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The Worker's Song
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You've selected:
The Worker's Song
Sheetmusic to print
52 sheet music found
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1
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51
The True Heroes
The True Heroes
#
Concert band
#
ADVANCED
#
Keiron Anderson
#
The True Heroes
#
Songburd Music
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Publish...
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Concert Band - Level 5 - Digital Download SKU: A0.1411069 Composed by Keiron Anderson. Classical,Contemporary. 124 pages. Songburd Music #993415. Published by Songburd Music (A0.1411069). Keiron Anderson brings us music for the moment, and perhaps no other moment yet in the 21st Century has revealed the vulnerable nature of humanity, and the interconnectedness of our world more than the COVID-19 pandemic, officially announced on March 11, 2020 by the World Health Organization.  The True Heroes is a piece that tells a part of the dramatic story of the struggles, heartaches and triumphs of the world’s medical professionals, and all who were a part of the health care industry to whom this piece is dedicated.  Using a dissonance in the chords, structured upon two perfect fifths a semi-tone apart, Anderson opens the story with suddenness and a pushed tempo that conveys an urgency and anxiety about the growing pandemic, and depicts how the health care workers are not people with super-powers, but rather individuals who are committed to self-sacrifice in using their skills to save the lives of others. The crisis is not over as we reach the middle of the piece where the tempo slows to a more thoughtful pace, allowing the health care worker (and the listener) a moment to rest, to reflect and to meditate, and to give enough time for the emotions to mend and energy to rebuild while the pandemic rages on around them.  Then the music once again resumes its original pace with growing fanfare for the health care worker and their resilience in the face of a momentous task, leading to a more dramatic and triumphal sound and force to conclude the piece.
$125.00 ≈
¥878.73
The Worker's Song (Choral Score)
The Worker's Song (Choral Score)
Cello|Choir|Clarinet|Piano Accompaniment
Easy level
#
Dorothy Chang
#
The Worker's Song
#
Imagine Music - Digital
#
SheetMusicPlus
By Dorothy Chang. For children's choir & piano (optional clarinet & cello). Level 2. Octavo. Published by Imagine Music - Digital ...
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By Dorothy Chang. For children's choir & piano (optional clarinet & cello). Level 2. Octavo. Published by Imagine Music - Digital
$1.50 ≈
¥10.54
A Fisherman's Tale: Part 1 in C
A Fisherman's Tale: Part 1 in C
#
Instructional
#
Ryan Meeboer
#
A Fisherman's Tale: Part 1 in
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Woodwind Ensemble Woodwind Ensemble - Digital Download SKU: AX.81-PC-0000039_1C Part 1 in C. Composed by Ryan Meeboer. Instructional. Part. 2 page...
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Woodwind Ensemble Woodwind Ensemble - Digital Download SKU: AX.81-PC-0000039_1C Part 1 in C. Composed by Ryan Meeboer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #81-PC-0000039_1C. Published by Alfred Music - Digital Sheet Music (AX.81-PC-0000039_1C). ISBN 9781554733835. UPC: 685462013845.Using the style of Canadian folk songs from the east coast and the story-telling features of Newfoundland, A Fisherman's Tale is a piece about a trip out into the ocean. The piece opens with the solemn, chorale-like movement Farewell, as the fisherman leaves his home and family to begin the excursion, and closes with Return to Harbour, an up tempo movement representing the worker's successful homecoming.
$4.00 ≈
¥28.12
Un Poco Loco (Ryan's Theme)
Un Poco Loco (Ryan's Theme)
#
Piano solo
#
INTERMEDIATE
#
Contemporary
#
Anne Britt
#
Un Poco Loco
#
Anne Britt
#
SheetMusicPlus
Small Ensemble Piano Solo - Level 3 - Digital Download SKU: A0.741155 Composed by Anne Britt. Contemporary. Score. 3 pages. Anne Britt #3380451. Publishe...
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Small Ensemble Piano Solo - Level 3 - Digital Download SKU: A0.741155 Composed by Anne Britt. Contemporary. Score. 3 pages. Anne Britt #3380451. Published by Anne Britt (A0.741155). This fun, offbeat beat was written as part of the Family Suite and is dedicated to my son, Ryan. A lot of people know that Ryan is good at sports, a hard worker, and a dedicated student. Many have witnessed his amazing ability to eat. But a few of us also know and appreciate his goofy, spontaneous side. He brings a lot of life, laughter, and energy to our home. Having taken Spanish in high school, he could tell you that un poco loco means a little crazy – and that’s meant as a compliment! He once expressed his love for food in a variation of the song, O Christmas Tree, that he called, O Cheeseburger, and a little bit of that managed to work itself into this piece, in his honor. 3 pages.Family Suite songbook: https://www.sheetmusicplus.com/title/20667272Visit the composer's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$3.99 ≈
¥28.05
When the World Drops In to Town
When the World Drops In to Town
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
David Kai
#
When the World Drops In to Tow
#
David Kai
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Publishe...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
$3.00 ≈
¥21.09
When the World Drops In to Town
When the World Drops In to Town
#
David Kai
#
David Kai
#
When the World Drops In to Tow
#
David Kai
#
SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged ...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99 ≈
¥13.99
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
Prelude in c#, Op.3, no.2 - S Rachmaninoff (Brass Quintet)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sergei Rachmaninoff
#
Peet du Toit
#
Prelude in c#, Op.3, no.2 - S
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contempo...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.802564 Composed by Sergei Rachmaninoff. Arranged by Peet du Toit. Contemporary. Score and parts. 17 pages. Peet du Toit #5793495. Published by Peet du Toit (A0.802564). Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had aroused enthusiasm. From this point on, its popularity grew.This work was one of the first the 19‑year‑old Rachmaninoff composed as a Free Artist, after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five Morceaux de fantaisie (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.The prelude has been arranged for orchestra in several versions. It has been used in many films, and many songs have sampled it. I thought it would sound great on brass instruments if played well. Well, here it is for you to play well. Enjoy!
$15.50 ≈
¥108.96
Just a Little COVID Song
Just a Little COVID Song
#
David Kai
#
David Kai
#
Just a Little COVID Song
#
David Kai
#
SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105103 By David Kai. By David Kai. Arranged by Da...
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105103 By David Kai. By David Kai. Arranged by David Kai. Comedy,Contemporary,Country,Rock. Full Performance. Duration 160. David Kai #708347. Published by David Kai (A0.1105103). This song has a public health message wrapped up in a bit of humour. This is not to ignore the incredible suffering this virus has caused, but it could be that we need some lightness in these very heavy times. This song has a public health message wrapped up in a bit of humour. This is not to ignore the incredible suffering this virus has caused, but it could be that we need some lightness in these very heavy times. JUST A LITTLE COVID SONG Words and music by David Kai ©2020 Chorus: Just a little COVID song, stay inside the whole day long Wondering how long it’ll be, it’s feeling like eternity Looking like a big disgrace, need a mask to hide my face I’ll sing this little COVID song This virus has me cooped up but I’ve got to play it safe Not doing very much of anything Was looking for ideas but it’s tough to get inspired Then out of nowhere I began to sing Just a little COVID song, stay inside the whole day long Wondering how long it’ll be, it’s feeling like eternity Now my style is out of whack, hair is halfway down my back I’ll sing this little COVID song (instrumental chorus) We’re thankful for the workers who are trying to keep us safe And searching hard to find a new vaccine So wash your hands and wear a mask and stay away from crowds So maybe next year I won’t have to sing Chorus:.
$1.99 ≈
¥13.99
Just a Little COVID Song
Just a Little COVID Song
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
David Kai
#
Just a Little COVID Song
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893865 Composed by David Kai. Contemporary,Country,Pop. Score. 3 pages. David Kai #6108841....
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893865 Composed by David Kai. Contemporary,Country,Pop. Score. 3 pages. David Kai #6108841. Published by David Kai (A0.893865). This song has a public health message wrapped up in a bit of humour. This is not to ignore the incredible suffering this virus has caused, but it could be that we need some lightness in these very heavy times. Just a Little COVID Song is based on the previously recorded Just a Little Snowbird Song.JUST A LITTLE COVID SONGWords and music by David Kai ©2020Just a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternity Looking like a big disgrace, need a mask to hide my faceI’ll sing this little COVID songThis virus has me cooped up but I’ve got to play it safeNot doing very much of anythingWas looking for ideas but it’s tough to get inspiredThen out of nowhere I began to singJust a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternityNow my style is out of whack, hair is halfway down my back I’ll sing this little COVID song (instrumental chorus)We’re thankful for the workers who are trying to keep us safeAnd searching hard to find a new vaccineSo wash your hands and wear a mask and stay away from crowdsSo maybe next year I won’t have to singJust a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternity Waiting in the Costco line, toilet paper’s hard to findI’ll sing this little COVID songJust a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternity Hoping for that happy day, we’ll send that virus on its wayWon’t have to sing this little COVID, sing this little COVID,Sing this little COVID song.
$3.00 ≈
¥21.09
Song of the Type Writer Girl
Song of the Type Writer Girl
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Piano, Voice
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Albert W
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Song of the Type Writer Girl
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.5760 Composed by Albert W. Brown. Occupations, Time, Office workers, Typewriters. Lester S. Levy Collection. 3...
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Piano and voice - Digital Download SKU: LV.5760 Composed by Albert W. Brown. Occupations, Time, Office workers, Typewriters. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5760). Song of the Type Writer Girl. Words by W.E. Penney. Music by Albert W. Brown. Published 1895 by Wm. A. Pond & Co., 25 Unoin Square in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Occupations, Time, Office workers, Typewriters. First line reads It's clickity click, clickity click, till the very wound of it makes me sick.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.11
When The Party's Over for flute quintet or small flute ensemble
When The Party's Over for flute quintet or small flute ensemble
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Flute Quintet : 5 flutes
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INTERMEDIATE
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Pop music
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Billie Eilish
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a " do Ray me " flut
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do Ray me "
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When The Party's Over for flut
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a " do Ray me " flute studio production
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SheetMusicPlus
Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Interm...
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Flute, Woodwind Quintet, Woodwind Choir or Ensemble, Choir, Orff instruments, c flute 1, c flute 2, c flute 3, c flute 4, and alto flute in G - Intermediate - Digital Download By Billie Eilish. Arranged by a " do Ray me " flute studio production, Ray-Michael Kauffman. Individual Part, Lead Sheet, Octavo, Score, Set of Parts, Sheet Music Single, Solo Part. 29 pages. Published by a " do Ray me " flute studio production
When the Party's over for flute quintet or small flute ensemble
https://youtu.be/-yE2CbZcCQg
https://youtu.be/lP6zqU_irNg
by billie eilish, and arranged by me, ray-michael kauffman.
this is part of my " Compositions that care" and all money this piece takes in, will be donated to a charity for recovery from addition.
When i first herd this song, for me this was painting a picture of someone who was an addict, where they seemed the life of the party , and was having such a good time, however , using to feel a certain way -whether that be normal, happy, to fit in, loved,.. how ever, addiction cripples those persons effected may truly feel lonely and empty .
I debated with myself if this is what cause i wanted to support and hopefully shed some light on, addiction and everything and every person this effects.It was the next day , i had learned a friend and former co-worker had committed suicide after a long struggle with addition. I knew then that this decision was the right one.
To purchase and support this cause, or " Compositions that care", please visit SheetMusicPlus.com or direct link to my music available ;
https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
and check my website out, www.doRaymeflute.com
thank you for taking something so precious, as your time for me and this cause.
$13.99 ≈
¥98.35
Somewhere That's Green
Somewhere That's Green
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Broadway
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Various
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Max Stannard
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Somewhere That's Green
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Max Stannard Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1450389 By Various. By Alan Menken and Howard Ashman. Arranged by Max Stannard. Broadway,Musical/Show. Brass Band. 31 pages. Max Stannard Music #1030121. Published by Max Stannard Music (A0.1450389). Little Shop of Horrors is a horror comedy rock musical[1] with music by Alan Menken and lyrics and a book by Howard Ashman. The story follows a hapless florist shop worker who raises a plant that feeds on human blood and flesh. The musical is loosely based on the low-budget 1960 black comedy film The Little Shop of Horrors. The music, composed by Menken in the style of early 1960s rock and roll, doo-wop and early Motown, includes several well-known tunes, including the title song, Skid Row (Downtown), Somewhere That's Green, and Suddenly, Seymour. This arrangement of Somewhere That's Green features a Solo Tenor Horn in a very melodic number.
$24.99 ≈
¥175.68
Workin' on the Railway
Workin' on the Railway
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Choral 2-part
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Traditional American
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George L
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Workin' on the Railway
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Chorister's Guild - Digital
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SheetMusicPlus
Two-part chorus - Digital Download SKU: C7.CGE152 Composed by Traditional American. Arranged by George L.O. Strid arr. Mary Donnelly Traditional American...
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Two-part chorus - Digital Download SKU: C7.CGE152 Composed by Traditional American. Arranged by George L.O. Strid arr. Mary Donnelly Traditional American. General. Sing! With Small percussion. Octavo. 12 pages. Chorister's Guild - Digital #CGE152. Published by Chorister's Guild - Digital (C7.CGE152). An energetic original melody is partnered with the well-known American folk song, Drill, Ye Tarriers, Drill in this robust concert offering for young choirs which describes the construction of the American railroads in the mid-1800s. The word tarriers refers to the Irish workers who drilled holes in the rock to blast out the railroad tunnels. Simple Cowbell and Wood Blocks parts add the 'hammer' effect to enhance both the introduction and interludes. This selection is a terrific way to teach part-singing to younger choirs and the style and theme make it especially appealing to male singers.
$2.45 ≈
¥17.22
De Colores ( All the Colors) Piano Duet in C
De Colores ( All the Colors) Piano Duet in C
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Easy Piano
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BEGINNER
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Anonymous 16th century
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NJ Original Music
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De Colores
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NJ Original Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.940748 Composed by Anonymous 16th century. Arranged by NJ Original Music. ...
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Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.940748 Composed by Anonymous 16th century. Arranged by NJ Original Music. Children,Folk,Renaissance. Score and parts. 5 pages. NJ Original Music #3456817. Published by NJ Original Music (A0.940748). De Colores is traditional Mexican folk lore song , now arranged for easy piano duet.This song was brought over to the new world in the 16th century. Today it frequently appears in collections of children's songs, and is associated with the Farm Workers Union.
$7.99 ≈
¥56.17
Cockles And Mussels (Molly Malone)
Cockles And Mussels (Molly Malone)
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Brass Quintet: other combinaisons
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BEGINNER
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Folkloric/Traditional
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John Lizamore Venter
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Edmund Forman (Arranger) Peet
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Cockles And Mussels
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Peet du Toit
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Tuba - Level 1 - Digital Download SKU: A0.1377777 Composed by John Lizamore Venter. Arranged by Edmund Forman (Arrange...
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Brass Quintet Euphonium,Flugelhorn,Tuba - Level 1 - Digital Download SKU: A0.1377777 Composed by John Lizamore Venter. Arranged by Edmund Forman (Arranger) Peet du Toit (Orchestrator). Folk. 7 pages. Peet du Toit #962372. Published by Peet du Toit (A0.1377777). Molly Malone (also known as Cockles and Mussels or In Dublin's Fair City) is a popular song set in Dublin, Ireland, which has become its unofficial anthem.The Molly Malone statue in Grafton Street was unveiled by then Lord Mayor of Dublin, Alderman Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day. The statue was presented to the city by Jury's Hotel Group to mark the Millennium.On 18 July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work to be completed at the old location.The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and part-time sex-worker by night. In contrast she has also been portrayed as one of the few chaste female street-hawkers of her day.There is no evidence that the song is based on a real woman, of the 17th century or any other time. The name Molly originated as a familiar version of the names Mary and Margaret. While many such Molly Malones were born in Dublin over the centuries, no evidence connects any of them to the events in the song. Nevertheless, the Dublin Millennium Commission in 1988 endorsed claims made for a Mary Malone who died on 13 June 1699, and proclaimed 13 June to be Molly Malone Day.A variant, Cockles and Mussels, with some different lyrics, appeared in Students' Songs: Comprising the Newest and Most Popular College Songs As Now Sung at Harvard, Yale, Columbia, ... Union, etc in 1884.
$13.00 ≈
¥91.39
This Woman's Work
This Woman's Work
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Maxwell
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a do Ray me flute studio pro
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This Woman's Work
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874263 By Maxwell. By Kate Bush. Arranged by a do Ray me flute studio production, Ray-Michael...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874263 By Maxwell. By Kate Bush. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Contemporary. Octavo. 37 pages. As do Ray meflute studio production #6069725. Published by as do Ray meflute studio production (A0.874263). This Woman's Work by Kate Bush arranged for flute choir /ensemble.I started a new line of flute arrangements called Compositions that Care. With these arrangements, all the money sued to purchase these arrangements goes to special charity or cause . This specific arrangement is for Breast Cancer . This is something that 1 in 8 women will develop in their lifetime, and is special to me because I've had family members, friends and co-workers effected by this cancer. Generally speaking, for October, I would arrange so fun or scary Halloween song, however, October is Breast Cancer Awareness. I could not think of anything better to do than a beautiful arrangement , to raise money and awareness for Breast Cancer. This well written, beautiful song by Kate Bush would make a great addition to your music library, something very different and memorable not only for a general audience , but especially for an event celebrating Women , for a breast cancer survivor, for friends and family also effected by this cancer , or a movie or tv themed concert because this song was featured in the movie in She's having a Baby :, to tv shows like Alias and recently in The Hand Maids Tale . This is something very different , beautiful, and easy to derive emotional expression from, and for many this song as well as this cause will be very meaningful for many people.https://youtu.be/ZWbpjVLCyzI Please visit me on the web @ doRaymeflute.com
$15.99 ≈
¥112.41
Where then could pain find a hold?
Where then could pain find a hold?
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Choral SATB
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INTERMEDIATE
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David Rain
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David Rain
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Where then could pain find a h
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.953436 By David Rain. By David Rain. Arranged by David Rain. A Cappella,Classical,Contemp...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.953436 By David Rain. By David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary. 9 pages. David Rain, Choral Composer #559175. Published by David Rain, Choral Composer (A0.953436). Where then could pain find a hold? is a musical plea for reconciliation addressed to those (individuals, groups, nations) who find themselves in conflict. I have dedicated this song to health care workers and other courageous COVID-19 workers around the world. THANK YOU! I would like to acknowledge pianist Fred Hersch whose magical playing of Billy Joel's And so it goes in the middle of an Ottawa winter inspired me to start working on this piece.
$2.00 ≈
¥14.06
Wellerman
Wellerman
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Nathan Evans
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Joel Jacklich (A
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Wellerman
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nath...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
$12.99 ≈
¥91.32
Élégie
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
¥27.77
Waltzing Matilda - Concert Band with SATB Choir
Waltzing Matilda - Concert Band with SATB Choir
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Folkloric/Traditional
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Traditional
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Brendan Elliget
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Waltzing Matilda - Concert Ban
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BJE Music
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.750721 Composed by Traditional. Arranged by Brendan Elliget. Folk. Score and parts. 68 pages. B...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.750721 Composed by Traditional. Arranged by Brendan Elliget. Folk. Score and parts. 68 pages. BJE Music #3521159. Published by BJE Music (A0.750721). Waltzing Matilda is Australia’s most widely known folk song, and one that has been popularly suggested as a potential national anthem.The song narrates the story of an itinerant worker (swagman) making a drink of tea at a bush camp (billy) and stealing a sheep (jumbuck) to eat. When the sheep’s owner (squatter) arrives with three police officers (troopers) to arrest the worker, he drowns himself in a small lake (billabong) and goes on to haunt the site.The tune is most probably based on the traditional Scottish song Thou Bonnie Wood Of Craigielea.The original lyrics were written in 1895 by the poet and nationalist Banjo Paterson, and it was first published as sheet music in 1903.This is a straightforward but useful arrangement for concert band and SATB Choir. It can be used as an accompaniment to the singing of the traditional words with an extra chorus and the key change or played as an instrumental.An optional Piano Part (with Vocal Lead and Chords) and an SATB Choir part are included with the PDF.If you want additional parts eg Horns in Eb or Trombones in TC, just email me. [Score updated 18-05-2018]The MP3 was recorded with NotePerformer. Grade = 3 Duration = 3 mins Key: Eb Major to F Major (Last verse)Suitable for a school or community Group.
$30.00 ≈
¥210.90
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