Download Digital Sheet Music of Entr Opera for Soprano Saxophone and Piano

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Entr Opera
Not classified 85

Piano & keyboards
Piano solo 31
Piano, Voice 8
Easy Piano 8
C Instruments 7
2 Pianos, 4 hands 4

Piano, Vocal and Guitar 4
1 Piano, 4 hands 2
Piano Quartet: piano, violin, viola, cello 2
Harpsichord 1

+ 4 instrumentations

- Retract

Guitars
Guitar 5
Guitar notes and tablatures 2
2 Guitars (duet) 1
4 Guitars (Quartet) 1
Melody line, (Lyrics) and Chords 1

Voice
Choral SATB 23
Choral 3-part 12
Choral TTBB 4
Vocal duet, Piano 2
Choral SSAA 2

Soli, Mixted choir and accompaniment 1
Low voice, Piano 1
Voice solo 1
Soprano voice, Piano 1

+ 4 instrumentations

- Retract

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 19
Saxophone Quartet: 4 saxophones 15
Clarinet Quartet: 4 clarinets 12
Flute, Oboe, Clarinet, Bassoon 11
Clarinet and Piano 7

Alto Saxophone and Piano 6
Flute 5
Clarinet 5
Flute and Piano 5
Recorder Quartet 4
Saxophone Quintet: 5 Saxophones 4
Soprano Saxophone and Piano 4

Alto Saxophone 3
Tenor Saxophone and Piano 2
Flute Quartet: 4 flutes 2
Saxophone (band part) 2
2 Clarinets (duet) 2
Saxophone ensemble 2
2 Recorders (duet) 1
Baritone Saxophone, Piano 1
Oboe, Piano (duet) 1
Clarinet, Guitar (duet) 1
Flute, Clarinet, Piano (trio) 1
2 Flutes (duet) 1
2 Oboes (duet) 1
Saxophone 1
5 Recorders 1
Recorder, Guitar (duet) 1
Flute, Violoncello 1

+ 24 instrumentations

- Retract

Woodbrass
Brass quartet : 2 trumpets, trombone, tuba 9
Brass Quintet: 2 trumpets, horn, trombone, tuba 8
Trumpet 6
Tuba and Piano 5
Trombone and Piano 5

Trumpet, Piano 3
French Horn and Piano 2
Brass Quartet: 4 horns 1
Euphonium, Piano (duet) 1
Trombone 1
Trumpet, Trombone (duet) 1
4 Tubas 1
Brass Quartet 1
Brass Quartet: 4 trombones 1
Horn Ensemble 1

+ 10 instrumentations

- Retract

Strings
String Quartet: 2 violins, viola, cello 16
Harp 10
Violin and Piano 10
Cello, Piano 6
Violin 5

Cello (band part) 4
Viola, Piano 4
2 Violas (duet) 3
Viola 2
Violin, Guitar (duet) 2
Viola (band part) 1
Double bass, Piano (duet) 1
Cello 1
String Trio: 3 cellos 1
String Trio: violin, viola, cello 1
2 Cellos (duet) 1
String Trio: 3 violins 1
Viola, Guitar (duet) 1
String Trio: 2 violins, cello 1
2 Violins (duet) 1
Piano Trio: Violin, Viola, Piano 1

+ 16 instrumentations

- Retract

Percussion & orchestra
Orchestra 11
Concert band 7
Chamber Orchestra 6
Brass ensemble 5
String Orchestra 3

Percussion Ensemble 2
Handbells 2
Piano and Orchestra 1

+ 3 instrumentations

- Retract

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Entr Opera

Soprano Saxophone and Piano

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4 sheet music found

O Holy Night for Soprano Sax & Piano

O Holy Night for Soprano Sax & Piano #Soprano Saxophone and Piano #BEGINNER #Christmas #Adam #James M #O Holy Night for Soprano Sax & #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and...(+)

Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de NoÃ«l The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840â€™s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de NoÃ«l. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850â€™s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeauâ€™s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Fatherâ€™s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didnâ€™t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 ≈ $34.31

Korsakov: Flight of the Bumblebee for Soprano Sax & Piano

Korsakov: Flight of the Bumblebee for Soprano Sax & Piano #Soprano Saxophone and Piano #ADVANCED #Classical #Contemporary #Nikolay Andreyevich Rimsky-Kor #James M #Korsakov: Flight of the Bumble #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....(+)

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Â Korsakov Background Nikolai Rimsky-KorsakovÂ (1844 â€“1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire. Â Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade.Â Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â

$32.95 ≈ $45.31

Meditation from "Thais" for Soprano Saxophone and Piano

Meditation from "Thais" for Soprano Saxophone and Piano #Soprano Saxophone and Piano #INTERMEDIATE #J #Diego Marani #Meditation from "Thais" for So #Diego Marani #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.527916 Composed by J. Massenet. Arranged by Diego Marani. Concert,Instructional,Romantic Per...(+)

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.527916 Composed by J. Massenet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 7 pages. Diego Marani #3583465. Published by Diego Marani (A0.527916). MÃ©ditation is a symphonic intermezzo from the opera ThaÃ¯s by French composer Jules Massenet and is considered to be one of the great encore pieces; world-class violin soloists such as Joshua Bell, Sarah Chang, Anne-Sophie Mutter, Itzhak Perlman, David Garrett and Maxim Vengerov have performed the piece as soloists with major orchestras throughout the world.This arrangement for Bb soprano sax and piano faithfully reproduces the original for violin.2018 Instrumental Arranging Contest Entry

$9.90 ≈ $13.61