) to include nods to the renaissance and baroque periods.The scores contain mark-ups to show where a particular player has an item of food in their motif.As well as EGG, youâ??ll find some GEG (thatâ??s scrambled egg) and a BAD EGG (and some sad music). Youâ??ll also find that the recipe includes a helping or two of BEEF.Bach comes in for a special mention, as thereâ??s a fugue-like section where the subject comes in a fifth away from the starting key (which Iâ??ve loosely interpreted as being a recipe in a foreign language) and thereâ??s some stretti (well, just about) at the end, when the fugue subjects overlap a tiny, tiny amount. And we also pay homage to the pedal section of an organ, where the CABBAGE subject comes in down low at half the speed of the original.The final, jazzy, chord at the end contains seven notes that collectively spell CABBAGE.Guitar 4 is supplied in treble and bass clefs - either or both will work in a large ensemble.So there are lots of teaching points, lots of things to ask the audience to listen out for, and a lot of mischief in a compact piece.The musical refrain CABBAGE is not the greatest motif to work with, but on reflection, when you have this much cabbage, itâ??s much better to listen to it than have to eat it...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score. La Philippine by CPE Bach
La Philippine by CPE Bach # Guitar # Classical # Carl Philipp Emanuel Bach # Eric J Roth # La Philippine by CPE Bach # Eric J Roth # SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual p...(+)
Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument. La Caroline by CPE Bach
La Caroline by CPE Bach # Guitar # INTERMEDIATE # Classical # Carl Philipp Emanuel Bach # Eric J Roth # La Caroline by CPE Bach # Eric J Roth # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. In...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 2 pages. Eric J Roth #6017047. Published by Eric J Roth (A0.914748). La Caroline, H. 98 (Wq. 117/36) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and most ornaments, except for trills, have been written out rather than notated with a symbol. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the tempo as Allegro ma con tenerezza (fast but with tenderness) and most keyboardists take it a moderate to quick tempo. On the guitar, which has a different resonance, the piece can also be convincing played at somewhat slower tempos, but certainly nothing slower than a true andante. RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard # Guitar # ADVANCED # Classical # Jean-Philippe Rameau # Maël Fauvy # RAMEAU - Nouvelles Suites de P # Mfp Éditions # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 2...(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.