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You Have To Be There
Not classified 892

Piano & keyboards
Piano solo 226
Piano, Vocal and Guitar 62
Easy Piano 53
Piano, Voice 50
Big Note Piano 35

Organ 27
C Instruments 12
Piano Accompaniment 7
Piano Trio: piano, violin, cello 4
1 Piano, 4 hands 4
Accordion 2
Keyboard 1
2 Pianos, 8 hands 1
2 Pianos, 4 hands 1
1 Piano, 6 hands 1

+ 10 instrumentations

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Guitars
Guitar notes and tablatures 50
Guitar 30
2 Guitars (duet) 5
Ukulele 5
Bass guitar 5

4 Guitars (Quartet) 4
3 Guitars (trio) 2
Mandolin 2
Dulcimer 2
Guitar Ensemble 2
Melody line, (Lyrics) and Chords 1

+ 6 instrumentations

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Voice
Choral SATB 114
Choral 3-part 39
Choral TTBB 14
Choral 2-part 14
Choral Unison 10

Choral SSAA 8
Soprano voice, Piano 3

Choral SSATTB 2
Medium voice, Piano 2
Alto voice, Piano 2
Vocal duet, Piano 2
Baritone voice, Piano 1
Soli, Mixted choir and accompaniment 1
Vocal duet 1
Choral 1
High voice 1

+ 11 instrumentations

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Woodwind
Saxophone Quintet: 5 Saxophones 85
Saxophone ensemble 65
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 63
2 Flutes (duet) 47
2 Saxophones (duet) 34

Clarinet Ensemble 34
Flute ensemble 25
2 Clarinets (duet) 24
Flute and Piano 22
Saxophone Quartet: 4 saxophones 21
Oboe, Piano (duet) 18
Flute, Oboe, Clarinet, Bassoon 16
Clarinet 15
Clarinet and Piano 14
3 Saxophones (trio) 14
Saxophone, Clarinet (duet) 13
Alto Saxophone and Piano 11
Clarinet, Violin (duet) 11
Flute Quintet : 5 flutes 10
Oboe (band part) 10
2 Oboes (duet) 10
Flute, Clarinet (duet) 10
Flute 10
Oboe, Bassoon (duet) 9
Flute, Violin 8
Tenor Saxophone and Piano 8
Flute, Trumpet (duet) 7
Oboe, Clarinet (duet) 7
Clarinet, Trumpet (duet) 7
Clarinet Quartet: 4 clarinets 7
Alto Saxophone 6
Flute, Saxophone (duet) 6
Flute, Oboe, Clarinet (trio) 6
Soprano Saxophone and Piano 6
Oboe, Flute 5
3 Clarinets (trio) 5
Baritone Saxophone, Piano 5
Oboe, Clarinet, Bassoon (trio) 5
Flute Trio: 3 flutes 5
Tenor Saxophone 5
Flute, Viola (duet) 4
Clarinet and Viola 4
Flute Quartet: 4 flutes 4
Bass Clarinet, Piano 3
Clarinet (band part) 3
Flute and Guitar 3
English horn, Piano 3
Soprano Saxophone 2
Clarinet, Bassoon (duet) 2
Saxophone 2
Baritone Saxophone 2
Oboe 2
2 Oboes, Piano 1
Saxophone and Organ 1
Flute, Clarinet, Piano (trio) 1
Clarinet Quintet: Clarinet, String Quartet 1
Oboe, Guitar (duet) 1
Oboe ensemble 1
Recorder Quartet 1
Flute, harp and violin 1
Flute, Oboe, Bassoon 1
Flute, Violoncello 1
Flute, Clarinet and Bassoon. 1
Clarinet, Guitar (duet) 1
Clarinet Quintet: 5 clarinets 1
Flute (band part) 1
Saxophone (band part) 1
2 Flutes, Piano 1
Treble (Alto) Recorder, Piano 1
2 Clarinets, Piano 1
Flute, Oboe (duet) 1

+ 66 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 71
Brass quartet : 2 trumpets, trombone, tuba 60
Trumpet ensemble 45
Trombone ensemble 20
Brass Quartet: 2 trumpets, horn, trombone 20

Trumpet 17
Brass Quartet 15
Trumpet, Trombone (duet) 15
Trombone and Piano 14
Trumpet, Piano 13
2 Trumpets (duet) 13
2 Trombones (duet) 12
French Horn and Piano 10
Trumpet, Saxophone (duet) 10
Tuba 6
Euphonium, Piano (duet) 5
Brass Trio 5
Horn Ensemble 5
Trombone 5
Trombone (band part) 4
2 French horns (duet) 4
Tuba and Piano 4
English horn, Piano 3
Trumpet (band part) 2
3 Trumpets (trio) 2
Brass Quartet: 4 trumpets 2
French horn 2
Brass Quartet: 4 trombones 2
French horn (band part) 2
2 French horns, Piano 1
Brass Quartet: 4 horns 1
Brass Quartet: 2 trumpets, 2 trombones 1
Bass Trombone 1
Tuba (band part) 1
4 Tubas 1
3 Trombones (trio) 1
2 Tubas (duet) 1
3 French horns (trio) 1

+ 33 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 211
Violin, Cello (duet) 157
Violin 125
String Trio: violin, viola, cello 122
Violin and Piano 32

String Quintet: 2 violins, viola, cello, bass 32
Harp 21
Cello, Piano 19
Violin, Viola (duet) 18
2 Violins (duet) 18
2 Cellos (duet) 16
Viola, Piano 16
String Trio: 2 violins, cello 14
Cello 13
Viola ensemble 10
Violin ensemble 10
2 Violas (duet) 9
Viola 7
Double bass, Piano (duet) 6
Violin (band part) 5
4 Cellos 4
2 Harps (duet) 4
Double Bass 3
Harp, Voice 3
String Quintet: 2 violins, 2 violas, cello 3
2 Violas, Piano 2
String Trio: 3 violins 2
Cello, String Bass (duet) 2
Doublebass (band part) 2
String Trio: 3 cellos 2
Viola, Cello (duet) 1
Flute, Doublebass (duet) 1
Cello, Guitar (duet) 1
4 Double Basses 1
Cello Ensemble 1
Viola (band part) 1
String Quartet : 4 violas 1
String quartet: 4 violins 1
String Trio: 2 violins, viola 1

+ 34 instrumentations

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Percussion & orchestra
String Orchestra 141
Concert band 93
Orchestra 34
Jazz Ensemble 31
Brass ensemble 23

Chamber Orchestra 14
Jazz combo 12
Handbells 7
Percussion Ensemble 3
Marching band 2
Drums 1
Percussion 1
Xylophone, Piano 1
Percussion (band part) 1

+ 9 instrumentations

- Retract

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You Have To Be There

Soprano voice, Piano

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3 sheet music found

Civility

Civility #Soprano voice, Piano #INTERMEDIATE/ADVANCED #Melanie B #Civility #Melanie B Guerin #SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie ...(+)

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world todayâ€™s gone mad, they say,And I feel itâ€™s a fitting rebuke,No sooner youâ€™re meeting a stranger,Than heâ€™s telling you Put up your dukes, Thereâ€™s no longer a role for a peaceful soul,When youâ€™re caught between muscle and might,If youâ€™re gonna get through,Thereâ€™s just one thing to do,So you take a deep breath,And you join in the fight! Hit â€˜em again,If itâ€™s rough, make it rougher,Someoneâ€™s gotta suffer,But youâ€™ll be the one who survives,When theyâ€™re aiming to give you the worst,You can beat â€˜em by hitting â€˜em first!Then hit â€˜em again,Hit â€˜em again,Hit â€˜em again. Hit â€˜em again,Make it long, make it lasting,Theyâ€™re practically askingFor a pummeling right in the puss,Theyâ€™ll remember how right you areWhen you leave â€˜em a permanent scar,Hit â€˜em again,Hit â€˜em again,Hit â€˜em again. A swine who would sooner cut you than concede,But he wonâ€™t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findItâ€™s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure itâ€™s brutal, but is heNot a villain deserving of grief?Heâ€™s a louse and unless Iâ€™m mistook,All his geese should be thoroughly cooked!So hit him again,And thenâ€¦ Hit him again,Make him shake, make him shudder,When heâ€™s starting to sputter,Itâ€™s then you go in for the kill,Leave him all in a heap on the pitch,â€˜Til heâ€™s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!

$4.75 ≈ $6.45

Halevi Songs (piano/vocal score only)

Halevi Songs (piano/vocal score only) #Soprano voice, Piano #ADVANCED #Elissa Brill Pashkin #Halevi Songs #Elissa Brill Pashkin #SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashk...(+)

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.

$8.99 ≈ $12.21

Pictures at an exHERbition

Pictures at an exHERbition #Soprano voice, Piano #INTERMEDIATE/ADVANCED #Contemporary #Sally Whitwell #Pictures at an exHERbition #Sally Whitwell #SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...(+)

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgkyâ€™s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, itâ€™s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, itâ€™s 2020 and as the meme says I canâ€™t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, itâ€™s less good news but theyâ€™re working on it. Iâ€™m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, itâ€™s a list of truths thatâ€™s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smithâ€™s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctorâ€™s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.

$10.00 ≈ $13.58