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Oriental Suite
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You've selected:
Oriental Suite
Sheetmusic to print
71 sheet music found
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51
Oriental Suite (Jasmine Flower, Sakura, Dance of the Golden Snake)
Oriental Suite (Jasmine Flower, Sakura, Dance of the Golden Snake)
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Piano solo
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EASY
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David Banney
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David Banney
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Oriental Suite
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David Banney
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.878820 Composed by David Banney. Arranged by David Banney. Contemporary,Folk,World. Score. 44 pages. Davi...
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Piano Solo - Level 2 - Digital Download SKU: A0.878820 Composed by David Banney. Arranged by David Banney. Contemporary,Folk,World. Score. 44 pages. David Banney #4992089. Published by David Banney (A0.878820). Three beautiful oriental melodies, arranged for two violins and piano.
$8.99 ≈
¥63.68
Orientale
Orientale
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Cello, Piano
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INTERMEDIATE
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Cesar Antonovich Cui
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Orientale
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - Digital Download SKU: S9.Q49383 Composed by Cesar Antonovich Cui. This edition: Sheet music. Cesar cui - piano - violonc...
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Cello and piano - intermediate - Digital Download SKU: S9.Q49383 Composed by Cesar Antonovich Cui. This edition: Sheet music. Cesar cui - piano - violoncello. Schott Student Edition - Repertoire. Downloadable. Op. 50/9. Schott Music - Digital #Q49383. Published by Schott Music - Digital (S9.Q49383). German • English • French.Orientale by the Russian composer and music critic César Cui (1835–1918) comes from the cycle Kaleidoscope, a collection of 24 miniatures for violin and piano. The piece was arranged for numerous instrumentations, with the arrangement for cello being among the most popular. The miniature exudes an oriental charm, both melodically and rhythmically, and is a popular encore, not least due to its shortness. Estelle Revaz, an experienced concert cellist and teacher, edited the work, adding tips for modern cello lessons which make the first steps into cello playing easier and provide suggestions for the student's own interpretation. The edition is part of the Schott Student Edition series which offers varied literature at five different levels of difficulty (from 1-easy to 5-difficult) for instrumental lessons. Practical tips by teachers help to master the pieces and make the editions valuable additions to modern music lessons. Each edition of the series is available as printed edition or digital download edition (PDF). For many works, the piano accompaniment is available as playback version (MP3 download) as well. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$7.99 ≈
¥56.60
Korean Simple Suite No.1 (For Clarinet and Piano)
Korean Simple Suite No.1 (For Clarinet and Piano)
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
#
SheetMusicPlus
Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511806 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards...
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Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511806 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. 27 pages. Han-Ki Kim #6362061. Published by Han-Ki Kim (A0.511806). Korean Simple Suite No.1 For Clarinet(in B flat) and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme.This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
¥106.18
Korean Simple Suite No.1 (For Flute and Piano)
Korean Simple Suite No.1 (For Flute and Piano)
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Flute and Piano
#
INTERMEDIATE/ADVANCED
#
Han-Ki Kim
#
Korean Simple Suite No.1
#
Han-Ki Kim
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic P...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.511807 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6362069. Published by Han-Ki Kim (A0.511807). Korean Simple Suite No.1 For Flute and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
¥106.18
Korean Simple Suite No.1 (For Oboe and Piano)
Korean Simple Suite No.1 (For Oboe and Piano)
#
Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
#
Han-Ki Kim
#
Korean Simple Suite No.1
#
Han-Ki Kim
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.511809 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Pe...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.511809 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6363729. Published by Han-Ki Kim (A0.511809). Korean Simple Suite No.1 For Oboe and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme.This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference.
$14.99 ≈
¥106.18
Korean Simple Suite No.1 (For Cello and Piano)
Korean Simple Suite No.1 (For Cello and Piano)
#
Cello, Piano
#
INTERMEDIATE
#
Han-Ki Kim
#
4
#
Korean Simple Suite No.1
#
Han-Ki Kim
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.511712 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,World. Score and part. 27 pages. ...
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Cello,Piano - Level 3 - Digital Download SKU: A0.511712 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,World. Score and part. 27 pages. Han-Ki Kim #4629469. Published by Han-Ki Kim (A0.511712). This Korean Simple Suite is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone, And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You tube link - played by Orchestra.Han-Ki KimViolinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s Dobřichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99 ≈
¥113.27
Korean Simple Suite No.1 (For String Orchestra)
Korean Simple Suite No.1 (For String Orchestra)
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Han-Ki Kim
#
Korean Simple Suite No.1
#
Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.511716 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,Worl...
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String Orchestra - Level 4 - Digital Download SKU: A0.511716 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 64 pages. Han-Ki Kim #4641469. Published by Han-Ki Kim (A0.511716). This Korean Simple Suite is consist of 5 movements. All piece's main theme is generally based on Oriental pentatonic tone, and adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. And for some movement, there is especially natural harmonics is used for special tone effect to express oriental flute sound. Especially Finale is written rondo form, with Korean Traditional Children's song adapted.1. Prologue - Greeting 2. Oriental Flute 3. Cheerfulness 4. Sorrow 5. Finale - Festival
$32.00 ≈
¥226.68
Korean Simple Suite No.1 (For Violin, Cello and Piano)
Korean Simple Suite No.1 (For Violin, Cello and Piano)
#
Piano Trio: piano, violin, cello
#
INTERMEDIATE/ADVANCED
#
Han-Ki Kim
#
Korean Simple Suite No.1
#
Han-Ki Kim
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.511722 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. ...
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.511722 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 43 pages. Han-Ki Kim #4848515. Published by Han-Ki Kim (A0.511722). This Korean Simple Suite No.1 For Violin, Cello and Piano is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is just for a Greeting. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence.
$15.90 ≈
¥112.63
Korean Simple Suite No.1 (For Violin and Piano)
Korean Simple Suite No.1 (For Violin and Piano)
#
Violin and Piano
#
INTERMEDIATE
#
Han-Ki Kim
#
4
#
Korean Simple Suite No.1
#
Han-Ki Kim
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.511710 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. 27 pages. Han-K...
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Piano,Violin - Level 3 - Digital Download SKU: A0.511710 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. 27 pages. Han-Ki Kim #4629463. Published by Han-Ki Kim (A0.511710). This Korean Simple Suite is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone, And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is Major key, but has deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. P.S.You Tube link - played by String Orchestra(Just for a reference).Han-Ki KimViolinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s Dobřichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.90 ≈
¥112.63
Korean Simple Suite No.1 (For String Quartet)
Korean Simple Suite No.1 (For String Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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4.Sorrow  
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.511719 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,Worl...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.511719 Composed by Han-Ki Kim. Contemporary,Instructional,Multicultural,Standards,World. 57 pages. Han-Ki Kim #4804809. Published by Han-Ki Kim (A0.511719). This Korean Simple Suite No.1 For String Quartet is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is just for a Greeting. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You tube link - played as string orchestra.
$18.99 ≈
¥134.52
Korean Simple Suite No.1 (For Orchestra)
Korean Simple Suite No.1 (For Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.511791 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Standards,World. Score and parts....
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Full Orchestra - Level 4 - Digital Download SKU: A0.511791 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Standards,World. Score and parts. 162 pages. Han-Ki Kim #6223697. Published by Han-Ki Kim (A0.511791). This Korean Simple Suite is consist of 5 movements. All piece's main theme is generally based on Korean(Oriental) pentatonic tone, and adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. And for some movement, there is especially natural harmonics is used for special tone effect to express oriental flute sound. Especially Finale is written rondo form, with Korean Traditional Children's song adapted. Attached music file is 1st movement only, Just for a reference.1. Prologue - Greeting2. Oriental Flute3. Cheerfulness4. Sorrow5. Finale - Festival
$39.90 ≈
¥282.64
Korean Simple Suite No.3 "Happy Wedding" (For Violin and Piano)
Korean Simple Suite No.3 "Happy Wedding" (For Violin and Piano)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.3 "Happ
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Han-Ki Kim
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.557045 Composed by Han-Ki Kim. 20th Century,Classical,Instructional,Standards,Traditional. 36 pages. Ha...
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Piano,Violin - Level 4 - Digital Download SKU: A0.557045 Composed by Han-Ki Kim. 20th Century,Classical,Instructional,Standards,Traditional. 36 pages. Han-Ki Kim #166507. Published by Han-Ki Kim (A0.557045). “Korean Simple Suite†No.3 For Violin and Piano Op.273 As far as melody is concerned, the traditional five notes of Korea(Do.re.mi.sol.la.) are mainly used. This Suite is dedicated to the composer's teacher, Dr. Walter Verdehr. It consists of five movements as follows: 1st mov. : The Front Yard: In G minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events. 2nd mov. : Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to express the mysterious oriental atmosphere. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony. 3rd mov. : Joyful Dance: 3/4 time B flat major, composed in ABA form, expressed the joy of dancing in Korea. 4th mov. : Longing: In G minor in 6/4 time, tried to express the feeling of oriental waiting. 5th mov. : The Bride and Groom : It is composed of 4/4 time and 6/4 time, and as the title of the title of Groom and Bride, it shows the contrasting character of lively and calm. It was composed in a rondo form that goes back and forth between D minor and F major. Attached music file is only 1st mov. just for a reference.
$14.90 ≈
¥105.55
Korean Simple Suite No.1 (For Viola and Piano)
Korean Simple Suite No.1 (For Viola and Piano)
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultur...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #4629467. Published by Han-Ki Kim (A0.511711). “Korean Simple Suite†No.1 For Viola and Piano Op.267 As far as melodies are concerned, all 5 movements mainly use the traditional 5 notes of Korea(Do, Re, Mi, Sol, La), and Originally, this music is composed for Violin and Piano and dedicated to Andreas Buschatz, the Concertmaster of Leipzig Gewandhaus in Germany.1mov. Prologue-Greeting : This is a short song with a bright atmosphere in d minor in 3/4 time.2mov. Oriental Flute : In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flute. 3mov. Cheerfulness : In D major in 8/12 time, tried to express Korean joy by using our traditional rhythms, Kutkuri Jajinmori 4mov. Sorrow : In 3/4 time G major, not in minor, but in major, expressing deep sorrow. 5mov. Finale-Festival : In d minor in 4/4 time, tried to describe the excitement of the festival atmosphere, and it was composed in a rondo style quoting korean traditional Children's nursery rhyme “Fox.â€The music was world premiered on June 1, 2019 at the Seoul Arts Center (IBK Chamber Hall) by Professors Kyung-sun Lee(violin), and Hee-seung Joo(piano).This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You Tube link-played by Orchestra.Han-Ki Kim Violinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s DobÅ™ichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99 ≈
¥113.27
Korean Simple Suite No.3 "Happy Wedding" (For Piano Trio)
Korean Simple Suite No.3 "Happy Wedding" (For Piano Trio)
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Han-Ki Kim
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Korean Simple Suite No.3 "Happ
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.561517 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,C...
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.561517 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Country,Instructional. 55 pages. Han-Ki Kim #170955. Published by Han-Ki Kim (A0.561517). “Korean Simple Suite†No.3 For Piano Trio Op.273D “Happy Wedding†It is a work depicting the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. as far as melody is concerned, the traditional five notes of Korea, “Do.re.mi.sol.la.†are mainly used. It consists of five movements as follows: 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major. Attached musicfile is only 1st movement, it's just for a reference.
$16.90 ≈
¥119.71
Korean Simple Suite No.3 "Happy Wedding" (For Flute and Piano)
Korean Simple Suite No.3 "Happy Wedding" (For Flute and Piano)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Han-Ki Kim
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Korean Simple Suite No.3 "Happ
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Han-Ki Kim
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1211127 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standar...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1211127 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. Score and part. 36 pages. Han-Ki Kim #808823. Published by Han-Ki Kim (A0.1211127). “Korean Simple Suite†for flute and piano, No. 3 <Happy Wedding> Opus 273 It consists of 5 movements in total, and all movements mainly used the traditional 5 notes of “Do.Re.Mi.So.Ra†as far as the melody is concerned. I described the wedding ceremony of the bride and groom held in the traditional Korean front yard and the surrounding scene. The original music for violin and piano was written and dedicated for the composer's own teacher, the prof. Walter Verdehr. 1st mov. : The Front Yard: In G minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events.2nd mov. : Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to express the mysterious oriental atmosphere. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony.3rd mov. : Joyful Dance: 3/4 time B flat major, composed in ABA form, expressed the joy of dancing in Korea.4th mov. : Longing: In G minor in 6/4 time, tried to express the feeling of oriental waiting.5th mov. : The Bride and Groom : It is composed of 4/4 time and 6/4 time, and as the title of the title of Groom and Bride, it shows the contrasting character of lively and calm. It was composed in a rondo form that goes back and forth between D minor and F major.Attached music file is only 5th movement, it's just for a reference.
$15.99 ≈
¥113.27
Korean Simple Suite No.3 "Happy Wedding"(For Viola and Piano)
Korean Simple Suite No.3 "Happy Wedding"(For Viola and Piano)
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Han-Ki Kim
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Korean Simple Suite No.3 "Happ
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part...
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Piano,Viola - Level 4 - Digital Download SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-Ki Kim #166508. Published by Han-Ki Kim (A0.557046). “Korean Simple Suite†No.3 For Viola and Piano Op.273C As far as melodies are concerned, the traditional 5 notes of Korean “Do.Re.Mi.Sol.La†are mainly used. It consists of five movements as follows: I tried to express the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. So, this piece's nick name is Happy Wedding. And Attached music file is only 1st mov. played by Violin just for a reference. 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major.
$14.90 ≈
¥105.55
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥177.09
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
¥177.09
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥177.09
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
¥212.51
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