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24 sheet music found 16 Modern Studies for Flamenco Guitar
16 Modern Studies for Flamenco Guitar # Guitar notes and tablatures # INTERMEDIATE # Flamenco # Studies # video # 16 Modern Studies for Flamenco # Mel Bay Publications - Digital
Sheet Music # SheetMusicPlus
Latin. Ebook and online audio
& video. 89 pages. Mel Bay
Publications - Digital Sheet
Music #31033MEB. Published by
Mel Bay Publications - Digital
...(+)
Latin. Ebook and online audio
& video. 89 pages. Mel Bay
Publications - Digital Sheet
Music #31033MEB. Published by
Mel Bay Publications - Digital
Sheet Music ISBN 9781513470375. 8.75x11.75 inches.
Intended as a sequel to 20 Flamenco Guitar Etudes, the longer, more developed exercises in 16 Studies for Flamenco Guitar further explore characteristic flamenco guitar techniques including: picado, arpeggio, tremolo, horquilla, the chop, ligado, and the thumb/index alzapua among others. These intermediate-level studies are written in standard notation and guitar tablature with online audio and video included for ease of learning.The pieces are designed and fingered pragmatically to enhance the students overall understanding of flamenco technique and encourage the use of a broader range of studies in daily practice. Left and right-hand digitation is provided throughout, along with occasional circled string numbers which clarify passages intended to be played higher on the fretboard, or on certain strings for a specific musical effect.This book is unique not only for its inclusion of the authors stellar online audio and video recordings, but also for insightful practice tips that vary according to the players years of experience and level of development. If youre thinking WOW! that is the appropriate response; this is flamenco instruction at its best.Includes access to online audio and video. Progressive Exercises for Flamenco Guitar
Progressive Exercises for Flamenco Guitar # Guitar notes and tablatures # Flamenco # Dario Piga # Progressive Exercises for Flam # Mel
Bay Publications - Digital
Sheet Music # SheetMusicPlus
Composed by Dario Piga.
Technique, Theory and
Reference. Guitar Methods. E-
book and online audio. 100
pages. Mel Bay Publications -
Digital Sheet Musi...(+)
Composed by Dario Piga.
Technique, Theory and
Reference. Guitar Methods. E-
book and online audio. 100
pages. Mel Bay Publications -
Digital Sheet Music
#30682MEB. Published by Mel
Bay Publications - Digital
Sheet Music ( ISBN 9781619119666.
Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and tremolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio. Patios de Córdoba
Patios de Córdoba # Guitar # EASY # Traditional # Richard Hirsch # Patios de Córdoba # Richard Hirsch # SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional...(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares. Blue Wizard (guitar)
Blue Wizard (guitar) # Guitar # INTERMEDIATE/ADVANCED # Contemporary # Jeffrey Hoover # Blue Wizard # Musicart Publications # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Public...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.971659 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 11 pages. Musicart Publications #5793861. Published by Musicart Publications (A0.971659). Blue Wizard is inspired by American Jazz, Blues, and Flamenco traditions. For solo classical guitar, it is 6 minutes in length. The work begins as a Blues, with its familiar twelve-measure form and phrasing, but rapidly moves into a musical fantasy based on five-tone and modal scales heard in jazz. The music continues to travel through a variety of moods, colors, and textures. Ideas return and are transformed. The closing section of Blue Wizard possesses a dancing quality, with a final push to the end. As with other compositions by Jeffrey Hoover, there is an interpretive painting Blue Wizard, painted by the composer.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysite Pluck for guitar
Pluck for guitar # Guitar # ADVANCED # Contemporary # Robert M # Pluck for guitar # Robert M. Greenberg # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #11...(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece. Over The Rainbow
Over The Rainbow # Guitar # INTERMEDIATE/ADVANCED # Broadway # Film/TV # Judy Garland # Richard Hirsch # and 3& # Over The Rainbow # Richard Hirsch # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques. ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA
ASTURIAS by Albéniz - Transcr. for guitar by Flavio SALA # Guitar # INTERMEDIATE/ADVANCED # Classical # Isaac Albeniz
# Flavio Sala # ASTURIAS by Albéniz - Transcr # Flavio Sala # SheetMusicPlus
Guitar, Classical guitar -
Advanced Intermediate -
Digital Download
Composed by Isaac Albeniz
(1860-1909). Arranged by
Flavio Sala. Impressionistic,
...(+)
Guitar, Classical guitar -
Advanced Intermediate -
Digital Download
Composed by Isaac Albeniz
(1860-1909). Arranged by
Flavio Sala. Impressionistic,
Post-Romantic, Repertoire.
Score. 7 pages. Published by
Flavio Sala Isaac Albéniz (1860– 1909) è, senza dubbio, il vero fondatore della musica spagnola moderna.
Bambino prodigioe instancabile viaggiatore, la sua opera è impregnata dei colori e dei saporidella Spagna, paese che ha amato profondamente per tutta la vita. L’influenzadel Flamenco è accertata: Albéniz era un habitué delle taverne dove si cantavae suonava questo genere. ASTURIAS, ispirato dalla Granaína (stile flamenco di Granada) è uno di quei brani che ha superato i confinidella musica prettamente classica, raggiungendo un pubblico planetario.
Questatrascrizione, pur conservando alcune idee geniali di Andrés Segovia (latonalità di Mi minore, le terzine a partire dalla terza frase, gli armonicinella sezione centrale), presenta una scrittura chitarristica più precisa, curatanei minimi particolari e una maggiore coerenza con l’originale. Diteggiature esoluzioni nuove per la mano sinistra danno vita a una partitura fresca, riccadi sonorità inedite.
Bojano, 16 Settembre 2020.
Flavio Sala.
* * *
Isaac Albéniz (1860 - 1909) is, without doubt, the truefounder of modern Spanish music.
Child prodigy and tireless traveler, his works are full of colorsand flavors of Spain, a country he has deeply loved all his life. The influenceof Flamenco is proven: Albéniz was a regular in taverns where this genre wassung and played. ASTURIAS, inspired by the Granaína(flamenco style of Granada) is one of those pieces that went beyond theboundaries of purely classical music, reaching a global audience.
This transcription, while retaining some brilliant ideas ofAndrés Segovia (the key of E minor, the triplets starting from the third phrase,the harmonics in the central section), presents a more precise guitar writing,with attention to the smallest details and greater coherence with the original.New fingerings and solutions for the left hand give life to a fresh score, fullof new sounds.
Bojano, September 16,2020.
Flavio Sala. Pachelbel's Loose Canon
Pachelbel's Loose Canon # 4 Guitars (Quartet) # INTERMEDIATE/ADVANCED # Classical # Los Angeles Guitar Quartet # Pachelbel's Loose Canon # Mel Bay Publications - Digital Sheet Music # SheetMusicPlus
Arranged by Los Angeles Guitar Quartet. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 84 pages. Published by Mel Bay Publications - Digital Sh...(+)
Arranged by Los Angeles Guitar Quartet. For Guitar (Classical). Classic. Intermediate-Advanced. E-book. 84 pages. Published by Mel Bay Publications - Digital Sheet Music ISBN 9781619113053.
Mel Bay is pleased to present the long-awaited publication of the Los Angeles Guitar Quartet's "loose" arrangement of the Pachelbel Canon for four guitars. Originally intended as an inside joke for the LAGQ members, this clever and comical send-up of Pachelbel's beautiful (and somewhat overplayed) melody has become a standard LAGQ encore and an internet sensation. Featured in performance on the Mel Bay DVD LAGQ Live at the Sheldon, this unique arrangement presents the pristine Baroque theme, and then adapts it in a number of unexpected musical styles: Reggae, salsa, bluegrass, jazz, flamenco, disco, and even punk. This is the only arrangement in the LAGQ repertoire that was a true group-project with all four members (John Dearman, William Kanengiser, Scott Tennant and Andrew York) contributing; as a special bonus, new LAGQ member Matt Greif has added an alternative solo for the jazz section. Carefully notated to capture the nuances of LAGQ's stylistic flair, the parts are presented in standard notation as well as in tablature for those less familiar with note-reading. It's a challenging and fun re-imagining of a timeless classic. The Latin Guitar Handbook
The Latin Guitar Handbook # Guitar # EASY # Flamenco # Latin/World Music # Chris Mello # The Latin Guitar Handbook # Mel Bay Publications - Digital Sheet Music # SheetMusicPlus
Composed by Chris Mello. USC. Latin American. E-book. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21685EB). - e-book - Latin American ...(+)
Composed by Chris Mello. USC. Latin American. E-book. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21685EB). - e-book - Latin American - Mel Bay Publications - Digital Sheet Music ISBN 9781609746940.
The most complete and comprehensive handbook outlining the role of the guitar in the music of Cuba, Brazil, Columbia, Mexico, and other South American countries in print. A complete survey and guide for any guitarist interested in performing different styles of Latin music. Each chapter examines the styles common to the music of a featured country. Includes a thorough exploration of the history, common instrumentation, core rhythms, guitar patterns and chord voicings, transcriptions, application, and provides musical examples in each style.Students will explore: Mambo, Cha-Cha, Samba, Bossa Nova, Cumbia, Vallenato, Baion, Bolero, Rumba Flamenco, and Contemporary Latin PopGCajust to name a few! Students may choose to focus in on one style or sample many. This resource book contains valuable knowledge guitarists can also utilize in application to a multitude of branch styles (jazz, smooth jazz, pop, rock, and the ever GCo growing Latin Music market), including what to play with an ensemble.