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Let the Children Come
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Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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String Orchestra
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INTERMEDIATE
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Patriotic
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?
If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.
The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score....
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
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Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
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Contemporary
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Po
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Novel Soundtrax
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 ...
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00 ≈
¥108.77
Gathering - an original hymn for SATB voices
Gathering - an original hymn for SATB voices
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Voice solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Gathering - an original hymn f
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Ke...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701527 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3224905. Published by Kevin G. Pace (A0.701527). An original hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/c9lVXglYbCoTeaching His children, Jesus spoke softly, Gathering all of His followers there. He taught the kingdom of God on this earth Was as man sewing good seeds in fields with great care. Then, while sleeping at night, an enemy came And sowed the tares among the wheat in shame. Soon when the wheat grew, showing great promise, Tares also covered the space all around. Knowing the young roots were tender and new, Then the man, in great wisdom, approached his good ground. Let them both grow together. Harvest time waits. The tares and wheat then gathered to their fates. Now is the harvest. Gather together All the elect from the quarters of earth. Those who will call on the Savior in faith, And in places of holiness stand with true worth. For the angels are waiting for their command. Come gather close to reach His outstretched hand.
$1.99 ≈
¥14.43
Let the Children Come
Let the Children Come
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Choral 3-part
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EASY
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Sacred music
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J
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Let the Children Come
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SAB choir/3-Part choir Mixed; 2-Part choir) - Grade 2 - Digital Download SKU: JX.00-21556 Composed by J. Paul Williams and Joseph M. Martin...
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Choir Sacred (SAB choir/3-Part choir Mixed; 2-Part choir) - Grade 2 - Digital Download SKU: JX.00-21556 Composed by J. Paul Williams and Joseph M. Martin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Baptism; Pentecost; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-21556. Published by Jubilate Music Group - Digital (JX.00-21556). English. Psalm 128, Matthew 19:13-15, Mark 10:2-16, Luke 18:15-17, Hebrews 2:9-18.This top-selling anthem is based upon Mark 10: 13-16, Let the children come unto me. The optional solo can be performed by adult or unison children's choir. Joseph Martin's luscious harmonies and lyrically flowing accompaniment are extremely effective for Baptism, Child Dedication, Pentecost and general occasions. Suggested scriptures: Psalm 128, Matthew 19: 13-15, Mark 10: 2-16, Luke 18: 15-17, Hebrews 2: 9-18.
$2.25 ≈
¥16.32
Let the Children Come
Let the Children Come
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Choral Unison
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Sacred music
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Helen Kemp
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Let the Children Come
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Chorister's Guild - Digital
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SheetMusicPlus
Unison chorus - Digital Download SKU: C7.CGA1000 Composed by Helen Kemp. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1000. P...
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Unison chorus - Digital Download SKU: C7.CGA1000 Composed by Helen Kemp. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1000. Published by Chorister's Guild - Digital (C7.CGA1000). UPC: 749193009185.Unison with piano . Based on Luke 18:15-17, this anthem tells the story of Jesus welcoming the children after his disciples tried to order them away. A brief scripture narration opens the song followed by two contrasting choral sections that dramatize the disciples' impatient demand for the children to leave and Jesus' loving response for the children to come to him.
$1.95 ≈
¥14.14
Oot-kwa-tah, Dance of the Seven Sisters
Oot-kwa-tah, Dance of the Seven Sisters
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Brett L
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Oot-kwa-tah, Dance of the Seve
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Sonata Grendel Publishing
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #...
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Concert Band - Level 4 - Digital Download SKU: A0.837514 Composed by Brett L. Wery. Contemporary. Score and parts. 124 pages. Sonata Grendel Publishing #6748213. Published by Sonata Grendel Publishing (A0.837514). Note: for best results, print the score (first 38 pages) on 8.5 X 14 (legal) sized paper and print the parts on 8.5 X 11 (letter) sized paper. M45 is the Messier catalog number for an open star cluster better known as the Pleiades. Oot-kwa-tah is dedicated to Schenectady County Community College on the forty-fifth anniversary of the college’s establishment as part of the State University of New York. The college sits on land that was once part of the Mohawk nation of the Iroquois Confederacy. Oot-kwa-tah is inspired by the Iroquois legend of M45, the Pleiades star cluster. The Iroquois tell a story about seven children who met each day and danced for hours at a time instead of doing chores. An old man appeared to them one day as they danced. He shone magnificently like silver and was clad from head to toe in brilliant white feathers. The old man warned them to stop dancing lest something terrible happen to them. Ignoring the old man’s warning and growing more and more hungry and lightheaded the children began to rise into the air. If only they had listened to me, the old man thought. As the children’s parents gathered, one little boy heard his father’s voice below. The little boy looked down and saw his father. At that instant he fell back to earth. The other children continued to float higher and higher into the sky to become the Pleiades star cluster.The Iroquois call them Oot-kwa-tah and are reminded of these reckless children each time they see a falling star.
$40.75 ≈
¥295.49
Let the Children Come
Let the Children Come
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Choral SATB
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Sacred music
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Mark Burrows
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Let the Children Come
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - Digital Download SKU: C7.CGA1531 Composed by Mark Burrows. General, Baptism. We Sing the World Round. With Percussion. Sacred Anthem. Octav...
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SATB chorus - Digital Download SKU: C7.CGA1531 Composed by Mark Burrows. General, Baptism. We Sing the World Round. With Percussion. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1531. Published by Chorister's Guild - Digital (C7.CGA1531). A bright, jubilant song of welcome! Composer Mark Burrows takes the tender story of Jesus welcoming children and sets it with exuberant energy. All God’s children will be moving to the rhythm of this anthem, which incorporates Swahili text and percussion accompaniment. Vocally accessible and repetitive in all the right ways, this is a great way to acknowledge and accommodate children in worship.
$2.45 ≈
¥17.77
Come, Come Ye Saints
Come, Come Ye Saints
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Harp
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INTERMEDIATE/ADVANCED
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Sacred music
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Ray Pool
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Come, Come Ye Saints
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Saints, General Worship. 80 pages. Published by Afghan Press Music for...
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Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Saints, General Worship. 80 pages. Published by Afghan Press Music for the Harp
A collection of fifty hymns of The Church Jesus Christ of Latter-Day Saints (Mormon faith) in lead sheet or fake book format, taken directly from the collection printed in 1985 with the simple title “Hymns.” It includes a broad selection of these hymns to print with melody line, chord symbols, editings for harmonic adjustment on either lever or pedal harp, simultaneously, and the first verse of lyrics. Three separate “Table of Contents” listings organize the entries according to first line of text, level of difficulty, and key signature.If you already play from a fake book, this will be a resource of immediate use to you. If you want to learn to play from a fake book, this is a great place to start.
Titles: Abide with Me, Angels We Have Heard on High, Christ the Lord is Risen Today, Come Unto Jesus, Come, Come Ye Saints, Come, Listen to a Prophet's Voice, Come, O Thou King of Kings, Come, Ye Children of the Lord, Come, Ye Disconsolate, Did You Think to Pray?, Far, Far Away on Judea's Plains, Father in Heaven, For the Beauty of the Earth, For the Strength of the Hills, God Be With You Till We Meet Again, God of Our Fathers, Whose Almighty Hand, God, Our Father, Hear Us Pray, He Is Risen!, High on the Mountaintop, How Firm a Foundation, How Gentle God's Command, How Great the Wisdom and Love, I Know that my Redeemer Lives, I Need Thee Every Hour, I Stand All Amazed, I'll Go Where You Want Me to Go, In Humility, Our Savior, In Hymns of Praise, Israel, Israel, God is Calling, Jesus, Once of Humble Birth, Jesus, Savior, Pilot Me, Jesus, The Very Thought of Thee, Joseph Smith's First Prayer, Joy to the World, Let Us All Press On, Lead, Kindly Light, Oh, Come, All Ye Faithful, Now Let Us Rejoice, O My Father, Praise God, from Whom All Blessings Flow, Put Your Shoulder to the Wheel, Redeemer of Israel, Rejoice, the Lord is King, Silent Night, Sweet is the Work, The Lord Is My Shepherd, The Spirit of God, There is a Green Hill Far Away, We Ever Pray for Thee, Zion Stands with Hills Surrounded.
$20.00 ≈
¥145.03
Let the Children Come
Let the Children Come
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Pepper Choplin
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Let the Children Come
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Jubilate Music Group - Digital
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SheetMusicPlus
Choral - Digital Download SKU: JX.00-PO-0002414 Let the Children Come - SATB. Composed by Pepper Choplin. Sacred Choral. 10 pages. Jubilate Music ...
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Choral - Digital Download SKU: JX.00-PO-0002414 Let the Children Come - SATB. Composed by Pepper Choplin. Sacred Choral. 10 pages. Jubilate Music Group - Digital #00-PO-0002414. Published by Jubilate Music Group - Digital (JX.00-PO-0002414). UPC: 038081484693.Opening with an optional spoken introduction with words from the Gospel of Mark where Jesus bids the children to come to him, this anthem is perfect for any family or children emphasis service. Energetic and jubilant!
$1.95 ≈
¥14.14
Watoto Waje (Let The Children Come)
Watoto Waje (Let The Children Come)
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Choral SATB
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Stan Pethel
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Watoto Waje
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Piano Accompaniment (SATB) - Digital Download SKU: HX.447017 Composed by Stan Pethel. This edition: scorch. African,Festival,Spiritual. Octa...
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Choral Choir,Piano Accompaniment (SATB) - Digital Download SKU: HX.447017 Composed by Stan Pethel. This edition: scorch. African,Festival,Spiritual. Octavo. 15 pages. Hal Leonard - Digital #HinshawMusic_2467. Published by Hal Leonard - Digital (HX.447017).
$2.65 ≈
¥19.22
Let the Children Come
Let the Children Come
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Choral SATB
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Sacred music
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Pepper Choplin
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Choral Octavo
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Let the Children Come
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-42919 Composed by Pepper Choplin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Sin...
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-42919 Composed by Pepper Choplin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Sacred. Sacred. Choral Octavo. 10 pages. Jubilate Music Group - Digital #00-42919. Published by Jubilate Music Group - Digital (JX.00-42919). English.Opening with an optional spoken introduction with words from the Gospel of Mark where Jesus bids the children to come to him, this anthem is perfect for any family or children emphasis service. Energetic and jubilant!
$1.95 ≈
¥14.14
Let the Children Come to Me
Let the Children Come to Me
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Choral SATB
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EASY
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Sacred music
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Christian contemporary
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Nancy Bachmann
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Let the Children Come to Me
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Nancy Bachmann
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1218214 Composed by Nancy Bachmann. Christian,Contemporary,Praise & Worship,Religious,Sacred. Oc...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1218214 Composed by Nancy Bachmann. Christian,Contemporary,Praise & Worship,Religious,Sacred. Octavo. 8 pages. Nancy Bachmann #814707. Published by Nancy Bachmann (A0.1218214). A gentle setting of loving words of Jesus. Let the Children is an easy SATB setting, with piano or organ accompaniment, of Mark 10:14 or Luke 18:16. Appropriate for a Sunday anthem corresponding to any readings about children, or celebrating any child-focused event.
$2.00 ≈
¥14.50
Come, Let Us Walk this Road Together
Come, Let Us Walk this Road Together
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Come, Let Us Walk this Road To
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SheetMusicPlus
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No...
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Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa
Song List
: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
$13.95 ≈
¥101.16
Let the Children Come
Let the Children Come
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Melody line, (Lyrics) and Chords
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Tim Weller
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Tim Weller
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Let the Children Come
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Tim Weller
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SheetMusicPlus
Small Ensemble C Instrument - Digital Download SKU: A0.1003694 By Tim Weller. By Tim Weller. Arranged by Tim Weller. Contemporary,Pop,Sacred. Lead Sheet ...
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Small Ensemble C Instrument - Digital Download SKU: A0.1003694 By Tim Weller. By Tim Weller. Arranged by Tim Weller. Contemporary,Pop,Sacred. Lead Sheet / Fake Book. 3 pages. Tim Weller #3004093. Published by Tim Weller (A0.1003694). Jesus said 'Let the Children Come'. In Honduras we took care of the children.
$1.99 ≈
¥14.43
Heroes of the Faith - Singer 5 Pak
Heroes of the Faith - Singer 5 Pak
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(Houston Children's Choir Seri
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Heroes of the Faith - Singer 5
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Fred Bock Music Company
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SheetMusicPlus
Singer's Edition 5-Pak Children's Choir (Singer 5 Pak) SKU: HL.8739019 Sacred Children's Musical. Arranged by (Houston Children's Choir Series). F...
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Singer's Edition 5-Pak Children's Choir (Singer 5 Pak) SKU: HL.8739019 Sacred Children's Musical. Arranged by (Houston Children's Choir Series). Fred Bock Publications. Collection, Elementary, General Worship, Musicals, Sacred. 115 pages. Fred Bock Music Company #BG0959. Published by Fred Bock Music Company (HL.8739019). UPC: 073999390193. 6.8x10.5x0.315 inches.HEROES OF THE FAITH is a unique field trip. Biblical characters come to life to teach modern day children how to become heroes. The children learn lessons of faith when they discover David, Deborah, Elijah and Moses while touring a museum exhibition. These Bible heroes tell about their exciting adventures and how ordinary people become extraordinary heroes who can change the world - or at least their world - when they listen and follow God's command.Available: Accompanist/Director's Edition, Singer's Edition 5pak, Preview Cassette, Choir Cassette Pak (contains 12 preview cassettes for individual rehearsal), Accompaniment/Split Track Cassette, Accompaniment/Split Track CD. Performance Time: 40 minutes. Grades 1-6.5 Booklets of vocal lines and dialog
Song List
: Hero Of The Faith The Most High God Moses Led His People Deborah Elijah When I Turn My Heart To Heaven Goliath I Am His Lamb Hero Of The Faith Reprise
$19.95 ≈
¥144.67
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
¥25.38
The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
The Princess And The Pea: A Classic Tale For Narrator And Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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James Smith
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The Princess And The Pea: A Cl
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Ensemble Llama Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1474712 Composed by James Smith. 19th Century,Ch...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1474712 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 26 pages. Ensemble Llama Music #1052280. Published by Ensemble Llama Music (A0.1474712). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog!
$16.99 ≈
¥123.20
The Princess And The Pea: A Classic Tale For Narrator And String Quartet
The Princess And The Pea: A Classic Tale For Narrator And String Quartet
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String Quartet: 2 violins, viola, cello
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EASY
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James Smith
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The Princess And The Pea: A Cl
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Ensemble Llama Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1474715 Composed by James Smith. 19th Century,Chamber,Children,Come...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1474715 Composed by James Smith. 19th Century,Chamber,Children,Comedy,Contemporary. 19 pages. Ensemble Llama Music #1052283. Published by Ensemble Llama Music (A0.1474715). The Princess and the Pea is a literary fairy tale by Hans Christian Andersen. It is a story about a princess who is tested to become wife to a lonely prince. The tale was first published in 1835 in Copenhagen. In this work, the tale is presented by a narrator, with the wind quintet bringing the story to life in a musical way. This selection comes with a full score with cues for the narrator, parts for the ensemble, and a narrator's script that features ensemble cues to help align the story and music together properly.There are many features in this work that are sure to interest audiences of all ages. Different motifs are used to differentiate between characters and settings. The ensemble may find an opportunity to invite the audience to actively listen to these themes. This selection also features the use of props - a cutting board (preferably with a cutout area to grip the board easily) and an inflated latex balloon are required to make various sound effects. There are several other ways the ensemble and narrator could use props or costumes to bring the story to life, and offer some humorous moments as well.This work is quite different, but serves as a fresh selection for any concert. If you have any questions, or wish to let me know you performed this work, contact me at linktr.ee/ensemblellama. You can also use this link to view other works in my catalog!
$16.99 ≈
¥123.20
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Let the Children Come
