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710 sheet music found Latin-American Folk Music for Classic Guitar
Latin-American Folk Music for Classic Guitar # Guitar # INTERMEDIATE # Latin/World Music # Guillermo Diego # Latin-American Folk Music for # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Guitar - Intermediate -
Advanced - Digital Download
Composed by Guillermo Diego.
Latin American. E-book. 36
pages. Mel Bay Publications -
Digital Sheet...(+)
Guitar - Intermediate -
Advanced - Digital Download
Composed by Guillermo Diego.
Latin American. E-book. 36
pages. Mel Bay Publications -
Digital Sheet Music #30826EB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781513455044.
The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina. EASY RENAISSANCE GUITAR MUSIC - Volume 3
EASY RENAISSANCE GUITAR MUSIC - Volume 3 # Guitar # BEGINNER # Renaissance # Various # EASY RENAISSANCE GUITAR MUSIC # Socrates
Arvanitakis # SheetMusicPlus
Composed by Various. Arranged
by Socrates Arvanitakis.
Renaissance. Individual part.
77 pages. Socrates Arvanitakis
#889149. Published by Socrates
Arv...(+)
Composed by Various. Arranged
by Socrates Arvanitakis.
Renaissance. Individual part.
77 pages. Socrates Arvanitakis
#889149. Published by Socrates
Arvanitakis This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.
Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.
NAVIGATION INDEXES – External and Internal links
The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds. Romance Anonimo (tremolo) for Classical Guitar
Romance Anonimo (tremolo) for Classical Guitar # Guitar # INTERMEDIATE/ADVANCED # Anon # Keith Terrett # Romance Anonimo # Keith Terrett # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instruction...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira. Gospel Guitar Treasures (100+ pages; spiritual music for fingerstyle guitar)
Gospel Guitar Treasures (100+ pages; spiritual music for fingerstyle guitar) # Guitar notes and tablatures # INTERMEDIATE # Gospel/Spiritual # Ellsworth McMeen # Ellsworth McMeen # Gospel Guitar Treasures # Ellsworth McMeen # SheetMusicPlus
Guitar Tab, Acoustic Guitar -
Intermediate - Digital
Download
Composed by Ellsworth McMeen.
Arranged by Ellsworth McMeen.
Christian, Gospel, Spiritual,...(+)
Guitar Tab, Acoustic Guitar -
Intermediate - Digital
Download
Composed by Ellsworth McMeen.
Arranged by Ellsworth McMeen.
Christian, Gospel, Spiritual,
Sacred, Folk. Set of Parts.
112 pages. Published by
Ellsworth McMeen FORMATTED FOR TWO-SIDED PRINTING: Internationally acclaimed acoustic guitarist Ellsworth ("El") McMeen has been arranging hymns and other spiritual music for guitar for over 30 years. He started in standard guitar tuning, but moved away from that tuning into various so-called "open" tunings. He has been called the "King of CGDGAD tuning," in light of his prolific arrangements and compositions in that lush and evocative tuning. This major work of spiritual music contains 26 guitar settings of hymns, spirituals, and gospel songs, all lovingly arranged for solo fingerstyle guitar in the CGDGAD tuning. This book contains a chord chart for the aid of the reader. El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists Many of El's recordings are described here: https://store.cdbaby.com/Artist/ElMcMeen
The audio sampler contains excerpts from these 10 songs, all in CGDGAD tuning:
1. Alleluia, Sing to Jesus
2. In Christ There is No East or West
3. Jacob's Ladder
4. Joshua Fit the Battle of Jericho
5. Kingsfold (Tune: "Star of the County Down")
6. Poor Wayfaring Stranger
7. Praise to the Lord
8. Simple Gifts
9. This Is My Father's World
10. When I Survey the Wondrous Cross (Tune:
"Water is Wide")
El's double-length recording called "Gospel Guitar Treasures" can be found here: https://store.cdbaby.com/cd/elmcmeen7 Achieving Guitar Artistry - Contemporary Picking Etudes
Achieving Guitar Artistry - Contemporary Picking Etudes # Guitar # INTERMEDIATE # Instructional # Keijo Pennanen # Rhythm # Achieving Guitar Artistry - Co # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Composed by Keijo Pennanen.
Achieving Guitar Artistry.
Technique, Theory, Reference &
Rhythm. E-book and online
audio. Mel Bay Publications -
Digi...(+)
Composed by Keijo Pennanen.
Achieving Guitar Artistry.
Technique, Theory, Reference &
Rhythm. E-book and online
audio. Mel Bay Publications -
Digital Sheet Music #30620MEB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781619117501.
Among fretted-instrument players there is an expression that states, The fret hand marks a player, but the pick hand distinguishes an artist. The 23 original compositions in this book offer a fresh basis to explore and develop plectrum or pick-style playing technique to a professional level. These pieces require various playing techniques and include: linear studies, double-stops, counterpoint, and chord playing. By studying and learning these pieces, guitarists can not only refine their technical mastery, but also enhance their skill level and artistry in solo guitar performance. This collection also includes eight duet arrangements to be played by two guitarists. The duets are fun to play as student/teacher sight-reading exercises, and can be used as guitar duo performance repertoire as well. The music is written in standard notation only. Access to online audio is included for all 31 pieces. Tunes from 17th Century Scotland Arranged for Flatpicking Guitar
Tunes from 17th Century Scotland Arranged for Flatpicking Guitar # Guitar notes and tablatures # INTERMEDIATE # Fingerstyle/Fingerpicking # Rob Mackillop # Tunes from 17th Century Scotla # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Guitar (flatpicking) -
Intermediate - Digital
Download
Composed by Rob Mackillop.
Solos. Scottish. E-book and
online audio. 52 pages. Mel
Bay Publica...(+)
Guitar (flatpicking) -
Intermediate - Digital
Download
Composed by Rob Mackillop.
Solos. Scottish. E-book and
online audio. 52 pages. Mel
Bay Publications - Digital
Sheet Music #30775MEB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781619119642.
Many great Scottish traditional tunes can be traced back to 17th century lute music. In this collection, multi-instrumentalist Rob MacKillop has transcribed and arranged 25 popular tunes derived from various lute manuscripts. While idiomatic to the guitar, some of these arrangements include fast runs and chord changes, so are best suited to the intermediate-level flatpicking guitarist. This guitar collection consists of the same melodies in the same keys found in its mandolin counterpart, Tunes From 17th Century Scotland Arranged for Mandolin (Mel Bay Publications). In both books, suggested chords are provided wherever appropriate. Consequently, the settings work fine as either mandolin/violin and guitar duets, or as solos for either instrument. Until now, most of these appealing dance tunes and airs have not been available as guitar arrangements. Here, except for two tunes in drop-D tuning, all are in standard guitar tuning. With MacKillopas spirited online recording, generous performance notes and standard notation and tablature for each selection, get ready to explore a wonderful new take on an old repertoire! Includes access to online audio. Guitar Class Method Volume 1
Guitar Class Method Volume 1 # Guitar # BEGINNER # Instructional # William Bay # Guitar Class Method Volume 1 # Mel Bay Publications -
Digital Sheet Music # SheetMusicPlus
Guitar - Beginning - Digital
Download
Composed by William Bay.
Style. E-book and online
audio. 160 pages. Mel Bay
Publications - Digital Sheet
Music ...(+)
Guitar - Beginning - Digital
Download
Composed by William Bay.
Style. E-book and online
audio. 160 pages. Mel Bay
Publications - Digital Sheet
Music #93300EB. Published by
Mel Bay Publications -
Digital Sheet Music ISBN 9781609747855.
This approach really works. It holds my student's interest. These are typical comments on the effectiveness of William Bay's Guitar Class Method. As no other instrument lends itself to so many moods and styles of music (blues, folk, rock, country, classical, flamenco, jazz, etc.), playing the guitar as a popular mode of expression and the instrument itself have become an integral part of American life. The Guitar Class Method was written with the hope it would expand the range of people of all ages who would be exposed to the guitar through a meaningful, authoritative method that is easy to follow. Online audio available for download.Volume 1 of this method for individual or group study offers an overview of the various styles of guitars and playing techniques with advice on purchasing and caring for the instrument, selecting guitar strings, and playing positions. Includes special sections devoted specifically to chord strumming, blues structure and style, fingerstyle technique, note reading, and music theory. The individual sections can be used simultaneously in any order to take the class in any direction it wants. Written in standard notation and tablature with chords presented in both diagram and photo format. Lyrics are included for many songs and a few melodies are presented as duet arrangements. Access to audio download available online. Progressive Exercises for Flamenco Guitar
Progressive Exercises for Flamenco Guitar # Guitar notes and tablatures # Flamenco # Dario Piga # Progressive Exercises for Flam # Mel
Bay Publications - Digital
Sheet Music # SheetMusicPlus
Composed by Dario Piga.
Technique, Theory and
Reference. Guitar Methods. E-
book and online audio. 100
pages. Mel Bay Publications -
Digital Sheet Musi...(+)
Composed by Dario Piga.
Technique, Theory and
Reference. Guitar Methods. E-
book and online audio. 100
pages. Mel Bay Publications -
Digital Sheet Music
#30682MEB. Published by Mel
Bay Publications - Digital
Sheet Music ( ISBN 9781619119666.
Sardinian flamenco guitar virtuoso, Dario Piga, delivers 18 intermediate to advanced exercises in this progressively arranged book addressing: arpegio, pulgar, picado, rasgueo, alzapua, and tremolo techniques. Dario himself studied in Spain with several prominent guitarists and singers, so is fluent with the authentic rhythms and techniques essential to effective flamenco guitar soloing and song and dance accompaniment. The pulgar (thumb) exercises in this volume will be of particular interest to flamenco aficionados as they explore various rhythms and chord inversions throughout the fretboard. Following his studies in Spain, Dario added jazz harmony to his lexicon of musical resources and frequently participates in the Time in Jazz festival in Sardinia. His affinity for jazz is also reflected in the appealing modern harmonies that occur in these studies. Two stunning Piga flamenco guitar solos provide a magnificent ending to this collection, written in standard notation and tablature. Includes access to online audio.