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H.I.M.
Not classified 64

Piano & keyboards
Piano solo 53
Piano, Voice 43
Easy Piano 13
Piano, Vocal and Guitar 12
Piano Accompaniment 7

1 Piano, 4 hands 4
C Instruments 4
2 Pianos, 4 hands 2
Organ 2
Accordion 2
2 Pianos, 8 hands 1
Big Note Piano 1
Piano Trio: piano, violin, cello 1

+ 8 instrumentations

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Guitars
Guitar notes and tablatures 41
Melody line, (Lyrics) and Chords 16
Lyrics and Chords 4
Guitar 3
Bass guitar 1

2 Guitars (duet) 1

+ 1 instrumentations

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Voice
Choral SATB 21
Choral 2-part 4
Choral 3-part 4
Choral Unison 1
Vocal duet, Piano 1

Soprano voice, Piano 1
Choral TTBB 1

+ 2 instrumentations

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Woodwind
Clarinet 5
Flute 5
Alto Saxophone 5
Tenor Saxophone 4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4

Flute, Oboe, Clarinet, Bassoon 3
2 Saxophones (duet) 3
Clarinet and Piano 2
Flute and Piano 2
Flute, Violin 1
Oboe, Bassoon (duet) 1
Oboe, Piano (duet) 1
Recorder Quartet 1
Clarinet, Cello (duet) 1
Oboe (band part) 1
Alto Saxophone and Piano 1
Saxophone (band part) 1
Clarinet, Violin (duet) 1
Clarinet Quartet: 4 clarinets 1
Descant (Soprano) Recorder 1
Oboe, Cello 1
Tenor Saxophone and Piano 1
Clarinet Ensemble 1
2 Clarinets (duet) 1
Flute (band part) 1

+ 20 instrumentations

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Woodbrass
Trumpet 5
French horn 3
Trombone 3
Brass Quintet: 2 trumpets, horn, trombone, tuba 2

Trombone and Piano 1

French Horn and Piano 1
Brass Quartet: 4 trombones 1

+ 2 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 11
Violin 11
Cello 5
Cello, Piano 4
Violin and Piano 4

Viola 3
2 Violins (duet) 3
Violin, Cello (duet) 3
2 Violas (duet) 2
Viola, Piano 2
2 Cellos (duet) 2
String Trio: violin, viola, cello 2
String Quintet: 2 violins, viola, cello, bass 1
Viola, Cello (duet) 1
Cello, Organ 1
2 Violins, Piano 1
4 Cellos 1

+ 12 instrumentations

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Percussion & orchestra
Chamber Orchestra 3
Jazz Ensemble 3
Orchestra 3
Percussion (band part) 2
Marimba 1

Concert band 1
Jazz combo 1

+ 2 instrumentations

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H.I.M.

Brass Quintet: 2 trumpets, horn, trombone, tuba

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2 sheet music found

Higher Ground ("I'm pressing on the upward way") — brass quintet

Higher Ground ("I'm pressing on the upward way") — brass quintet #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE #Sacred music #Charles H #Todd Marchand #Higher Ground #Con Spirito Music #SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Cen...(+)

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life. Â Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken?Â The opening line of Oatmanâ€™s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: â€œForgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.â€ Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals.Â Â©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com

$15.00 ≈ ¥106.44

Dimension Traveler, Op. 150

Dimension Traveler, Op. 150 #Brass Quintet: 2 trumpets, horn, trombone, tuba #INTERMEDIATE/ADVANCED #Dr #A to B is parallel to J-K #Dimension Traveler, Op. 150 #https://gildedmusicpress.com/ #SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://g...(+)

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024. When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.” Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed. With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77. The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G. Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F. Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142. Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée. There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions. Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism. Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre. Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba. Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets. However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.

$24.95 ≈ ¥177.05