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Hush Hush
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23 sheet music found
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1
Hush Hush Somebody's Calling Your Name
Hush Hush Somebody's Calling Your Name
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Jazz combo
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ADVANCED
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Don Hodell Chilcote
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Don Hodell Chilcote
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Hush Hush Somebody's Calling Y
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - Digital Download SKU: A0.778920 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Film/TV,Gospel,Jazz,Spirit...
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Jazz Combo - Level 5 - Digital Download SKU: A0.778920 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Film/TV,Gospel,Jazz,Spiritual. Score and parts. 3 pages. Don Hodell Chilcote #3456345. Published by Don Hodell Chilcote (A0.778920). Hush Hush Somebody's Calling Your Name is for piano solo, and ensemble. This is a swinging upbeat version of the gospel spiritual Hush Hush. The piece has a great message and chorus, and several work sections. 2 page arrangement is challenging and also improvised over, but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude, and it was well received with a jamming drummer. Fun Stuff.
$2.99 ≈
$4.14
Hush, Hush-a-by, Don't Cry
Hush, Hush-a-by, Don't Cry
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Choral SATB
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ADVANCED
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Classical
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Johann Sebastian Bach
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Maury Franklin transcription,
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Hush, Hush-a-by, Don't Cry
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Maury Franklin
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.983470 Composed by Johann Sebastian Bach. Arranged by Maury Franklin transcription, arrangement and lyrics. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 8 pages. Maury Franklin #4362381. Published by Maury Franklin (A0.983470). Hush, Hush-a-by is a transcription of J. S. Bach's Sinfonia #11. Mr. Franklin arranged it for SATB quartet as a hauntingly beautiful lullaby to be sung a cappella. It works especially well for Christmas or general worship.
$4.75 ≈
$6.57
Hush, Sweet Baby - piano solo prelude
Hush, Sweet Baby - piano solo prelude
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Piano solo
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ADVANCED
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Kevin G
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Hush, Sweet Baby - piano solo
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1120560 Composed by Kevin G. Pace (ASCAP). 20th Century,Christian,Christmas,Contemporary,Holiday. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1120560 Composed by Kevin G. Pace (ASCAP). 20th Century,Christian,Christmas,Contemporary,Holiday. Score. 7 pages. Kevin G. Pace #721804. Published by Kevin G. Pace (A0.1120560). A gorgeous Christmas lullaby for the advanced pianist composed by Kevin G. Pace.
$3.99 ≈
$5.52
There's A Kind Of Hush (all Over The World)
There's A Kind Of Hush (all Over The World)
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Contemporary
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The Carpenters
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Mike Lyons
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There's A Kind Of Hush
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Lyons Music Services
#
SheetMusicPlus
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.767418 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Mike Lyons. Con...
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.767418 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Mike Lyons. Contemporary. Score and parts. 25 pages. Lyons Music Services #3690579. Published by Lyons Music Services (A0.767418). This lovely song has been arranged for string quintet and this arrangement is also suitable for string orchestra.
$25.00 ≈
$34.61
There's A Kind Of Hush (all Over The World)
There's A Kind Of Hush (all Over The World)
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Brass ensemble
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ADVANCED
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Contemporary
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The Carpenters
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Lyons Music Services
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There's A Kind Of Hush
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.767420 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Lyons Music Services. Contempor...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767420 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Lyons Music Services. Contemporary. Score and parts. 34 pages. Lyons Music Services #3690671. Published by Lyons Music Services (A0.767420). This lovely song has been arranged for brass quintet (2 tpts, Hn, Tbne/euph,Tuba.)
$25.00 ≈
$34.61
There's A Kind Of Hush (all Over The World)
There's A Kind Of Hush (all Over The World)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Contemporary
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The Carpenters
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Mike Lyons
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There's A Kind Of Hush
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767419 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Mike Lyons....
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767419 By The Carpenters. By Geoff Stephens and Les Reed. Arranged by Mike Lyons. Contemporary. 25 pages. Lyons Music Services #3690659. Published by Lyons Music Services (A0.767419). This lovely song has been arranged for wind quintet (Fl. Ob. Cl. Hn. Bssn)
$25.00 ≈
$34.61
The Rebirth of Light
The Rebirth of Light
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Piano solo
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ADVANCED
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Kathleen Ryan
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The Rebirth of Light
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1120779 By Kathleen Ryan. By Kathleen Ryan. Christmas,Classical,Religious,Sacred. Score. 5 pages. Indigo ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1120779 By Kathleen Ryan. By Kathleen Ryan. Christmas,Classical,Religious,Sacred. Score. 5 pages. Indigo Mesa Music LLC #721996. Published by Indigo Mesa Music LLC (A0.1120779). “how silently, how silently the wondrous gift is given†A piano solo evocative of quiet snow falling, the inward times of winter, and the miracle of a holy birth. Kathleen's notes: The light is born in the dark. The particular hush of winter, of midnight, of a miraculous birth, and of transcendence. (Several times I have tried to create a section for this piece where the music “gets big†and every time I have decided that, while I liked all my new music very much, it just didn’t belong in this piece. Alas, it doesn’t belong in any other piece, either, since it’s clearly created out of motives from The Rebirth of Light. This solo just wants to stay intimate. I am merely the composer and piano player and do not have the authority to override that sweet intimate mood.) Advanced: requires delicacy of touch and, to be comfortable, ease in playing octaves with extra notes inside. Suitable for use in church.
$5.25 ≈
$7.27
All The Things You Are
All The Things You Are
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Piano solo
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ADVANCED
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Ti...
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Piano Solo - Level 5 - Digital Download SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
$12.44
Sunrise over the Ridge
Sunrise over the Ridge
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Piano solo
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ADVANCED
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Jeremy Yowell
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Sunrise over the Ridge
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Jeremy Yowell
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.778119 Composed by Jeremy Yowell. 20th Century,Contemporary,Standards,World. Score. 6 pages. Jeremy Yowel...
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Piano Solo - Level 5 - Digital Download SKU: A0.778119 Composed by Jeremy Yowell. 20th Century,Contemporary,Standards,World. Score. 6 pages. Jeremy Yowell #15723. Published by Jeremy Yowell (A0.778119). True to its name, the progression of building dynamics, complicated note values, and multiple key changes expertly bring the early advanced performer & attentive listener from dawn to the full blaze of the rising sun. Numerous scale passages help develop the feeling of seeing the sun's first rays. There are a few surprise hints of returning to the hush of early morning throughout. The piece concludes with driving left hand octaves contrasted with technically challenging right hand arpeggios, climaxing with both hands playing a full chord fanfare as the new day finally arrives!
$4.99 ≈
$6.91
Symphony No. 2 Finale Choral Excerpt Trombone Ensemble
Symphony No. 2 Finale Choral Excerpt Trombone Ensemble
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Classical
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Gustav Mahler
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David Fetter
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Symphony No. 2 Finale Choral E
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271282 Composed by Gustav Mahler. Arranged by David Fetter. 20th Century,Romantic Peri...
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Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1271282 Composed by Gustav Mahler. Arranged by David Fetter. 20th Century,Romantic Period. 24 pages. Gordon Cherry #863680. Published by Gordon Cherry (A0.1271282). The Finale movement of Gustav Mahler's Symphony No. 2, (also known as the Resurrection), is a monumental and awe-inspiring composition that serves as the climax of the entire symphony. It is a grand choral movement that combines orchestral forces with vocal soloists and a large choir. In this exquisite section of hushed, whispered, and mysterious music, arranged beautifully by David Fetter, the famous Choral section from the Finale (numbers 32-39 in the score) is set for 8-part Trombone Ensemble. This powerful section of the Finale is emotionally charged and yet is performed at almost a whisper.This arrangement of about 6-minutes in length is suitable for advanced performers. FYI....this is NOT the famous Trombone Choral, rather the hushed, whispered section featuring the chorus. It is truly a work of genius.
$37.50 ≈
$51.91
Christ Arose, advanced piano solo
Christ Arose, advanced piano solo
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Piano solo
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ADVANCED
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Robert Lowry
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Heather Knezevich
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Christ Arose, advanced piano s
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1393895 Composed by Robert Lowry. Arranged by Heather Knezevich. Christian,Easter,Religious,Sacred. Score...
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Piano Solo - Level 5 - Digital Download SKU: A0.1393895 Composed by Robert Lowry. Arranged by Heather Knezevich. Christian,Easter,Religious,Sacred. Score. 3 pages. Songs of Praise #977369. Published by Songs of Praise (A0.1393895). Low in the grave He lay, Jesus my Savior!Waiting the coming day, Jesus my Lord!This advanced piano solo portrays the joy of Jesus' resurrection. After the opening chords, the melody plays over a bass octave. It goes immediately into the second verse after a key change, then goes into the jubilant chorus. Up from the grave He arose, With a mighty triumph o'er His foes!After a brief interlude, the final verse begins with full, but hushed chords. Another key change leads into the final chorus. Hallelujah! Christ arose! My prayer is that this arrangement will inspire your worship as you reflect on our risen Savior. The arranger is an active church musician and welcomes your feedback.
$3.99 ≈
$5.52
Silent Night
Silent Night
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Piano solo
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ADVANCED
#
Rafael Griffin
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Rafael Griffin
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Silent Night
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Rafael Griffin
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1389085 By Rafael Griffin. By Joseph Mohr. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday...
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Piano Solo - Level 5 - Digital Download SKU: A0.1389085 By Rafael Griffin. By Joseph Mohr. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred. Score. 7 pages. Rafael Griffin #972604. Published by Rafael Griffin (A0.1389085). The beloved Christmas carol, Silent Night, beautifully depicts the hushed, holy reverence surrounding the birth of Jesus Christ. This piano solo arrangement has been given an easy-going, reflective feel with a bit of light swing rhythms. Enjoy playing this classic carol as you reflect on the beauty of that silent night.To stay updated on all new releases, please follow my social channels!Click here to subscribe to my YouTube channel.Click here to follow me on Facebook.
$6.99 ≈
$9.68
Hommages III. Sonata No. 1 'Gothic'
Hommages III. Sonata No. 1 'Gothic'
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
$13.83
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
$121.80
What Child Is This
What Child Is This
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Piano solo
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ADVANCED
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Traditional English Melody
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Colleen Adent
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What Child Is This
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Colleen Adent
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.835958 Composed by Traditional English Melody. Arranged by Colleen Adent. Christmas,Concert. Score. 7 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.835958 Composed by Traditional English Melody. Arranged by Colleen Adent. Christmas,Concert. Score. 7 pages. Colleen Adent #6116925. Published by Colleen Adent (A0.835958). This modern arrangement of What Child Is This explores the carol through a combination of refreshing jazzy sounds and dramatic piano writing. At the early advanced level, the piece begins with a mysterious, quiet introduction, which transitions into a syncopated rhythm that accompanies the first entrance of the melody, played by the right hand in expressive sixths. Throughout the arrangement, the melody undergoes a series of variations, with sixteenth-note decorations eventually spilling into a faster and pianistic section, which then leads toward a powerful climax with glorious octaves in the melody, rich bass notes, and triumphant inner voices. The music then fades away as quietly as it began-creating a musical journey that begins and ends with the hushed anticipation of the brilliant joys of the Christmas miracle to come.
$4.99 ≈
$6.91
Bring a Torch, Jeanette, Isabella
Bring a Torch, Jeanette, Isabella
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Piano solo
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ADVANCED
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Michael Swedberg
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Terrence Niska
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Bring a Torch, Jeanette, Isabe
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125783 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contempo...
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Piano Solo - Level 5 - Digital Download SKU: A0.1125783 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726523. Published by Niska Music Publishing (A0.1125783). As much as “O Come All Ye Faithful†is a lullaby, this arrangement is brimming with a sense of hushed excitement right from the opening measures as the two young girls from the title race to tell the town of the glorious events taking place. The first statement of the melody enters in the right hand with rather simple harmony, but the left hand keeps the excitement alive via a flowing stream of sixteenth notes. There is an abbreviated return of the opening material which leads to the second verse, but this time the left hand rises up to ring out with a bell-like tolling to awaken the townspeople. Meanwhile the right hand plays the melody in octaves, ringing out above to announce the news to one and all. By the third verse, the left hand is playing chords like a brass choir underpinning the melody, which now finds itself amid a flurry of triplets as the joyous tidings news spread far and wide. There is a return to the opening section, concluding with a final cascade from the top of the keyboard to the bottom and ending with a final “Amen!â€.
$3.99 ≈
$5.52
A La Orilla Azul del Silencio (On the Blue Shore of Silence)
A La Orilla Azul del Silencio (On the Blue Shore of Silence)
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Piano solo
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ADVANCED
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Contemporary
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Douglas Pew
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A La Orilla Azul del Silencio
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Blue Shore Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.938565 Composed by Douglas Pew. Contemporary. Score. 20 pages. Blue Shore Music #12975. Published by Blue...
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Piano Solo - Level 5 - Digital Download SKU: A0.938565 Composed by Douglas Pew. Contemporary. Score. 20 pages. Blue Shore Music #12975. Published by Blue Shore Music (A0.938565). The 25-minute suite A la Orilla Azul Del Silencio ('On the Blue Shore of Silence') was inspired by the last poems of Pablo Neruda. Sensual, other-worldly, expressive and showcasing his rich harmonic pallet, they are freely tonal and transcend any sense of measured time. This is gorgeous piano music. The language is luminous and chromatic, with just enough hints of tonality to help juxtapose the incredible harmonic shifts. His sonic approach to the keyboard here has its ancient roots in Debussy’s pianism, demanding hushed pianissimo dynamics. Pew has a unique voice that is sure to connect with audiences, while saying something fresh, profound and meaningful. - Scott Holden, pianist. 1. Llueve (It Rains) 2.Flores en la Luz (Flowers in the Light) 3. Una Palpitación de Estrellas Pálidas (A Palpitation of Pale Stars) 4. ¿Ahà Está el Mar? (Is the Sea There?) 5. ¡Fue tan bello vivir cuando vivÃas! (It was beautiful to live when you lived!). For more information, please visit douglaspew.com.
$34.99 ≈
$48.43
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95 ≈
$91.29
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concer...
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95 ≈
$45.61
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Musi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95 ≈
$27.61
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