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John Cates
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44 sheet music found
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1
26
Can You Feel The Love Tonight - String Trio (2 Violins & Cello) - Elton John/Tim Rice arr. Cellobat
Can You Feel The Love Tonight - String Trio (2 Violins & Cello) - Elton John/Tim Rice arr. Cellobat
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String Trio: 2 violins, cello
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INTERMEDIATE/ADVANCED
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Walt Disney
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Elton John, Tim Rice
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Sarah Cellobat Chaffee
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Can You Feel The Love Tonight
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Sarah Chaffee
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SheetMusicPlus
String Trio, Violin 1, Violin 2, Cello - Advanced Intermediate - Digital Download By Elton John, Tim Rice. Arranged by Sarah Cellobat Chaffee. Score,...
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String Trio, Violin 1, Violin 2, Cello - Advanced Intermediate - Digital Download By Elton John, Tim Rice. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 10 pages. Published by Sarah Chaffee
"Can You Feel The Love Tonight" was originally written for the Disney animated film The Lion King in 1994. Composed by Elton John with lyrics by Tim Rice, the song ended up reaching the top 5 on the Billboard charts and won an Academy Award for Best Original Song. Now a universally beloved classic, this song is requested often for events and is a must-have for your gig books! Originally commissioned for a wedding ceremony, this Cellobat chart for two-violin and cello trio is a beautiful string rendition of this popular song, with soaring vocal lines, beautiful harmonies and countermelodies, and a fun tremolo intro that duplicates the feel of the original movie version. I promise it's just as much fun to play as it is to listen to! This will be learnable for students and sightreadable for professionals -- rated advanced-intermediate for some tricky rhythms.
$14.99 ≈
¥108.93
Spring Waltz
Spring Waltz
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John Cates
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Spring Waltz
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John Cates
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1040363 Composed by John Cates. Classical,Jazz. Score and parts. 17 pages. John Cates #645149...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1040363 Composed by John Cates. Classical,Jazz. Score and parts. 17 pages. John Cates #645149. Published by John Cates (A0.1040363). A short spring-themed waltz with heavy jazz inspirations.
$7.99 ≈
¥58.06
Spring Waltz
Spring Waltz
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John Cates
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Spring Waltz
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John Cates
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.779738 Composed by John Cates. Classical,Jazz. Score and parts. 17 pages. John Cates #387227....
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.779738 Composed by John Cates. Classical,Jazz. Score and parts. 17 pages. John Cates #387227. Published by John Cates (A0.779738). For classical guitar quartet. (Guitar 4 switches to bass later on). Spring Waltz is a very expressive waltz with some complex harmony. Features variations/reharmonizations on the main melody, multiple modulations, and one key change. Difficulty is intermediate with all individual parts being mostly monophonic. Heavy jazz inspiration in the harmony. Chords are not in the individual parts but are included in the full score for reference or even possible reinterpretations.
$7.99 ≈
¥58.06
Moonglow
Moonglow
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Piano, Voice
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INTERMEDIATE
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Contemporary
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George Cates
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Dave Gingras, John E
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Moonglow
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794078 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Dave Gingras...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794078 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 2 pages. DAVID LEE GINGRAS #6096461. Published by DAVID LEE GINGRAS (A0.794078). Moonglow, also known as Moonglow and Love is a 1933 popular song. The music was by Will Hudson (1908–1981) and Irving Mills and the words were by Eddie DeLange. This version features a root-based chord-blocking technique that John and I have used in a number of our arrangements. We also added some left-hand fills to make it a little more interesting and fun to play. We hope you like it!
$4.99 ≈
¥36.26
Alive
Alive
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Guitar notes and tablatures
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INTERMEDIATE
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Pop music
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Melissa O'neil
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David Lartey
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Alive
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David Lartey
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1234357 By Melissa O'neil. By Aaron Benward, Celica Westbrook, Daniel John Muckala, Dennis Matkosky, Jess Cla...
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Guitar - Level 3 - Digital Download SKU: A0.1234357 By Melissa O'neil. By Aaron Benward, Celica Westbrook, Daniel John Muckala, Dennis Matkosky, Jess Clayton Cates, Lindy Robbins, Rob Wells, and Robert Wells. Arranged by David Lartey. Pop. Guitar Tab. 4 pages. David Lartey #829904. Published by David Lartey (A0.1234357).
$9.25 ≈
¥67.22
When October Goes (with Autumn Leaves)
When October Goes (with Autumn Leaves)
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Choral 3-part
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Jazz
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Steve Allen and George Cates,
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Paul Langford
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When October Goes
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Hal Leonard - Digital
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SheetMusicPlus
(SSA) - Digital Download By Steve Allen and George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Langfor...
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(SSA) - Digital Download By Steve Allen and George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Langford. Choral. Standards. Choral. 15 pages. Published by Hal Leonard - Digital
$2.25 ≈
¥16.35
When October Goes (with Autumn Leaves)
When October Goes (with Autumn Leaves)
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Choral TTBB
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Jazz
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Steve Allen and George Cates,
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Paul Langford
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When October Goes
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Hal Leonard - Digital
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SheetMusicPlus
(TTBB) - Digital Download By Steve Allen and George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Langfo...
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(TTBB) - Digital Download By Steve Allen and George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Langford. Choral. Standards. Choral. 15 pages. Published by Hal Leonard - Digital
$2.25 ≈
¥16.35
Autumn Leaves
Autumn Leaves
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Easy Piano
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EASY
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Roger Williams, Mitch Miller,
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Pop
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Autumn Leaves
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Roger Williams, Mitch Miller, and Steve Allen and George Cates. By Johnny Mercer. For easy piano. Jazz; Pop; Standards. 2 pages. Published by Hal Leonard - D...
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By Roger Williams, Mitch Miller, and Steve Allen and George Cates. By Johnny Mercer. For easy piano. Jazz; Pop; Standards. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99 ≈
¥28.99
Autumn Leaves
Autumn Leaves
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Johnny Mercer, Roger Williams,
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Laurence Juber
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Pop
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Autumn Leaves
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johnny Mercer, Roger Williams, Mitch Miller, and Steve Allen and George Cates. Arranged by Laurence Juber. For Guitar Solo. French; Pop; Standards. Guitar So...
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By Johnny Mercer, Roger Williams, Mitch Miller, and Steve Allen and George Cates. Arranged by Laurence Juber. For Guitar Solo. French; Pop; Standards. Guitar Solo. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
¥36.26
Autumn Leaves
Autumn Leaves
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Choral 3-part
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Johnny Mercer, Mitch Miller, R
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Paris Rutherford
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Autumn Leaves
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice (SSA) - Digital Download SKU: HX.407438 By Johnny Mercer, Mitch Miller, Roger Williams, and Steve Allen & George Cates. Arrange...
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Choral Choir,Choral,Voice (SSA) - Digital Download SKU: HX.407438 By Johnny Mercer, Mitch Miller, Roger Williams, and Steve Allen & George Cates. Arranged by Paris Rutherford. This edition: scorch. Jazz,Pop,Standards. 13 pages. Duration 185. Hal Leonard - Digital #47880. Published by Hal Leonard - Digital (HX.407438).
$2.75 ≈
¥19.98
When October Goes (with Autumn Leaves)
When October Goes (with Autumn Leaves)
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Choral 3-part
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INTERMEDIATE
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Jazz
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Steve Allen & George Cates
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Paul Langford
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When October Goes
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Hal Leonard - Digital
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SheetMusicPlus
(SAB) - Digital Download By Steve Allen & George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Lang...
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(SAB) - Digital Download By Steve Allen & George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Langford. Choral. Standards. Choral. 15 pages. Published by Hal Leonard - Digital
$2.75 ≈
¥19.98
When October Goes (with Autumn Leaves)
When October Goes (with Autumn Leaves)
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Choral SATB
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Jazz
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Steve Allen & George Cates
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Paul Langford
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When October Goes
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Hal Leonard - Digital
#
SheetMusicPlus
(SATB) - Digital Download By Steve Allen & George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Lan...
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(SATB) - Digital Download By Steve Allen & George Cates, Barry Manilow, Roger Williams, Johnny Mercer, Mitch Miller, and Joseph Kosma. Arranged by Paul Langford. Choral. Standards. Choral. 15 pages. Published by Hal Leonard - Digital
$2.75 ≈
¥19.98
You Can Close Your Eyes
You Can Close Your Eyes
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Guitar notes and tablatures
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INTERMEDIATE
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Mur...
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Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99 ≈
¥43.53
You Can Close Your Eyes
You Can Close Your Eyes
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Guitar notes and tablatures
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Rock
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James Taylor
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John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #57929...
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Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99 ≈
¥50.80
You Can Close Your Eyes
You Can Close Your Eyes
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Guitar notes and tablatures
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EASY
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Mur...
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Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99 ≈
¥43.53
You're Blue? Me Too!
You're Blue? Me Too!
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Piano solo
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INTERMEDIATE/ADVANCED
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Martycli Piano Guy
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Martyn Clive Johnson
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You're Blue? Me Too!
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1311573 By Martycli Piano Guy. By Martyn Clive Johnson. Arranged by Martyn Clive Johnson. 20th Century,Bl...
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Piano Solo - Level 4 - Digital Download SKU: A0.1311573 By Martycli Piano Guy. By Martyn Clive Johnson. Arranged by Martyn Clive Johnson. 20th Century,Blues,Comedy,Instructional,Jazz. Score. 8 pages. Martyn Johnson #900580. Published by Martyn Johnson (A0.1311573). This is a Blues/Boogie Woogie Piano piece. It's a fun piece with loads of blues riffs running into each other. I wrote it as a sort of etude to collate a lot of blues licks and get them all under my fingers but it is still quite a catchy composition with strong melodic content.There is a key change somewhere in the middle from C to Db which perhaps complicates it a little but I think it gives it a real lift and stops any blues fatigue setting in!It's a fun piece which I hope you enjoy learning and playing.NB. Please note the sheet music is a piano solo and doesn't include notation for the other instruments, bass, drums etc that feature in my YouTube video. It was written as a piano solo, however, and sounds great when played as such.
$3.99 ≈
¥28.99
Stomp
Stomp
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Piano solo
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ADVANCED
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Brothers Johnson
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Steve Burks
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Stomp
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Steven L. Burks
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1368411 By Brothers Johnson. By George Henry Johnson, Louis E. Johnson, Rod Temperton, and Valerie Johnso...
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Piano Solo - Level 5 - Digital Download SKU: A0.1368411 By Brothers Johnson. By George Henry Johnson, Louis E. Johnson, Rod Temperton, and Valerie Johnson. Arranged by Steve Burks. Disco,Funk,R & B,Soul. Score. 5 pages. Steven L. Burks #952758. Published by Steven L. Burks (A0.1368411). This advanced arrangement of the energetic R&B classic can be programmed for advanced piano students' concerts and recitals, as a change of pace from standard piano literature.This arrangement seeks to emulate the recording, implying horn lines, string lines, vocal lines, and so forth. The 8va designation that appears beneath the bass clef indicates that the bass line should be played an octave lower (sometimes marked on scores as 8vb).It is essential to listen to the original recording in order to make sense of what might otherwise seem odd considered in light of traditional voice-leading practice.The duration of this abbreviated arrangement is approximately 2:53.I am a member of ASCAP. You may email me at steve@steveburksmusic. Thanks for considering my arrangement.
$4.99 ≈
¥36.26
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95 ≈
¥479.25
Bread of Heaven
Bread of Heaven
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Choral SATB
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EASY
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Karen Marrolli
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Bread of Heaven
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and Piano - Moderately Easy - Digital Download SKU: MQ.50-5126-E Composed by Karen Marrolli. World Communion Sunday. 7 pages. MorningStar Musi...
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SATB choir and Piano - Moderately Easy - Digital Download SKU: MQ.50-5126-E Composed by Karen Marrolli. World Communion Sunday. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-5126-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5126-E). English. John 6:33.An obvious choice as a communion anthem, this takes the broader use of the word Bread from John 6:33 and advocates for peace, justice, and unity. The E minor tonality is somber yet hopeful, the piano accompaniment simple but supportive.
$2.25 ≈
¥16.35
Our Flirtations
Our Flirtations
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Concert band
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INTERMEDIATE/ADVANCED
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts...
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Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99 ≈
¥108.93
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John Cates
