All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The Frozen Pond
Piano & keyboards
Easy Piano
2
Piano, Voice
1
Guitars
Voice
Choral SATB
1
Choral TTBB
1
Woodwind
2 Flutes (duet)
1
Woodbrass
Strings
Harp
4
2 Harps (duet)
1
String Quartet: 2 violins, viola, cello
1
Percussion & orchestra
Piano and Orchestra
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
FREE SHEET MUSIC
188,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
The Frozen Pond
Sheetmusic to print
13 sheet music found
<
1
I Don't LIke Winter and Other Songs to Celebrate the Winter Season
I Don't LIke Winter and Other Songs to Celebrate the Winter Season
#
Piano, Voice
#
EASY
#
Tiffany Prochera
#
Tiffany Prochera
#
I Don't LIke Winter and Other
#
Swimming Tigress Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496482 Composed by Tiffany Prochera. Arranged by Tiffany Prochera. Children,Christmas,Holiday. Sc...
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496482 Composed by Tiffany Prochera. Arranged by Tiffany Prochera. Children,Christmas,Holiday. Score. 79 pages. Swimming Tigress Music #1073003. Published by Swimming Tigress Music (A0.1496482). I Don't Like Winter and Other Songs to Celebrate the Winter Season is a collection of 11 songs for young singers filled with tunes about all aspects of the winter season - from skating alone on the pond in the backyard, picking out presents for siblings, spending time with the family, embracing the cold, wanting to escape the cold, going to visit Santa for the first time, and being so enthusiastic to celebrate all of the special days that happen at this time of year!This collection was inspired by a voice teacher friend of mine - serendipitously also named Tiffany :-) - who was looking for songs about the season that were non-traditional and relatable to a wider range of singers. It's my pleasure to offer up some options!I had so much fun writing these songs and I hope students, teachers, and audiences alike enjoy them just as much! May you laugh as you state your case to go on a winter vacation. May you cry at the idea of wearing a special hat made with a grandmother's love. May you be left breathless with joy as you glide on a frozen pond with no one else around. In addition to all of these brand-spankin' new tunes, I also included the previously-released Everyone's a Kid at Christmas because, well, it's a hoot!These are crowd pleasers perfect for holiday recitals, and some can be performed in a group as well as solos.A note for teachers: These songs do have varying ranges. I, for the most part, notated them as I conceived of them. But I did my best to provide alternate pitches in case the melody goes a little high or a little low. So, I invite to you peruse a song in it's entirety and see where there may be options even if the designated range may seem a little wide. It is my intention to make these songs as accessible to as many singers as possible.
$19.99 ≈
$27.10
On Frozen Pond, original solo for Lap Harp
On Frozen Pond, original solo for Lap Harp
#
Harp
#
EASY
#
New Age
#
Contemporary
#
Cindy Blevins
#
On Frozen Pond, original solo
#
Cindy Blevins
#
SheetMusicPlus
Instrumental Solo,Lap Harp - Level 2 - Digital Download SKU: A0.541988 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 3 pages. Cindy B...
(+)
Instrumental Solo,Lap Harp - Level 2 - Digital Download SKU: A0.541988 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 3 pages. Cindy Blevins #3141753. Published by Cindy Blevins (A0.541988). This original two-page song is from my harp book Lap Harp Compendium, which contains 108 pages of beautiful original lap harp solos, in the approximate range of easy to late intermediate. There are 56 songs in the book. You need a harp with C below middle C and 24-26 strings to play this book. Of course, larger harps can play too!
$3.99 ≈
$5.41
On Frozen Pond, Harp and Orchestra
On Frozen Pond, Harp and Orchestra
#
Harp
#
New Age
#
Contemporary
#
Cindy Blevins
#
Cindy Blevins
#
On Frozen Pond, Harp and Orche
#
Cindy Blevins
#
SheetMusicPlus
Harp - Digital Download SKU: A0.1059202 Composed by Cindy Blevins. Arranged by Cindy Blevins. Christmas,Contemporary,New Age. Full Performance. Duration ...
(+)
Harp - Digital Download SKU: A0.1059202 Composed by Cindy Blevins. Arranged by Cindy Blevins. Christmas,Contemporary,New Age. Full Performance. Duration 176. Cindy Blevins #3372441. Published by Cindy Blevins (A0.1059202). A treat for your ears. Length: 2:56. I recorded this on my Blevins harp, and used sampled instruments for the orchestra. This arrangement is not available in print, it is for your listening enjoyment.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$1.99 ≈
$2.70
The Ice Skaters
The Ice Skaters
#
Easy Piano
#
EASY
#
Jon O'Bergh
#
The Ice Skaters
#
Jon O'Bergh
#
SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.973174 Composed by Jon O'Bergh. 20th Century,Jazz,Pop. Score. 3 pages. Jon O'Bergh #4580611. Published by...
(+)
Easy Piano - Level 2 - Digital Download SKU: A0.973174 Composed by Jon O'Bergh. 20th Century,Jazz,Pop. Score. 3 pages. Jon O'Bergh #4580611. Published by Jon O'Bergh (A0.973174). Ice skaters gliding around a frozen pond as flurries tumble from the clouds. This easy solo piano piece will put you in the right mood on a winter day with hints of smooth jazz and impressionism. From the album Winter Moods by Jon O'Bergh, available from iTunes, Amazon, Spotify, etc. BMI.
$1.99 ≈
$2.70
On Frozen Pond, Lap Harp Duet
On Frozen Pond, Lap Harp Duet
#
2 Harps (duet)
#
EASY
#
Film/TV
#
Cindy Blevins
#
On Frozen Pond, Lap Harp Duet
#
Cindy Blevins
#
SheetMusicPlus
Lap Harp Duet - Early Intermediate - Digital Download Composed by Cindy Blevins. Contemporary Classical, New Age. Sheet Music Single. 8 pages. Publis...
(+)
Lap Harp Duet - Early Intermediate - Digital Download Composed by Cindy Blevins. Contemporary Classical, New Age. Sheet Music Single. 8 pages. Published by Cindy Blevins
This is an original lap harp duet. The download includes the score, the Harp I part and the Harp II part. The harp parts are two pages each. You need C below Middle C and 24-26 strings to play this duet. The audio sample was digitally produced.
$4.99 ≈
$6.76
The Frozen Pond
The Frozen Pond
#
2 Flutes (duet)
#
EASY
#
Contemporary
#
Eric Bingham-Kumpf
#
The Frozen Pond
#
Eric Bingham-Kumpf
#
SheetMusicPlus
Flute Duet Flute - Level 2 - Digital Download SKU: A0.703734 Composed by Eric Bingham-Kumpf. Contemporary. Score. 8 pages. Eric Bingham-Kumpf #5020941. P...
(+)
Flute Duet Flute - Level 2 - Digital Download SKU: A0.703734 Composed by Eric Bingham-Kumpf. Contemporary. Score. 8 pages. Eric Bingham-Kumpf #5020941. Published by Eric Bingham-Kumpf (A0.703734).
$7.00 ≈
$9.49
Concerto
Concerto
#
Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
$32.52
Into The Unknown
Into The Unknown
#
Choral SATB
#
INTERMEDIATE
#
Walt Disney
#
Panic! At the Disco
#
Annie Roberts and Keith McCaul
#
Into The Unknown
#
Cantus Youth Choirs Publishing
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1333732 By Panic! At the Disco. By Kristen Anderson-Lopez and Robert Lopez. Arrang...
(+)
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1333732 By Panic! At the Disco. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Annie Roberts and Keith McCauley. Broadway,Film/TV,Musical/Show. 12 pages. Cantus Youth Choirs Publishing #920029. Published by Cantus Youth Choirs Publishing (A0.1333732). Cantus Youth Choirs presents Into the Unknown (the Panic! At the Disco version) from Walt Disney's FROZEN 2. This version is featured in the closing credits of the film, and focuses on Elsa's struggle to stay home, safe, with her loved ones, or to venture out into the unknown to respond to the siren call of her family's mysterious past! For contemporary a cappella ensemble with Elsa, The Voice, SATB divisi, vocal bass, and vocal percussion.
$2.12 ≈
$2.87
Skating, from Winter Carols (String Quartet No 1)
Skating, from Winter Carols (String Quartet No 1)
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE/ADVANCED
#
James Nathaniel Holland
#
Skating, from Winter Carols
#
James Nathaniel Holland
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.730189 Composed by James Nathaniel Holland. Christmas,Contemporary. 20 pages. James Na...
(+)
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.730189 Composed by James Nathaniel Holland. Christmas,Contemporary. 20 pages. James Nathaniel Holland #1920405. Published by James Nathaniel Holland (A0.730189). Movement 1 only from James Nathaniel Holland's String Quartet No 1. The music drifts like snowflakes and creates a feel of cold, chilly breezes of an afternoon on a frozen pond, skating. Lovely piece for your winter concert.
$8.75 ≈
$11.86
Winter
Winter
#
Choral TTBB
#
INTERMEDIATE
#
Music by Lisa Brigantino and W
#
Winter
#
Brigmusic
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1314377 Composed by Music by Lisa Brigantino and Words by Louisa May Alcott. A Cappella,C...
(+)
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1314377 Composed by Music by Lisa Brigantino and Words by Louisa May Alcott. A Cappella,Christmas,Holiday. 7 pages. Brigmusic #903109. Published by Brigmusic (A0.1314377). Winter is a seasonal, secular, a cappella piece for men's choir (TTBB). Suitable for high school on up. Click HERE for a link to a scrolling score with MIDI voices. Winter - words by Louisa May AlcottThe stormy winter's come at last,With snow and rain and bitter blast;Ponds and brooks are frozen o'er,We cannot sail there any more. The little birds are flown awayTo warmer climes than ours;They'll come no more till gentle MayCalls them back with flowers. Oh, then the darling birds will singFrom their neat nests in the trees.All creatures wake to welcome Spring,And flowers dance in the breeze. With patience wait till winter is o'er,And all lovely things return;Of every season try the moreSome knowledge or virtue to learn.
$2.00 ≈
$2.71
Christmas Time Is Here (from 'A Charlie Brown Christmas') INTERMEDIATE
Christmas Time Is Here (from 'A Charlie Brown Christmas') INTERMEDIATE
#
Easy Piano
#
EASY
#
Christmas
#
Vince Guaraldi
#
Christmas Time Is Here
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano/Vocal/Chords, Voice, Soprano Voice - Early Intermediate - Digital Download By Vince Guaraldi. Arranged by Flavio Regis Cunha. Score. 7 pages. P...
(+)
Piano/Vocal/Chords, Voice, Soprano Voice - Early Intermediate - Digital Download By Vince Guaraldi. Arranged by Flavio Regis Cunha. Score. 7 pages. Published by Flavio Regis Cunha
"Christmas Time is Here" is the opening song from A Charlie Brown Christmas, written by Lee Mendelson and composer Vince Guaraldi. Sung by the choir of St. Paul's Episcopal Church, it is heard as Charlie Brown and Linus join the rest of the Peanuts gang in ice-skating at the frozen pond. Two versions of the song appear on the special's soundtrack album - the vocal version as heard in the special, and a six-minute instrumental version which appears as background music during the special. The instrumental version was later used, re-arranged by David Benoit, in It's Christmastime Again, Charlie Brown and I Want a Dog for Christmas, Charlie Brown.
In Charlie Brown's Christmas Tales, Snoopy switches to playing this song on the accordion, with Woodstock whistling in unison, after Lucy points out (while walking by with Linus) that his first choice, "Oh! Susanna", does not sound like something to play at Christmastime. In The Peanuts Movie, the children are briefly heard caroling this song when Snoopy, fantasizing that he is the World War I Flying Ace, sneaks in amongst the group. In It's Your 50th Christmas, Charlie Brown, Sarah McLachlan performs the song, accompanied by the All-American Boys Chorus.
$4.99 ≈
$6.76
<
1