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1
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Jacques Offenbach
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he died in Paris on 5
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Fantaisie facile sur l’Opér
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and R...
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291). English • German.Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).
$3.99 ≈
¥28.00
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
¥55.80
Fantasy on “Hansel and Gretel”
Fantasy on “Hansel and Gretel”
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Berthold Tours
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Fantasy on “Hansel and Grete
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53350 Composed by Berthold Tours. Edited by Wolfgang Birtel. This edition: Sheet ...
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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53350 Composed by Berthold Tours. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 18 pages. Schott Music - Digital #Q53350. Published by Schott Music - Digital (S9.Q53350). English • German.The same procedure was followed by Berthold Tours, who worked melodies from the fairytale opera Hansel and Gretel by Engelbert Humperdinck into a colourful Fantasy featuring tunes such as “Ein Männlein steht im Walde†(‘A man stands in the forest’) or the “Knusperwalzer†(‘Gingerbread Waltz’). Tours was a Dutch-English violinist, composer and editor who studied at conservatoires in Brussels and Leipzig. After spending some time in Russia, he moved to London in 1861 and remained here for the rest of his life. In London he worked as a violinist, violin teacher, organist and composer – and latterly also in a music publishing house. His work as a composer is broad in scope. This Humperdinck Fantasy is an imaginative example of the virtually endless supply of variations composed on popular operatic melodies in the 19th Century. Plate no. 25821, published in 189.
$4.99 ≈
¥35.02
Flute Sonata
Flute Sonata
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Flute and Piano
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INTERMEDIATE
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William Milner
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Flute Sonata
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Carolyn A Williams
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1031342 Composed by William Milner. 20th Century,Concert,Contemporary. Score and part. 24 pages. Carolyn...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1031342 Composed by William Milner. 20th Century,Concert,Contemporary. Score and part. 24 pages. Carolyn A Williams #3116293. Published by Carolyn A Williams (A0.1031342). With his Flute Sonata, Dr. Milner has written something unique, a contemporary piece that is beautifully lyrical and accessible - ideal for flute. Written for his Daughter-in-Law in 2003, this Sonata is perfect for intermediate to advanced flute players. The second movement, Siciliana, also works well as a stand-alone recital piece and can be played either on Alto Flute as written or on C-flute. This sonata is a great addition to the collection of flute performance pieces. William Milner holds the degree of D.M.A. in Composition from the Peabody Conservatory of Music. Composition teachers include Nadia Boulanger. He taught music in Baltimore City Schools and later served as Assistant Supervisor of Music. In 1983, Dr. Milner retired as professor and chairman of the music department of the Community College of Baltimore. His compositional output includes the New Century March for symphonic band, Sonata for Two Cellos and Piano, Sonata for Flute, Fantasy on Jewish themes for viola and piano, and the opera Sweet River, composed for the Nation’s bicentennial celebration in 1976. .
$12.99 ≈
¥91.17
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C M Opera advanced
