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Sheetmusic to print
15 sheet music found
<
1
Mon Homme
Mon Homme
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Piano, Vocal and Guitar
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EASY
#
Edith Piaf
#
Alpin Smart (transcription for
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Mon Homme
#
SmartWorks Publications
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by ...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Blues,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #156743. Published by SmartWorks Publications (A0.546809). The arrangement of this classic jazz/blues/cabaret song is based on the earliest (1937) of (at least?) three recordings by the late, great Billie Holliday, and is closer in feel to the original French version, as sung by cabaret and movie star, Mistinguett. Of course, the most famous version (and most closely associated with Holliday) is the one recorded by Billie in the '50s; but, I like to think that this uptempo version is a truer reflection of this great singer - in happier times - when she loved to sing uptempo jazz (she never regarded herself as a blues singer, although she could sing the blues with the best of them! And, it's important to reflect that her most famous interpretation of this song was made when she was - tragically - at death's door, and blues was better suited to her mood, and a deeply-felt despair, at this time of her all too brief, and, ultimately tragic, life). Besides, the uptempo rhythms, I feel, lend the words more of a 'Brechtian' sense of irony and impact.
$4.99 ≈
$6.90
Valencia
Valencia
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Concert band
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EASY
#
Contemporary
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Clifford Grey, Jacques Charles
#
Mark Armstrong
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Valencia
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Seolta Music Limited
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1308906 Composed by Clifford Grey, Jacques Charles, Jose Andres Prada Delgado, Jose Padilla, and Lucien...
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Concert Band - Level 2 - Digital Download SKU: A0.1308906 Composed by Clifford Grey, Jacques Charles, Jose Andres Prada Delgado, Jose Padilla, and Lucien Jean Boyer. Arranged by Mark Armstrong. 20th Century. Score and Parts. 60 pages. Seolta Music Limited #898163. Published by Seolta Music Limited (A0.1308906). Valencia, a paso doble song, evokes all the sunlight and warmth of the Spanish summer. Composed by José Padilla, it became one of the biggest hits of 1926. In more recent times it was made popular once again through its inclusion in the repertoire of the famous group The Three Tenors during the 1990s. It is arranged here for high voice and concert band.To explore all voice and band titles from Seolta Music please click here.
$65.00 ≈
$89.84
5 Classical Wedding Music for Woodwind Quintet
5 Classical Wedding Music for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
EASY
#
Charles Gonoud, Edward Elgar,
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Woods Only
#
Co
#
5 Classical Wedding Music for
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Pet...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99 ≈
$82.92
Coleção: Piano Musical II
Coleção: Piano Musical II
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Orchestra
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EASY
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Charles Francois Gounod, E di
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Marcelo Torca
#
#
Coleção: Piano Musical II
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Marcelo Torca
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.896911 Composed by Charles Francois Gounod, E di Cápua, Edward Elgar, Franz von Suppe, Frederic Ch...
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Full Orchestra - Level 2 - Digital Download SKU: A0.896911 Composed by Charles Francois Gounod, E di Cápua, Edward Elgar, Franz von Suppe, Frederic Chopin, George Frideric Handel, Giuseppe Verdi, Jacques Offenbach, Johannes Brahms, and Pyotr Tchaikowsky. Arranged by Marcelo Torca. Children,Instructional,Romantic Period. Score and parts. 373 pages. Marcelo Torca #2548819. Published by Marcelo Torca (A0.896911). Piano Musical – Projeto Projeto de música onde tem por objetivo ensinar música lendo partitura, formar conjuntos e inserir o piano nos conjuntos formados. O repertório utilizado contém músicas: Barroca; Clássica; Romântica; Moderna; Contemporânea; Brasileira. Os instrumentos que fazem parte do conjunto formado são: Piano; Teclado; Bandolim; Flauta-Doce; Cavaquinho; Bateria; Baixo elétrico; Guitarra; Violão; Viola Caipira; Percussão. Os arranjos são organizados em três nÃveis: *Primeiro NÃvel consiste em fazer acompanhamento simples utilizando notas musicais de ritmo simples de acordo com o instrumento a ser aprendido; *Segundo NÃvel consiste em fazer acompanhamento e partes do solo da música, o ritmo já é mais elaborado; *Terceiro NÃvel consiste em fazer solo da música, com um ritmo elaborado. As aulas para o primeiro nÃvel e segundo são em grupo de até cinco pessoas, a do terceiro nÃvel são individuais tendo a duração de uma hora por semana. Os três nÃveis fazem ensaios semanais juntos, formando conjuntos, a duração do ensaio é de uma hora. O repertório tem a função de introduzir o som do piano em conjunto, levar o conhecimento de um repertório pianÃstico ao conhecimento do público, dar uma noção de música de todos os tempos e valorizar músicas brasileiras, composta por autores brasileiros podendo ser erudita ou popular.
$18.00 ≈
$24.88
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
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Trumpet, Piano
#
EASY
#
J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tru
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Colin Kirkpatrick Publications
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Wors...
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
$10.99
Bach-Gounod: Ave Maria for Bassoon and Piano
Bach-Gounod: Ave Maria for Bassoon and Piano
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Bassoon, Piano (duet)
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EASY
#
J S Bach-Gounod
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Bas
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and p...
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
$10.99
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duet)
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EASY
#
J S Bach-Gounod
#
Colin Kirkpatrick
#
Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,W...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
$10.99
Communion (Downloadable)
Communion (Downloadable)
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Organ
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EASY
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Charles E
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Communion
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Moderately Easy - Digital Download SKU: MQ.10-598-16E Composed by Charles E. Callahan Jr. and Jacques-Nicolas Lemmens. All Saints/All Souls, Asce...
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Organ - Moderately Easy - Digital Download SKU: MQ.10-598-16E Composed by Charles E. Callahan Jr. and Jacques-Nicolas Lemmens. All Saints/All Souls, Ascension, Easter, Holy Week, Lent, Reformation, Funeral, Tenebrae. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-598-16E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-598-16E). A must-have for your library! Thirty selections for funerals or memorial services. Five original hymn tune settings, and transcriptions of pieces by Franck, Davies, Bach, Haydn, and many more!
$5.00 ≈
$6.91
Offertoire (Downloadable)
Offertoire (Downloadable)
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Organ
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EASY
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Charles E
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Offertoire
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Moderately Easy - Digital Download SKU: MQ.10-598-15E Composed by Charles E. Callahan Jr. and Jacques-Nicolas Lemmens. All Saints/All Souls, Asce...
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Organ - Moderately Easy - Digital Download SKU: MQ.10-598-15E Composed by Charles E. Callahan Jr. and Jacques-Nicolas Lemmens. All Saints/All Souls, Ascension, Easter, Holy Week, Lent, Reformation, Funeral, Tenebrae. 1 pages. MorningStar Music Publishers - Digital Sheet Music #10-598-15E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-598-15E). A must-have for your library! Thirty selections for funerals or memorial services. Five original hymn tune settings, and transcriptions of pieces by Franck, Davies, Bach, Haydn, and many more!
$5.00 ≈
$6.91
Ballet - Silhouette Series
Ballet - Silhouette Series
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Piano solo
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EASY
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Classical
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Adam, Frederic Chopin
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Cyril Dalmaine
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Ballet - Silhouette Series
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Forsyth Brothers Ltd
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SheetMusicPlus
Composed by Adam, Frederic Chopin (1810-1849), Charles Francois Gounod (1818-1893), Jacques Offenbach (1819-1880), Amilcare Ponchielli (1834- 1886), Le...
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Composed by Adam, Frederic Chopin (1810-1849), Charles Francois Gounod (1818-1893), Jacques Offenbach (1819-1880), Amilcare Ponchielli (1834- 1886), Leo Delibes (1836- 1891), and Peter Ilyich Tchaikovsky (1840-1893). Arranged by Cyril Dalmaine. 20th Century, Classical, Romantic Period. Score. 24 pages. Forsyth Brothers Ltd #653219. Published by Forsyth Brothers Ltd
$8.99 ≈
$12.43
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Ten
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his
own melody over a rippling keyboard accompaniment which was a slightly adapted version of the
Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,
published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de
Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major
into F major and it was scored for violin (or cello), organ and piano. In 1859, the French
music publishing company Jacques-Léopold Heugel brought out a vocal version based on the
familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the
Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
$10.99
Bach-Gounod: Ave Maria for Clarinet and Piano
Bach-Gounod: Ave Maria for Clarinet and Piano
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Clarinet and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Cla
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
$10.99
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Alto Saxophone and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alt
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Par...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn
ceremonial events. It has always been a favorite among instrumental players and often used in
recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B
flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate
player who can manage a top “b” with confidence.
In 1853, the well-known French composer Charles Gounod added his own melody over a rippling
keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,
BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of
the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s
original arrangement transposed Bach’s keyboard part from C major into F major and it was
scored for violin (or cello), organ and piano. In 1859, the French music publishing company
Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria
(Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.
27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist
Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered
a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or
possibly an error in the manuscript) remains a matter of conjecture but the fact remains that
the most familiar-sounding version of this piece, recorded countless times by both singers and
instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This
arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859
edition.
$7.95 ≈
$10.99
Bach-Gounod: Ave Maria for Oboe and Piano
Bach-Gounod: Ave Maria for Oboe and Piano
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Oboe, Piano (duet)
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Obo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pa...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
$10.99
Bach-Gounod: Ave Maria for Flute and Piano
Bach-Gounod: Ave Maria for Flute and Piano
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Flute and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Worship, Easter, Mother'
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Bach-Gounod: Ave Maria for Flu
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo ...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
$10.99
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