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You've selected:
Debussy advanced
Sheetmusic to print
337 sheet music found
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326
Clair De Lune- Debussy-Simplified version- Advanced intermediate
Clair De Lune- Debussy-Simplified version- Advanced intermediate
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
C Debussy
#
Grant Horsley
#
Clair De Lune- Debussy-Simplif
#
Grant Horsley Music
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by C Debussy. Arranged by Grant Horsley. Impressionistic, Repertoire, Anniversary, Wedding, ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by C Debussy. Arranged by Grant Horsley. Impressionistic, Repertoire, Anniversary, Wedding, Recital. Sheet Music Single. 8 pages. Published by Grant Horsley Music
Claire De Lune by Debussy- needs no words.
I have arranged this firstly in the key of C. I tried to keep as much of the original as possible in terms of detail and some of the difficult octaves and hard to reach chords have been carefully arranged. What I wanted to do was to give intermediate pianists who were perhaps not quite ready for the full version, an opportunity to play a version of it, also for pianists who would appreciate a slightly modified approach.
I didn't want an "easy" version as such,but one that retains the qualities of the original. It is a beautiful piece which can be used for concerts, recitals, weddings,celebrations etc
I have listed this as Advanced intermediate, but it crosses the line to Intermediate on a number of ocassions.
$5.50 ≈
$7.42
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
$52.56
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Debussy Inconnu: Album of work
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
$52.56
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Claude Debussy/Robert Orledge:
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
$26.92
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledg
#
Claude Debussy: Prléude à L'
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Reci...
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
$10.35 ≈
$13.97
Golliwog's Cakewalk (Grade 8) DEBUSSY Advanced Piano Sheet Music with note names
Golliwog's Cakewalk (Grade 8) DEBUSSY Advanced Piano with note names
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Teacher Valarie
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Golliwog's Cakewalk
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Published Harmony Valarie
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1241154 By Claude Debussy. By Claude Debussy. Arranged by Teacher Valarie. 19th Century,20th Century,Chil...
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Piano Solo - Level 4 - Digital Download SKU: A0.1241154 By Claude Debussy. By Claude Debussy. Arranged by Teacher Valarie. 19th Century,20th Century,Children,Instructional,Romantic Period. Score. 6 pages. Published Harmony Valarie #836548. Published by Published Harmony Valarie (A0.1241154). Great for performances, videos, shorts, recitals and concerts. Easy for students to learn and also easy for teachers to teach either in person or online lessons.
$3.99 ≈
$5.38
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
DOCTOR GRADUS AD PARNASSUM from 'Children's Corner Suite' by CLAUDE DEBUSSY. PIANO SOLO
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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DOCTOR GRADUS AD PARNASSUM fro
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Diamond S Music
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Publi...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Impressionistic, Post-Romantic, Recital. 8 pages. Published by Diamond S Music
DOCTOR GRADUS AD PARNASSUM from ‘Children’s Corner Suite’ by CLAUDE DEBUSSY for PIANO SOLO. The Latin phrase gradus ad Parnassum means "steps to Parnassus”. Debussy composed Children's Corner between 1906 and 1908. This piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle, the pianist slows down and tries his material in other keys for exercise. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty and requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang. Debussy told his publisher that the movement should be played "very early in the morning".This edition also includes a short biography of Debussy and some facts about the piece.
Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.99 ≈
$6.73
Clair de Lune (Claude Debussy)
Clair de Lune (Claude Debussy)
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2 Guitars (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Bisdre Santos
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Santos
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Clair de Lune
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Bisdré Santos
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SheetMusicPlus
Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Bisdre Santos. Impressionistic, Repertoire,...
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Guitar Duo - Advanced Intermediate - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Bisdre Santos. Impressionistic, Repertoire, Classroom, Wedding, Recital. Individual Part, Lead Sheet, Set of Parts. 7 pages. Published by Bisdré Santos
Composed by Claude Debussy (1862-1918). Transcribed by Bisdré Santos from the recording of John Williams and Julian Bream. Impressionistic, Romantic, Post-Romantic, Repertoire, Classroom, Concert.
$5.00 ≈
$6.75
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Easy Piano
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EASY
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 3...
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95 ≈
$26.92
Golliwogg’s Cakewalk / Claude Debussy
Golliwogg’s Cakewalk / Claude Debussy
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2 Flutes (duet)
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INTERMEDIATE
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Golliwogg’s Cakewalk / Claud
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Children,...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1492124 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Children,Classical,Film/TV,Ragtime. Score. 3 pages. Japan Duo Notes #1068797. Published by Japan Duo Notes (A0.1492124). Title: Golliwogg’s Cakewalk by Claude Debussy – Flute Duet ArrangementDescription:Bring a playful, lively charm to your next performance with this flute duet arrangement of Claude Debussy’s Golliwogg’s Cakewalk. Originally part of Debussy’s Children’s Corner suite, this piece is characterized by its syncopated rhythms and lighthearted, dance-like feel inspired by early ragtime music. Perfectly arranged for two flutes, this duet captures the energetic spirit and whimsical melodies that have made Golliwogg’s Cakewalk a beloved favorite.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pagesThis arrangement allows two flutists to engage in the playful back-and-forth of Debussy’s original work, showcasing its syncopated rhythms, unexpected harmonies, and dynamic character. Ideal for recitals, concerts, or any performance needing a lively, upbeat classical piece.Why Choose This Arrangement?Lively Ragtime Rhythm: Enjoy the syncopated, dance-like rhythm of Debussy’s Golliwogg’s Cakewalk, now arranged for two flutes.Perfect for Fun Performances: Ideal for concerts, recitals, and informal performances where a light and joyful piece is needed.Intermediate to Advanced Challenge: Provides an engaging and fun challenge for intermediate to advanced flutists, with opportunities to showcase both technical skill and expressive playfulness.Infuse your performance with the upbeat energy of Debussy’s Golliwogg’s Cakewalk. This flute duet arrangement preserves the charm and wit of the original while allowing for a fun, dynamic interplay between both flutists.Keywords: Golliwogg’s Cakewalk, Claude Debussy, flute duet, classical music, ragtime, Children’s Corner, intermediate flute music, advanced flute music, lively flute pieces, concert music, recital music, flute sheet music.
$5.99 ≈
$8.08
Rêverie / C. Debussy
Rêverie / C. Debussy
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2 Flutes (duet)
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INTERMEDIATE
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Rêverie / C. Debussy
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489795 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489795 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical,Film/TV,Standards. Score. 7 pages. Japan Duo Notes #1066667. Published by Japan Duo Notes (A0.1489795). Title: Rêverie by Claude Debussy – Flute Duet ArrangementDescription:Explore the dreamlike beauty of Claude Debussy’s Rêverie in this exquisite flute duet arrangement. Originally composed for piano, Rêverie is one of Debussy’s most beloved works, celebrated for its delicate melody and atmospheric harmonies that evoke a sense of calm and introspection. This arrangement brings Debussy’s enchanting piece to life for two flutes, offering a fresh perspective on this timeless classic.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pages , Parts: 2 pages each Total: 7 pagesThis arrangement captures the essence of Debussy’s original composition, carefully adapting its flowing lines and rich harmonies for two flutes. Perfect for performances in recitals, chamber music settings, or as a serene addition to any concert program, this duet allows both flutists to explore the subtle nuances and expressive depth of Debussy’s music.Why Choose This Arrangement?Faithful Adaptation: Maintains the ethereal quality and melodic beauty of Debussy’s original piece, reimagined for two flutes.Ideal for Performances: Suitable for a variety of performance settings, from recitals and chamber music concerts to educational performances.Expressive and Engaging: Designed for intermediate to advanced flutists, offering a rewarding challenge that emphasizes musicality and expression.Add the evocative charm of Debussy’s Rêverie to your repertoire with this beautifully crafted flute duet arrangement. It’s an excellent choice for flutists who appreciate the impressionistic style and want to delve into Debussy’s poetic sound world.Keywords: Claude Debussy, Rêverie, flute duet, flute sheet music, Debussy arrangements, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, impressionist music.
$5.99 ≈
$8.08
Arabesque No. 1 / Claude Debussy
Arabesque No. 1 / Claude Debussy
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2 Flutes (duet)
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INTERMEDIATE
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Arabesque No. 1 / Claude Debus
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490848 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Cent...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490848 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV,Standards. Score. 4 pages. Japan Duo Notes #1067632. Published by Japan Duo Notes (A0.1490848). Title: Arabesque No. 1 by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the delicate beauty and flowing lines of Claude Debussy’s Arabesque No. 1 with this enchanting flute duet arrangement. Originally composed for piano, Arabesque No. 1 is one of Debussy’s most beloved pieces, known for its lyrical melodies, intricate rhythms, and impressionistic style. This arrangement for two flutes captures the essence of Debussy’s original composition, offering a fresh and captivating performance experience.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis flute duet arrangement of Arabesque No. 1 maintains the elegance and fluidity of Debussy’s original, translating its graceful, winding melodies into a beautiful interplay between two flutes. Ideal for concert performances, recitals, and special occasions, this piece allows flutists to explore the nuanced expressions and impressionistic colors that define Debussy’s music.Why Choose This Arrangement?Authentic Adaptation: Faithfully captures the lyrical and impressionistic qualities of Debussy’s Arabesque No. 1, reimagined for two flutes.Versatile and Expressive: Suitable for a variety of performance settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Rewarding: Designed for intermediate to advanced flutists, offering both a technical challenge and an opportunity for expressive performance.Enhance your flute repertoire with this beautifully crafted arrangement of Claude Debussy’s Arabesque No. 1. It’s an ideal choice for flutists who appreciate the delicate nuances of impressionistic music and wish to perform a timeless piece with a fresh, harmonious twist.Keywords: Claude Debussy, Arabesque, flute duet, flute sheet music, Debussy arrangements, impressionistic music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, Debussy piano music.
$5.99 ≈
$8.08
Clair de Lune / C. Debussy
Clair de Lune / C. Debussy
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2 Flutes (duet)
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INTERMEDIATE/ADVANCED
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Clair de Lune / C. Debussy
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 4 - Digital Download SKU: A0.1490332 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Cent...
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Flute Duet Flute - Level 4 - Digital Download SKU: A0.1490332 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 7 pages. Japan Duo Notes #1067172. Published by Japan Duo Notes (A0.1490332). Title: Clair de Lune by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the ethereal beauty of Claude Debussy’s Clair de Lune with this elegant flute duet arrangement. Originally composed for piano, Clair de Lune is one of Debussy’s most celebrated pieces, known for its impressionistic style and evocative, dream-like quality. This arrangement for two flutes captures the delicate textures and shimmering harmonies of the original composition, offering a fresh and enchanting performance experience.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pages , Parts: 2 pages each Total: 7 pagesThis flute duet arrangement preserves the essence of Debussy’s Clair de Lune, translating its lush harmonies and flowing melodies into a beautiful conversation between two flutes. Ideal for concert performances, recitals, and special occasions, this piece allows flutists to explore the impressionistic colors and nuanced expressions that define Debussy’s music.Why Choose This Arrangement?Authentic Adaptation: Faithfully retains the lyrical and impressionistic qualities of Debussy’s Clair de Lune, reimagined for two flutes.Versatile and Expressive: Perfect for a range of performance settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Enriching: Designed for intermediate to advanced flutists, offering a balance of technical challenge and expressive depth.Enhance your flute repertoire with this beautifully crafted arrangement of Claude Debussy’s Clair de Lune. It’s an ideal choice for flutists who appreciate the delicate nuances of impressionistic music and wish to perform a timeless classic with a fresh, harmonious twist.Keywords: Claude Debussy, Clair de Lune, flute duet, flute sheet music, Debussy arrangements, impressionistic music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, Debussy piano music.
$5.99 ≈
$8.08
En Bateau / Claude Debussy
En Bateau / Claude Debussy
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2 Flutes (duet)
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INTERMEDIATE
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Claude Debussy
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Kan Saito / Japan Duo Notes
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En Bateau / Claude Debussy
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493298 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Cent...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493298 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical. Score. 4 pages. Japan Duo Notes #1069956. Published by Japan Duo Notes (A0.1493298). Title: En Bateau by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Claude Debussy’s En Bateau with this exquisite flute duet arrangement. Originally part of Debussy’s Petite Suite, En Bateau evokes the gentle motion of a boat gliding over calm waters, showcasing Debussy's mastery of Impressionist music.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis arrangement captures the delicate, flowing melodies and rich harmonic textures of the original piano piece, adapted perfectly for two flutes. The duet allows both players to explore Debussy’s lyrical phrasing and nuanced dynamics, creating a captivating performance experience.Why Choose This Arrangement?Impressionist Masterpiece: Experience Debussy's Impressionist style in a duet format, ideal for flutists who appreciate expressive, atmospheric music.Balanced Parts: Both flute parts share the melodic and harmonic elements, offering a well-balanced and engaging performance for both players.Versatile Performance Piece: Suitable for recitals, concerts, or casual performances, this duet provides a beautiful, reflective moment in any program.Keywords: Debussy En Bateau flute duet, Impressionist flute music, Debussy flute arrangement, intermediate flute duet, classical flute duo, En Bateau sheet music, Debussy Petite Suite flute arrangement, flute chamber music.
$5.99 ≈
$8.08
Debussy – Golliwog’s Cakewalk from Children’s Corner (for Saxophone Quartet SATB)
Debussy – Golliwog’s Cakewalk from Children’s Corner (for Saxophone Quartet SATB)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – Golliwog’s Cakew
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514534 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Chi...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.514534 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Children,Classical. 13 pages. LINCOLN MUSIC PUBLICATIONS #3399447. Published by LINCOLN MUSIC PUBLICATIONS (A0.514534). This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Saxophone Quartet. This “Rag Time†style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Preview this score on YouTube: https://www.youtube.com/watch?v=fa0CkgHXMEo
$10.49 ≈
$14.16
Debussy – La plus que lente (for Saxophone Quartet SATB)
Debussy – La plus que lente (for Saxophone Quartet SATB)
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514546 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Cla...
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Saxophone Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.514546 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 14 pages. LINCOLN MUSIC PUBLICATIONS #3421099. Published by LINCOLN MUSIC PUBLICATIONS (A0.514546). Claude Debussy’s lovely La plus que lente for Saxophone Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$13.99 ≈
$18.88
Debussy – Golliwog’s Cakewalk from Children’s Corner (for Brass Quintet)
Debussy – Golliwog’s Cakewalk from Children’s Corner (for Brass Quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – Golliwog’s Cakew
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514538 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Centu...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514538 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Children,Classical. Score and parts. 17 pages. LINCOLN MUSIC PUBLICATIONS #3399455. Published by LINCOLN MUSIC PUBLICATIONS (A0.514538). This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Brass Quintet. This “Rag Time†style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Preview this score on YouTube: https://www.youtube.com/watch?v=2Dp4N7f5BZ8
$10.49 ≈
$14.16
Debussy – Golliwog’s Cakewalk from Children’s Corner (for Woodwind Quartet)
Debussy – Golliwog’s Cakewalk from Children’s Corner (for Woodwind Quartet)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – Golliwog’s Cakew
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514532 Composed by Claude Debussy. Arranged by Kennet...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514532 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Children,Classical. 13 pages. LINCOLN MUSIC PUBLICATIONS #3399441. Published by LINCOLN MUSIC PUBLICATIONS (A0.514532). This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for Woodwind Quartet. This “Rag Time†style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$10.49 ≈
$14.16
Debussy – La plus que lente (for Woodwind Quartet)
Debussy – La plus que lente (for Woodwind Quartet)
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Flute, Oboe, Clarinet, Bassoon
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ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – La plus que lente
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514549 Composed by Claude Debussy. Arranged by Kennet...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514549 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Classical. 14 pages. LINCOLN MUSIC PUBLICATIONS #3421121. Published by LINCOLN MUSIC PUBLICATIONS (A0.514549). Claude Debussy’s lovely La plus que lente for Woodwind Quartet. This is an advanced intermediate to advanced transcription. Technically none of the individual parts are extremely demanding, but it does require a somewhat mature ensemble to play musically. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 4:05
$13.99 ≈
$18.88
Debussy – Golliwog’s Cakewalk from Children’s Corner (for String Quartet)
Debussy – Golliwog’s Cakewalk from Children’s Corner (for String Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Kenneth Abeling
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Debussy – Golliwog’s Cakew
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.514531 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20t...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.514531 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Children,Classical. Score and parts. 13 pages. LINCOLN MUSIC PUBLICATIONS #3399439. Published by LINCOLN MUSIC PUBLICATIONS (A0.514531). This is Golliwog’s Cakewalk from Children’s Corner suite by Claude Debussy transcribed here for String Quartet. This “Rag Time†style piece with its emotional rubato sections is fun to both play and listen. This is an advanced intermediate to easy advanced transcription. Playing time: 2:50. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Preview this score on YouTube: https://www.youtube.com/watch?v=W7iXT7N9-PQ
$10.50 ≈
$14.17
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