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Nature Boy
Not classified 40

Piano & keyboards
Piano solo 16
Piano, Voice 12
Piano, Vocal and Guitar 11
Easy Piano 9
C Instruments 5

Piano Trio: piano, violin, cello 2
Piano Quartet: piano, 2 violins, cello 1
Piano Quartet: piano, violin, viola, cello 1
Organ 1

+ 4 instrumentations

- Retract

Guitars
Guitar 8
Melody line, (Lyrics) and Chords 7
Guitar notes and tablatures 4
Guitar (band part) 1
Electric Bass (band part) 1

Bass guitar 1

+ 1 instrumentations

- Retract

Voice
Choral SATB 15
Choral 3-part 9
Choral TTBB 8
Choral 2-part 6
Choral Unison 4

Vocal duet, Piano 3
Choral SSAA 1

+ 2 instrumentations

- Retract

Woodwind
Flute and Piano 7
Clarinet 5
Saxophone (band part) 5
Saxophone Quartet: 4 saxophones 4
Flute, Oboe, Clarinet, Bassoon 4

Tenor Saxophone and Piano 4
Clarinet and Piano 4

Flute 3
Alto Saxophone 3
Alto Saxophone and Piano 3
Oboe, Piano (duet) 3
2 Clarinets (duet) 2
Soprano Saxophone and Piano 2
2 Recorders (duet) 2
2 Saxophones (duet) 2
Baritone Saxophone, Piano 2
Flute (band part) 1
Clarinet (band part) 1
2 Flutes (duet) 1
Saxophone Quintet: 5 Saxophones 1
Clarinet Quartet: 4 clarinets 1
Tenor Saxophone 1
Clarinet Ensemble 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1

+ 19 instrumentations

- Retract

Woodbrass
Trumpet (band part) 4
Trombone 3
Trumpet, Piano 3
Trumpet 3
2 French horns (duet) 2

Brass Quartet: 2 trumpets, horn, trombone 2
2 Trumpets (duet) 2
Trombone and Piano 2
French Horn and Piano 2
2 Trombones (duet) 2
French horn 2
Trombone (band part) 2
Brass quartet : 2 trumpets, trombone, tuba 1
Bass Trombone 1
Tuba (band part) 1
French horn (band part) 1

+ 11 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 9
2 Cellos (duet) 7
Violin and Piano 4
Cello, Piano 4
Violin 3

Viola, Piano 3
Cello 3
Piano Trio: Violin, Viola, Piano 2
Viola 2
Cello (band part) 2
String Trio: 2 violins, cello 1
String Trio: violin, viola, cello 1
String Quintet: 2 violins, 2 violas, cello 1
Doublebass (band part) 1

+ 9 instrumentations

- Retract

Percussion & orchestra
Concert band 8
Marching band 6
Jazz Ensemble 5
Drum (band part) 4
Brass ensemble 2

Percussion (band part) 1
Orchestra 1

+ 2 instrumentations

- Retract

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Nature Boy

Clarinet and Piano

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Nature Boy

Nature Boy #Clarinet and Piano #EASY #Nat King Cole #Stephen DeCesare #Nature Boy #Exultet Music #SheetMusicPlus

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1158559 By Nat King Cole. By Eden Ahbez. Arranged by Stephen DeCesare. 20th Century,Contest,Fe...(+)

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1158559 By Nat King Cole. By Eden Ahbez. Arranged by Stephen DeCesare. 20th Century,Contest,Festival,Jazz,Singer/Songwriter,Standards. Score and part. 14 pages. Exultet Music #758849. Published by Exultet Music (A0.1158559). The song that was made popular by Nat King Cole has been scored as a sophisticated, unique arrangement for a Bb-Clarinet solo with Piano accompaniment. It starts as one would normally hear it and then becomes a respectful and entertaining Bossanova.

$4.99 ≈ $6.86

Fauré: Élégie Op. 24 for Clarinet & Piano

Fauré: Élégie Op. 24 for Clarinet & Piano #Clarinet and Piano #INTERMEDIATE/ADVANCED #Classical #Gabriel Faure #James M #Fauré: Élégie Op. 24 for Cl #jmsgu3 #SheetMusicPlus

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultu...(+)

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531397. Published by jmsgu3 (A0.549728). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs AprÃ¨s un rÃªve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faureâ€™s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except of course, in England. Legacy: Historians often describe FaurÃ©'s music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by the time of FaurÃ©'s death, jazz and atonal music, in particular, had come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faureâ€™s final works.

$32.95 ≈ $45.29

Poème

Poème #Clarinet and Piano #INTERMEDIATE #Zdenek Fibich #Wolfgang Birtel #Poème #Schott Music - Digital #SheetMusicPlus

Clarinet in Bb and piano - intermediate - Digital Download SKU: S9.Q15285 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfg...(+)

Clarinet in Bb and piano - intermediate - Digital Download SKU: S9.Q15285 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15285. Published by Schott Music - Digital (S9.Q15285). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn DvorÃ¡k. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka SchulzovÃ¡ in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'PoÃ¨me', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

$4.99 ≈ $6.86

David Bowie: Life On Mars for Clarinet & Piano

David Bowie: Life On Mars for Clarinet & Piano #Clarinet and Piano #INTERMEDIATE #Rock #David Bowie #James M #David Bowie: Life On Mars for #jmsgu3 #SheetMusicPlus

Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Publ...(+)

Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.

"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:

Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]

In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]

The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".

Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.

The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).

Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia

$49.95 ≈ $68.66