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Be Thou My Vision for Flute and Alto Flute
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You've selected:
Be Thou My Vision for Flute and Alto Flute
Sheetmusic to print
23 sheet music found
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1
Be Thou My Vision for Flute and Alto Flute
Be Thou My Vision for Flute and Alto Flute
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2 Flutes (duet)
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INTERMEDIATE
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Irish Folk Song
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John Jay Hilfiger
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Be Thou My Vision for Flute an
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John Jay Hilfiger
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.737067 Composed by Irish Folk Song. Arranged by John Jay Hilfiger. Christian,Holiday,Sacred,Standar...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.737067 Composed by Irish Folk Song. Arranged by John Jay Hilfiger. Christian,Holiday,Sacred,Standards. Score. 6 pages. John Jay Hilfiger #5330537. Published by John Jay Hilfiger (A0.737067). This is a favorite hymn based on an Irish folk tune, known as Slane. The tune also is connected with other hymn texts, such as Lord of All Hopefulness, and Christ Be My Leader. The arrangement, for flute and alto flute, is suitable for use in worship, as prelude, postlude, or during the offering, or as recital music. About 2 minutes, 10 seconds duration.
$5.00 ≈
$6.75
Be Thou My Vision for Flute and Alto Saxophone Duet
Be Thou My Vision for Flute and Alto Saxophone Duet
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Traditional Irish
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David Burndrett
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Be Thou My Vision for Flute an
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David Burndrett
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SheetMusicPlus
Alto Saxophone,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1458907 Composed by Traditional Irish. Arranged by David Burndrett. Praise & ...
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Alto Saxophone,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1458907 Composed by Traditional Irish. Arranged by David Burndrett. Praise & Worship. 7 pages. David Burndrett #1037843. Published by David Burndrett (A0.1458907). This arrangement is about three standard and upwards.I have tried to keep it simple while making it sound interesting for various standards of playing.Each instrument gets part of the tune.I have added an optional piano part, for if required.Download includes the score and all of the parts.
$4.95 ≈
$6.68
Be Thou My Vision (Trio for Flute, Alto Sax and Piano)
Be Thou My Vision (Trio for Flute, Alto Sax and Piano)
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Flute and Piano
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INTERMEDIATE
#
Celtic/Irish
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Traditional Irish Melody
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John A
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Be Thou My Vision
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.1251312 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christi...
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Alto Saxophone,Flute,Piano - Level 3 - Digital Download SKU: A0.1251312 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Traditional,Wedding. 18 pages. John A. Dempsey #845584. Published by John A. Dempsey (A0.1251312). Arranged as a prayerful, serene trio for flute, alto sax and piano, this beautiful Christian hymn of Irish origin is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music.  Also suitable for wedding music as a prelude, recessional, bridesmaid processional and unity candle accompaniment.  Concert Key: Bb major.  14 pages of music (that includes separate two-page parts for flute and alto sax)                                 Be Thou my vision, O Lord of my heart;           Naught be all else to me, save that Thou art:       Thou my best thought, by day or by night          Waking or sleeping, Thy presence my light.
$11.99 ≈
$16.18
Be Thou My Vision for Flute Choir
Be Thou My Vision for Flute Choir
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Flute ensemble
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EASY
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Traditional Irish
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David Burndrett
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Be Thou My Vision for Flute Ch
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David Burndrett
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1456330 Composed by Traditional Irish. Arranged by David...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1456330 Composed by Traditional Irish. Arranged by David Burndrett. Praise & Worship. 11 pages. David Burndrett #1035409. Published by David Burndrett (A0.1456330). This arrangement is about grade two to three standard upwards.I have tried to keep it simple while making it sound interesting for all standards of playing.Each instrument gets part of the tune. Download includes the score and all of the parts.
$12.95 ≈
$17.48
Be Thou My Vision (for 2 flutes and 1 alto flute)
Be Thou My Vision (for 2 flutes and 1 alto flute)
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2 Flutes (duet)
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EASY
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Traditional
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Sarah Wallin Huff
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Be Thou My Vision
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Novel Soundtrax
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1099387 Composed by Traditional. Arranged by Sarah Wallin Huff. Celtic,Ch...
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Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1099387 Composed by Traditional. Arranged by Sarah Wallin Huff. Celtic,Chamber,Christian,Folk,Irish,Religious. 6 pages. Novel Soundtrax #703274. Published by Novel Soundtrax (A0.1099387). An arrangement of this timeless, religious classic for flute trio, running approximately 3 minutes. Perfect for religious services, recitals, events, and more!
$10.00 ≈
$13.50
America's Favorite Hymns arranged for Wind Instruments
America's Favorite Hymns - Wind Instruments
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Concert band
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Americana
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Various
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America's Favorite Hymns - Win
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick P...
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications
Here?sa new collection of thirty-two of America?s best-loved hymn tunes, at a bargainprice too! The arrangements are intended either as stand-alone pieces thatcould be used as interludes in a service, or they could be used to accompanysolo, choral or congregational singing.
Thepublication consists of a four-staff score in concert pitch together withfifteen separate parts in various transpositions including a simplifiedoptional keyboard part. These four-partarrangements use flexible instrumentation so that you can exercise considerablecontrol over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumentaltone color by omitting groups of instruments. If the ensemble is large enoughyou could omit brass instruments in the quieter sections, or use a solo trumpetagainst a woodwind background. There are endless possibilities.
Thecomplete set includes Part 1 in B flat, E flat and C (high and low pitch); Part2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in Bflat, E flat and C. While Part 1 (high pitch) is suitable for flute and oboebeing an octave above concert, the low pitch version is more suited toelementary players. Part 2 in C is an octave higher than concert. Parts 3 and 4in C are in the bass clef. The arrangements could be played by virtually anycombination of conventional wind instruments. Using the optional keyboard partthey could also be used as solos, duets or trios. The scores and all the parts are containedin a single 244-page PDF file.
The collection includes the followingtitles: A Mighty Fortress IsOur God (Ein? Feste Burg); All Creatures Of our God and King(Lasst uns Erfreuen); All People that on Earth do Dwell (OldHundredth); Abide with Me (Eventide); AllHail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross(Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision(Slane); Blessed Assurance(Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); ComeThou Fount of Every Blessing (Nettleton); ComeWe That Love the Lord (St. Thomas);Crown Him with ManyCrowns (Diademata); Guide Me OThou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy(Nicea); How Firm a Foundation (Foundation); It is Wellwith my Soul (Ville du Havre); Jesus Christ is Risen Today(Easter Hymn);Jesus, Lover of My Soul (Hollingside); JesusPaid it All (All to Christ); Joy to theWorld (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, AllLoves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty(Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River?(Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement);To God Be The Glory(To God be the Glory); There is a Fountain (Cleansing Fountain);What a Friend WeHave in Jesus (Converse) and WhenI Survey the Wondrous Cross (Hamburg).
The audio demo contains the followingtitles (1) Abide with Me; (2) All Hailthe Power of Jesus? Name; (3) A Mighty Fortress is our God and (4) Love Divine,all Loves Excelling.
$23.99 ≈
$32.38
16 Favourite Hymns Vol.1 for Flute and Alto Saxophone Duet
16 Favourite Hymns Vol.1 for Flute and Alto Saxophone Duet
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Flute, Saxophone (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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Various
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David McKeown
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16 Favourite Hymns Vol.1 for F
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.590269 Composed by Various. Arranged by David McKeown. Chri...
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.590269 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 17 pages. David McKeown #6201969. Published by David McKeown (A0.590269). 16 Favourite Hymns Vol.1 for Flute and Alto Saxophone Duet is a beautiful collection of your best-loved traditional hymns. They are arranged simply in the most suitable range and keys for one Flute and one Alto Saxophone.The hymns are in alphabetical order and are as follows· · Abide with Me, (Eventide)· · All People that on Earth do Dwell, (Old 100th)· · All Things Bright and Beautiful, (Bright and Beautiful)· · Amazing Grace, (Old Britain)· · Be Thou MY Vision, (Slane)· · Christ the Lord is Risen Today, (Crosby)· · The Church’s One Foundation, (Aurelia)· · City of God, (Richmond)· · Crown Him with Many Crowns, (Diademata)· · The Day Thou Gavest, (St Clement)· · Dear Lord and Father of Mankind, (Repton)· · Eternal Father Strong to Save, (Melita)· · The God of Love My Shepherd Is, (University)· · Oh God, Our Help in Ages Past, (St Anne)· · Guide Me O Thou Great Jehovah, (Cwm Rhondda)· . Praise My Soul the King of Heaven, (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.40 ≈
$11.34
BE THOU MY VISION - VIOLA SOLO with Piano Accompaniment
BE THOU MY VISION - VIOLA SOLO with Piano Accompaniment
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Viola, Piano
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EASY
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Sacred music
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Traditional Irish Hymn
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Glen Poehlmann
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BE THOU MY VISION - VIOLA SOLO
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arrangements by GPoehlmann
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.807227 Composed by Traditional Irish Hymn. Arranged by Glen Poehlmann. Christian,Sacred. Score and part....
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Piano,Viola - Level 2 - Digital Download SKU: A0.807227 Composed by Traditional Irish Hymn. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 8 pages. Arrangements by GPoehlmann #6664923. Published by arrangements by GPoehlmann (A0.807227). BE THOU MY VISION - VIOLA SOLO with Piano AccompanimentA medium-easy arrangement of the popular hymn. The Piano part is grade 2+. The Viola part is grade 2Hymn Tune: SLANE57 measures. Performance Time approx 2:20. Medium Easy (Grade 2)Key:C. Meter: 3/4. Viola Range (C4=middle C): C3 - D5PDF parts included: Score, Viola, Piano.Other String arrangements of this title:• Violin Solo with Piano (Grade 3+)• Cello Solo with Piano (Grade 2)• Flute & Violin Duet with Piano (Grade 3+)• Violin & Cello Duet (Grade 2)• Cello Duet with Piano (Grade 2+)• Cello Duet with Piano (Grade 3+)• Cello Solo with Piano (Grade 3+).
$5.00 ≈
$6.75
Be Thou My Vision
Be Thou My Vision
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Chamber Orchestra
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EASY
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Celtic/Irish
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Tra...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00 ≈
$101.22
Be Thou My Vision, for Recorder Duet
Be Thou My Vision, for Recorder Duet
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2 Recorders (duet)
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INTERMEDIATE
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Sacred music
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Traditional Irish Melody
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Cindy Blevins
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Be Thou My Vision, for Recorde
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Cindy Blevins
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SheetMusicPlus
Recorder Duet Alto Recorder,Soprano Recorder - Level 3 - Digital Download SKU: A0.1453104 Composed by Traditional Irish Melody. Arranged by Cindy Blevins...
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Recorder Duet Alto Recorder,Soprano Recorder - Level 3 - Digital Download SKU: A0.1453104 Composed by Traditional Irish Melody. Arranged by Cindy Blevins. Christian,Praise & Worship,Sacred. Score. 5 pages. Cindy Blevins #1032339. Published by Cindy Blevins (A0.1453104). This is a beautiful, playable arrangement for flute and oboe duet. You receive the score and the separate parts. You can use soprano, alto or tenor recorder, or any combination.
$4.99 ≈
$6.73
Be Thou My Vision - Jazz Inspired Solo for Woodwind
Be Thou My Vision - Jazz Inspired Solo for Woodwind
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Celtic/Irish
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Traditional Irish Melody
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Edna J
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Be Thou My Vision - Jazz Inspi
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Bloom Musicnotes
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.8361...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.836183 Composed by Traditional Irish Melody. Arranged by Edna J. Bloom & Evelyn E. Bloom. Christian,Jazz,Sacred. Score and parts. 2 pages. Bloom Musicnotes #4337709. Published by Bloom Musicnotes (A0.836183). Clocking in just under one minute, this jazz-inspired Be Thou My Vision arrangement swings through the melody twice: once in the lower realms and again in higher notes. Each encounter with the melody employes its unique bend. This is a stand-alone arrangement, allowing for plenty of interpretative freedom and versatility; it is especially useful for outdoor settings. SKILLS: articulations, triplets, syncopation, swing style, wide pitch range
$3.00 ≈
$4.05
Be Thou My Vision | A Medley of Irish Hymns for Woodwind Ensemble and Piano
Be Thou My Vision | A Medley of Irish Hymns for Woodwind Ensemble and Piano
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Michael Ware
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Michael Ware
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Be Thou My Vision | A Medley o
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Michael Ware Music
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1468036 By Michael Ware. By Traditional. Arranged ...
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Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1468036 By Michael Ware. By Traditional. Arranged by Michael Ware. Celtic,Irish,Multicultural,Religious,Sacred,Traditional,World. 27 pages. Michael Ware Music #1046345. Published by Michael Ware Music (A0.1468036). So many great Irish hymn tunes have made their way into the church’s musical repertoire. Michael Ware has crafted a lush medley of three of these tunes for woodwind ensemble and piano. The melodies include: Be Thou My Vision, The King of Love My Shepherd Is, and Morning Has Broken. This accessible arrangement works well for a prelude or offertory in worship and is a great opportunity to feature your woodwind musicians. InstrumentationFlute 1Flute 2 / OboeClarinet 1 in BbClarinet 2 in BbBassoon Substitute PartsAlto Sax in Eb (sub. Clarinet 2)Bass Clarinet in Bb (sub. Bassoon).
$15.00 ≈
$20.24
Be Thou My Vision / Flute & Piano Quintet
Be Thou My Vision / Flute & Piano Quintet
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Celtic/Irish
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Traditional Irish Melody
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Hyunsung Essie Lee
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$12.90 
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Be Thou My Vision / Flute & Pi
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Hyunsung Essie Lee
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.874694 Composed by Traditional Irish Melody. Arranged by Hyunsung Essi...
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Small Ensemble Cello,Flute,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.874694 Composed by Traditional Irish Melody. Arranged by Hyunsung Essie Lee. Christian,Concert,Gospel,Sacred,Spiritual. Score and parts. 27 pages. Hyunsung Essie Lee #4736693. Published by Hyunsung Essie Lee (A0.874694). Arranged for Professional Performers $12.90 → $9.99 This offer is for a limited period only.Flute (Alto & C) , Violin 1, Violin 2, Viola, Cello and Piano.Full Score and Parts
$9.99 ≈
$13.48
Be Thou My Vision
Be Thou My Vision
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
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Adam Judd
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Be Thou My Vision
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Adam Judd
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SheetMusicPlus
Small Ensemble Flute,Horn,Low Voice,Medium Voice,Violin - Level 3 - Digital Download SKU: A0.958117 Composed by Traditional Irish. Arranged by Adam Judd....
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Small Ensemble Flute,Horn,Low Voice,Medium Voice,Violin - Level 3 - Digital Download SKU: A0.958117 Composed by Traditional Irish. Arranged by Adam Judd. Celtic,Christian,Folk,Holiday,Sacred. Score and parts. 15 pages. Adam Judd #3060805. Published by Adam Judd (A0.958117). This arrangement evokes the Irish flavor of the hymn tune Slane through countermelodies in the Flute and Violin parts. It is appropriate for general use during church services. The vocals can be performed by alto and baritone soloists or by a two-part choir.
$5.00 ≈
$6.75
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$32.38
50 Favorite Hymns for Solo and Duet Instruments--Tuba
50 Favorite Hymns for Solo and Duet Instruments--Tuba
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Tuba
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Sacred music
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Gospel/Spiritual
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Chris Cooke
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50 Favorite Hymns for Solo and
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Chris Cooke
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SheetMusicPlus
Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #36...
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Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97 ≈
$10.76
16 Favourite Hymns Vol.1 for Alto Flute and Piano
16 Favourite Hymns Vol.1 for Alto Flute and Piano
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Sacred music
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Various
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David McKeown
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16 Favourite Hymns Vol.1 for A
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.590302 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & ...
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Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.590302 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and individual part. 28 pages. David McKeown #6203803. Published by David McKeown (A0.590302). 16 Favourite Hymns Vol.1 for solo Alto Flute is a collection of popular traditional hymns. They are simply arranged in easy keys for Alto Flute with separate piano accompaniment and chord symbols provided in the same file. The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou MY Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· Oh God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60 ≈
$10.26
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