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My Love, Rise Up century
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You've selected:
My Love, Rise Up century
Sheetmusic to print
11 sheet music found
<
1
Rise up, my love, my fair one, and come away
Rise up, my love, my fair one, and come away
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Choral SATB
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INTERMEDIATE/ADVANCED
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Nicholas Weininger
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Rise up, my love, my fair one,
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Nicholas Brock Weininger
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1417473 Composed by Nicholas Weininger. 21st Century,Classical. 7 pages. Nich...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1417473 Composed by Nicholas Weininger. 21st Century,Classical. 7 pages. Nicholas Brock Weininger #998994. Published by Nicholas Brock Weininger (A0.1417473). This lush setting of famous verses from the Song of Solomon, in the original Hebrew, evokes the sensual splendor and promise of spring. SATB a cappella with divisi, suitable for high school, college, and adult choirs.
$2.99 ≈
¥21.74
Oh! My Goodness
Oh! My Goodness
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Piano solo
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INTERMEDIATE
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Joy GIlmore, Hsin Hui Kuo
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Oh! My Goodness
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.906731 Composed by Joy GIlmore, Hsin Hui Kuo. 20th Century,Instructional. Score. 6 pages. Joyful Sound Mu...
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Piano Solo - Level 3 - Digital Download SKU: A0.906731 Composed by Joy GIlmore, Hsin Hui Kuo. 20th Century,Instructional. Score. 6 pages. Joyful Sound Music #13245. Published by Joyful Sound Music (A0.906731). Oh! My Goodness for Advance Level About this song: One of my students loves a song of mine, titled, Holy Moly Wow Wow Wow. She told me that I should write another song called, Oh! My Gosh or Oh! My God. I said I would think about it. Later, I felt as if it was strange to have God's name in the title, so this is the reason why I changed the title to Oh! My Goodness. This is a light, lively song. It is especially for the teen. From ms. 1 to 4, both hands are following the syllables of Oh! My Good-ness with the triads going down from A to G to F and E. The triad movement makes a sound of surprise like a scream. Watch for the coordination between the two hands on ms. 10, 14, 18, In ms. 28 and 29, the same two measures appear again with different fingering. The tempo control on this song is very important. Make sure not to drag or speed up in the middle of the song. This PDF is designed for two sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only. Youtube video https://www.youtube.com/watch?v=tlXJ_uyZJm4
$3.99 ≈
¥29.01
Rise up, my love
Rise up, my love
Piano,Violin,SSA
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Contemporary
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Jay Vosk
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Rise up, my love
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Jay Vosk
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SheetMusicPlus
Composed by Jay Vosk. 21st Century, General Worship, Recital. Octavo. 10 pages. Published by Jay Vosk (S0.87275). - Octavo - 21st Century,General Worship,Recita...
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Composed by Jay Vosk. 21st Century, General Worship, Recital. Octavo. 10 pages. Published by Jay Vosk (S0.87275). - Octavo - 21st Century,General Worship,Recital - Jay Vosk
$4.99 ≈
¥36.27
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Tuba ensemble
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INTERMEDIATE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-t...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
¥94.43
Hungarian Folksongs, arranged for instruments in four parts
Hungarian Folksongs, - instruments in four parts
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Bela Bartok
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Paul Burnell
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Hungarian Folksongs, - instrum
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and ...
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99 ≈
¥36.27
Life is Beautiful
Life is Beautiful
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Easy Piano
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BEGINNER
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Latin/World Music
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creativ...
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3
Louis Landon
2016 / Landon Creative, Inc.
63 minutes
Review by Kathy Parsons
Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.
It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.
Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!
I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!
November 4, 2016
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
“While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.
Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.
Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25 ≈
¥38.16
Clarinet Quintet, opus 155 (2013)
Clarinet Quintet, opus 155 (2013)
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Clarinet Quintet: Clarinet, String Quartet
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical...
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 … Presto
IV. Adagio
V. Reprise … a bit faster than before!
VI. Interlude 2 … Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99 ≈
¥72.62
An Avaloch Divertimento
An Avaloch Divertimento
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Contemporary
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Co...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55 ≈
¥185.74
Crossing Jordan: Three Spirituals for flute, piano and cello
Crossing Jordan: Three Spirituals for flute, piano and cello
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
¥218.09
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
¥218.09
Mourir de ne pas mourir
Mourir de ne pas mourir
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Mourir de ne pas mourir
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1332808 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 56 pages....
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1332808 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. Score. 56 pages. Thomas Oboe Lee #919235. Published by Thomas Oboe Lee (A0.1332808). It came as a surprise to me that Samuel Beckett, 1889-1989, wrote poems in French and he also translated a bunch of French poems into English. So I picked up his Collected Poems in English and French and there I discovered several lovely poems by Paul Éluard, 1895-1952. This led me down the rabbit hole of seeking out Éluard's poems, and there are tons of it.I was especially intrigued by the collection called Mourir de ne pas mourir - Dying of not dying!!! As you should know by now death is a favorite topic in my music. For my song cycle I have chosen eight poems from the collection:I. L'égalité des sexesII. L'amoureuseIII. L'habitudeIV. Dans la danseV. Le jeu de constructionVI. Giorgio de ChiricoVII. Dans le cylindre des tribulationsVIII. Sans rancune.
$9.99 ≈
¥72.62
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1
My Love, Rise Up century
