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Take Lute
Not classified 721

Piano & keyboards
Piano solo 34
Piano, Voice 17
Piano, Vocal and Guitar 10
Piano Accompaniment 9
C Instruments 7

Organ 5
Easy Piano 4
1 Piano, 4 hands 3
Piano Quintet: piano, 2 violins, viola, cello 1
Piano Quartet: piano, violin, viola, cello 1
Organ, Piano (duet) 1

+ 6 instrumentations

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Guitars
Guitar 13
Guitar notes and tablatures 7
2 Guitars (duet) 2
Ukulele 1
Plectrum Orchestra 1

Mandolin 1

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Voice
Choral SATB 45
Choral 3-part 16
Choral Unison 7
Choral SSAA 6
Choral 2-part 3

Vocal duet 3
Choral TTBB 3
Alto voice, Piano 2
High voice 1

Choral SSATTB 1

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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 302
Flute 273
Flute and Piano 248
Flute, Oboe, Clarinet, Bassoon 187
2 Flutes (duet) 126

Flute Quartet: 4 flutes 60
Flute ensemble 43
Flute, Clarinet (duet) 37
Flute (band part) 35
Flute Trio: 3 flutes 35
Flute and Guitar 28
2 Flutes, Piano 27
Flute Quintet : 5 flutes 22
Flute, Violin 21
Recorder Ensemble 18
Flute, Oboe, Clarinet (trio) 18
Oboe, Piano (duet) 17
Flute, Trumpet (duet) 15
Oboe, Flute 15
Flute, Clarinet and Bassoon. 15
Flute, Viola (duet) 14
Flute, Saxophone (duet) 14
Flute, Violoncello 13
Flute, Oboe (duet) 10
Flute, Oboe, Bassoon 9
Clarinet (band part) 6
Oboe (band part) 5
Piccolo, Piano 5
Clarinet 5
Tenor Saxophone and Piano 4
Alto Saxophone and Piano 4
Clarinet Quartet: 4 clarinets 4
2 Saxophones (duet) 3
Clarinet Ensemble 3
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Flute, harp and violin 3
Flute, Organ (duet) 3
3 Clarinets (trio) 2
Flute, Clarinet, Piano (trio) 2
Flute, Bassoon, and Piano 2
Clarinet and Piano 2
Flute, Oboe, Piano (trio) 2
Saxophone Quintet: 5 Saxophones 2
English horn, Piano 2
3 Saxophones (trio) 2
Saxophone Quartet: 4 saxophones 2
Flute, Clarinet, Horn and Bassoon (Quartet) 2
Flute, Clarinet, Violin (trio) 1
Treble (Alto) Recorder, Piano 1
Flute, Viola and Piano 1
Oboe, Cello 1
Soprano Saxophone and Piano 1
Alto Saxophone 1
Clarinet, Cello (duet) 1
English Horn 1
Flute, Cello, Guitar 1
Flute, Violin and Violoncello 1
2 Clarinets (duet) 1
Clarinet, Bassoon (duet) 1
Saxophone (band part) 1
Clarinet Quintet: 5 clarinets 1
Oboe, Clarinet, Bassoon (trio) 1
Recorder Quartet 1
Flute, trombone and piano 1
Flute, Cello, Piano (trio) 1
Saxophone 1
Flute, Trombone (duet) 1
Descent (Soprano) Recorder, Piano 1

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Woodbrass
Trombone (band part) 6
Trumpet (band part) 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 4
Brass Quartet 3
Brass quartet : 2 trumpets, trombone, tuba 3

Tuba (band part) 2
2 French horns (duet) 2
English horn, Piano 2
Trumpet, Piano 2
2 Trumpets (duet) 2
French Horn and Piano 2
Trumpet 1
Trombone 1
Trombone and Piano 1
French horn 1
English Horn 1
Tuba 1

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Strings
Violin 19
String Quartet: 2 violins, viola, cello 16
Viola 12
Violin and Piano 11
Viola (band part) 8

Harp, Flute (duet) 7
String Trio: violin, viola, cello 6
Viola, Piano 5
Violin (band part) 4
Doublebass (band part) 3
2 Violins (duet) 3
Cello, Piano 3
Cello 3
Violin, Cello (duet) 2
Violin, Guitar (duet) 2
String Quintet: 2 violins, viola, cello, bass 2
Harp 2
2 Harps (duet) 1
String Trio: 2 violins, cello 1
Cello, Guitar (duet) 1

+ 15 instrumentations

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Concert band 167
Orchestra 67
Jazz Ensemble 20
Chamber Orchestra 12
Brass ensemble 10

Jazz combo 8
String Orchestra 5
Handbells 5
Percussion Ensemble 4
Percussion (band part) 3
Marching band 3
Xylophone, Piano 1
Drum (band part) 1

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Take Lute

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The Unquiet Grave from American Death Ballads (Downloadable)

The Unquiet Grave from American Death Ballads (Downloadable) #High voice #David Conte #The Unquiet Grave from America #E. C. Schirmer Music Company - Digital #SheetMusicPlus

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...(+)

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Coplandâ€™s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susaâ€™s Two Murder Ballads. The ingenuity of Susaâ€™s accompaniments for his ballads in imagining anew the original source material owes a great deal to Coplandâ€™s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englanderâ€™s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executionerâ€™s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50 ≈ $4.75