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Toccata, Theme and Variations on Two National Anthems
Toccata, Theme and Variations on Two National Anthems
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Patriotic
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Christopher Wilson
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Christopher Wilson
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Toccata, Theme and Variations
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Christopher Wilson
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SheetMusicPlus
Instrumental Solo - Level 5 - Digital Download SKU: A0.1349364 Composed by Christopher Wilson. Arranged by Christopher Wilson. 21st Century,Contest,Festi...
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1349364 Composed by Christopher Wilson. Arranged by Christopher Wilson. 21st Century,Contest,Festival,Instructional,Traditional. Individual part. 4 pages. Christopher Wilson #934114. Published by Christopher Wilson (A0.1349364). Here is a fresh, fun and entertaining Theme and Variations on Two National Anthems - New Zealand and United Kingdom to challenge Grade 8+ players. It commences with a whizzy Toccata to get the audience in the mood before announcing the Themes. These lead to a set of Variations, which includes one where the player will need a plunger mute along with ad libitum pitch bends and growling to create a somewhat inebriated feel, all leading to the last energetic movement. When entertaining children or in a less formal setting, the composer has often described each variation, such as Pagliacci (Clown), Jumping Bean, Tarantella and Late for Dinner. The composer invites the player to play straight through or be as entertaining as you want.This piece serves as a great concert or audition item. Enjoy!
$7.00 ≈
$9.42
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
$282.71
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
#
Orchestra
#
ADVANCED
#
Contemporary
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
$282.71
Moody's Mood - Vocal
Moody's Mood - Vocal
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Contemporary
#
Dorothy Fields, James Moody, a
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David Leech
#
Moody's Mood - Vocal
#
David Leech
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Tenor Saxophone - Level 5 - Digital Download SKU: A0.973270 Composed by Dorothy Fields, James M...
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Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Tenor Saxophone - Level 5 - Digital Download SKU: A0.973270 Composed by Dorothy Fields, James Moody, and Jimmy Mc Hugh. Arranged by David Leech. Contemporary. 15 pages. David Leech #4640721. Published by David Leech (A0.973270). Moody's Mood For Love is the famous James Moody improvisation based on I'm In the Mood for Love arranged for a five piece saxophone ensemble (section) in the style of Supersax. The saxes are accompanied by a rhythm section of piano, bass, drums and (optional) guitar.Running time: approx 2:45email: Mixamodian@yahoo.com
$35.00 ≈
$47.12
Theme And Variations On TRSCH For Organ
Theme And Variations On TRSCH For Organ
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Organ
#
ADVANCED
#
Thomas R
#
Theme And Variations On TRSCH
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Thomas R. Schadl
#
SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. ...
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Organ - Level 5 - Digital Download SKU: A0.912505 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 29 pages. Thomas R. Schadl #6201739. Published by Thomas R. Schadl (A0.912505). Theme and Variations on TRSCH is a piece that is suitable for concert use. As one plays the piece, one shall realize that each variation has its own character. The work also may be used for educational purposes in that it teaches students on how a theme is transformed rhythmically and arranged melodically.Theme And Variations On TRSCH For Organ by Thomas R. Schadl consists of seven variations that are based on TRSCH (B flat, D, E flat, C, and B or A# D D# C B). It is written using the serial technique, the compositional method where a row of notes are arranged in direct, reverse, inverse and retrograde-inverse orders. The technique employed is not as strict as the 12-tone system used in the compositions of Arnold Schoenberg and Anton Webern. In a standard theme and variations form, the melody may be altered by adding or subtracting notes, or changing it rhythmically, but it is not the case in the piece being discussed. Most variations do not follow the rhythmic pattern of the main theme; rather, the theme in each variation is treated in fragments, lengthened note values, shortened note values, inversions and reversed orders. Each variation explores moods and the work is organized this way:Main Theme: m 1-6 TRSCH is stated in the bass.Variation I: m 7-22 FugatoVariation II m 23-50 Mystical quality and lyrical Variation III m 51-88 Scherzo, lyrical section, scherzoVariation IV m 89-116 ToccataVariation V m 117-224 Mystical mood, scherzo, mystical moodVariation VI m 225-297 Toccata, brief lyrical section, toccataVariation VII m 298-317 Variation I but at a slower speed.Forward ReverseA# D D# C B F F # A G# EF# A# B G# G C# D F E CF A A# G F# C C# E D# BG# C C# A# A D# E G F# DA C# D B A# E F G# G D#
$21.82 ≈
$29.37
Around the Cauldron
Around the Cauldron
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Contemporary
#
Gilad Cohen
#
Around the Cauldron
#
Gilad Cohen
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #43...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #4367110. Published by Gilad Cohen (A0.898935). Around the Cauldron was inspired by the three witches from Shakespeare’s play Macbeth. With a nod to multi-movement pieces such as Schumann's Scenes From Childhood and Mussorgsky's Pictures At An Exhibition, Around the Cauldron is comprised of seven short scenes, each of which evokes a mood that resonates with an image of three witches gathered around a cauldron in a dark forest, muttering spells, and adding selected creatures to a bubbling stew. The movements carry individual titles: In Dusk, Pounce, Transmutation, Boiling, Witches Waltz, Newts’ Lament, and Sacrificial. Most of the melodies in the piece were tailored to fit lines from the original Shakespearean text and were also arranged as songs for a production of Macbeth at Ramapo College of New Jersey. Thus, the main theme sets the play’s immortal opening words: Fair is foul and foul is fair / Hover through the fog and filthy air. Honoring the three witches, the piece reflects the number three in its rhythms, which highlight groups of three beats; in its themes, which are constructed of three phrases; and in its instrumentation, which suggests that each instrument represents a different witch. Around the Cauldron was commissioned by Concert Artists Guild with support from the Adele and John Gray Endowment Fund for Lysander Piano Trio, which is fittingly named after another Shakespearean character.
$18.95 ≈
$25.51
In The Mood
In The Mood
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Jazz
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Ernie Field's Orchestra
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Patrick Sheehan
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In The Mood
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Patrick Sheehan
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.748342 By Ernie Field's Orchestra. By Joe Garland. Arranged by Patrick Sheehan. Jazz. Score and parts...
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Large Ensemble - Level 5 - Digital Download SKU: A0.748342 By Ernie Field's Orchestra. By Joe Garland. Arranged by Patrick Sheehan. Jazz. Score and parts. 131 pages. Patrick Sheehan #6456795. Published by Patrick Sheehan (A0.748342). Transcribed as recorded by CHICAGO for their album CHICAGO NIGHT AND DAY (big band album) released in 1995. INSTRUMENTATION: Vocal I, Vocal II, Vocal III, Vocal IV, Vocal V, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Hammond B-3 Organ, Electric Guitar, Bass, Tambourine, Drumset. BIG BAND: Alto Saxophone I (Eb), Alto Saxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV). *** Score is 8.5 x 14 legal size paper, parts are standard 8.5x11 size.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
$67.31
In The Mood
In The Mood
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Jazz
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Ernie Field's Orchestra
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Austin Ralphson
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In The Mood
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Austin Ralphson
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.563536 By Ernie Field's Orchestra. By Joe Garland. Arranged by Austin Ralp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.563536 By Ernie Field's Orchestra. By Joe Garland. Arranged by Austin Ralphson. Jazz. Score and parts. 33 pages. Austin Ralphson #4278185. Published by Austin Ralphson (A0.563536). Recorded by Ernie Field and, more famously, Glenn Miller, this classic big band piece is still widely enjoyed at many concerts and performances, the opening arpeggio instantly recognisable. This arrangement is carefully crafted to include the original sax, trombone, trumpet and rhythm sections all together for this ensemble. When practised up it goes down a storm!
$16.99 ≈
$22.87
In The Mood
In The Mood
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Jazz
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Ernie Field's Orchestra
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Austin Ralphson
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In The Mood
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Austin Ralphson
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SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.563588 By Ernie Field's Orchestra. By Joe Garland. Arranged by Austin Ralphson. Jazz. 33 pag...
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Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.563588 By Ernie Field's Orchestra. By Joe Garland. Arranged by Austin Ralphson. Jazz. 33 pages. Austin Ralphson #4317233. Published by Austin Ralphson (A0.563588). Recorded by Ernie Field and, more famously, Glenn Miller, this classic big band piece is still widely enjoyed at many concerts and performances, the opening arpeggio instantly recognisable. This arrangement is carefully crafted to include the original sax, trombone, trumpet and rhythm sections all together for this ensemble. When practised up it goes down a storm!
$16.99 ≈
$22.87
I'm In The Mood For Love
I'm In The Mood For Love
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4 Bassoons
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ADVANCED
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Dorothy Fields and Jimmy McHug
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Fraser Jackson
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I'm In The Mood For Love
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Caliban Editions
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 5 - Digital Download SKU: A0.1383515 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Fraser J...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 5 - Digital Download SKU: A0.1383515 Composed by Dorothy Fields and Jimmy McHugh. Arranged by Fraser Jackson. Chamber,Classical,Jazz,Standards. 13 pages. Caliban Editions #967961. Published by Caliban Editions (A0.1383515). Based on a piano solo by the jazz legend Art Tatum, this quartet for bassoons is a challenging but rewarding addition to your bassoon quartet repertoire. As recorded by The Caliban Quartet on their landmark 1997 recording, BassOOnatics!.
$15.00 ≈
$20.19
In the Bleak Midwinter
In the Bleak Midwinter
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Piano solo
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ADVANCED
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Christmas
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Michael Swedberg
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Terrence Niska
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In the Bleak Midwinter
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday....
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Piano Solo - Level 5 - Digital Download SKU: A0.1125813 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726553. Published by Niska Music Publishing (A0.1125813). Another arrangement that had its genesis as a vocal chart for Five By Design. However, this piece went on to be performed in our holiday show, “A Winter’s Evening.†I have always loved the Gustav Holst melody to Christina Rossetti’s poem, subsequently it was that setting that I chose to arrange for our group. When I was selecting pieces for my second collection of Christmas Preludes, I knew this would be among them. The piece starts out quite gently, and in my mind’s ear I hear a cello and oboe establishing a mood of utter serenity and calm as the snow gently falls outside the frost-covered window. Soon the oboe is joined by a clarinet as they play a duet while the cello continues the gentle sway of eighth notes. For the pianist, there must be great control of the left hand to keep it as calm as possible while the melody floats above, just as the snow falls to the earth. As the second verse begins, the right hand now plays a triplet pattern beneath the melody. It is a gentle breeze, stirred by the wings of angels and cherubim, upon which the crystalline flakes swirl and dance in the cold night air. All the while the left hand continues its steady motion of eighth notes. Halfway through the triplet pattern moves to the left hand and the right hand takes up the eighth notes while still keeping the melody above all. The verse comes to a close with a slowing of the tempo to emphasize the importance of what the poet states in the last lines of the poem: “Yet what I can I give Him, — Give my heart.†It is all that any of us can do, and all that we are asked to do.
$3.99 ≈
$5.37
In the Mood (Advanced Level, Alto Sax)
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Alto Saxophone
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level, Tenor Sax)
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Tenor Saxophone
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level)
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Trumpet
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level)
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Drums
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level)
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Clarinet
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level)
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Flute
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level)
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Trombone
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
In the Mood (Advanced Level, Soprano Sax)
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Soprano Saxophone
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ADVANCED
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Jazz
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Glenn Miller
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In the Mood
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99€ ≈
$8.94
Silent Night: Based on the Traditional Carol by J. Mohr & F. X. Gruber
Silent Night: Based on the Traditional Carol by J. Mohr & F. X. Gruber
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Piano solo
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ADVANCED
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Christmas
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Franz Xaver Gruber
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D
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Silent Night: Based on the Tra
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D. Eugene Mathers
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.917500 Composed by Franz Xaver Gruber. Arranged by D. E. Mathers. 20th Century,Christmas,Contemporary,Sac...
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Piano Solo - Level 5 - Digital Download SKU: A0.917500 Composed by Franz Xaver Gruber. Arranged by D. E. Mathers. 20th Century,Christmas,Contemporary,Sacred. Score. 5 pages. D. Eugene Mathers #4883305. Published by D. Eugene Mathers (A0.917500). This version makes for a highly evocative, poetic rendering of Silent Night, one equally useful as either recital number or church solo, or even as striking incidental music for theatrical production and readings. Lasting approximately three minutes, this arrangement reconfigures the carol's traditional musical idiom into a contemporary classical setting both captivating in poetic mood and unusually effective in its spatial and timbral design. The musical style may be considered Coplandesque in its use of widely spaced, pandiatonic sonorities.
$8.99 ≈
$12.10
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