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Where The Boys Are
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51
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
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I'm Going to Follow the Boys. Novelty Song
I'm Going to Follow the Boys. Novelty Song
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Piano, Voice
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James V
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I'm Going to Follow the Boys.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.23947 Composed by James V. Monaco. Portraits, Courtship, Love, Nurses, World War I. Lester S. Levy Collection....
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Piano and voice - Digital Download SKU: LV.23947 Composed by James V. Monaco. Portraits, Courtship, Love, Nurses, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23947). I'm Going to Follow the Boys. Novelty Song. Words by Howard Rogers. Music by James V. Monaco. Published 1917 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Nurses, World War I. First line reads I've always had a lot of boys around me, wherever boys were, that's the place you found me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
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Tarantella for the Boys, Op. 24
Tarantella for the Boys, Op. 24
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Piano solo
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ADVANCED
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Tyler J
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Tarantella for the Boys, Op. 2
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TJHoltMusic
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1021631 Composed by Tyler J. Holt. 20th Century,Concert,Contemporary,Standards. Score. 14 pages. TJHoltMu...
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Piano Solo - Level 5 - Digital Download SKU: A0.1021631 Composed by Tyler J. Holt. 20th Century,Concert,Contemporary,Standards. Score. 14 pages. TJHoltMusic #6138231. Published by TJHoltMusic (A0.1021631). Tarantella for the Boys, Op. 24 was written for solo piano and is dedicated to my nephews Braxton, Brayden, and Bryson. The overall mood is reminiscent of their energetic personalities with exception of the Bryson, the youngest nephew, who is under a year old at the time of composing this piece; the others are 2 and 4 years old respectively. The form of this piece is a rondo and one motive represents each of the boys with each motive becoming a little more subdued. On the other hand, the initial motive is the conglomerate of all three of their personalities, which returns often throughout the piece. At the end of the piece, the energy reaches a point where it is almost out of control, even clumsy, and ends with my middle nephew Brayden face-planting on the ground due to his clumsiness.Composed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
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By The River - May Morning. Instrumental piece for Piano and 2 Violins
By The River - May Morning. Instrumental piece for Piano and 2 Violins
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The River - May Morning Th
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Judy Lane
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By The River - May Morning. In
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Judy Lane Music
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SheetMusicPlus
Piano Trio,String Ensemble Violin - Level 3 - Digital Download SKU: A0.915903 Composed by Judy Lane. Concert,Contemporary. Score and parts. 7 pages. Judy...
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Piano Trio,String Ensemble Violin - Level 3 - Digital Download SKU: A0.915903 Composed by Judy Lane. Concert,Contemporary. Score and parts. 7 pages. Judy Lane Music #6461563. Published by Judy Lane Music (A0.915903). By The River - May Morning This is an instrumental piece for Piano and 2 Violins and is a sequel to 'The Willow Tree' also by Judy Lane. The reborn willow tree arrives on a river bank in Oxford and experiences all the special celebrations that May Morning brings: The choir, the bells, the singing and the folk dancing. Approximately 4 minutes and a delightful piece to play.Goodness me! Where am I now? The sun is just rising and there is a slight mist in the air. I must be by a river. There are strange boats floating by, propelled by long poles. All on board are laughing, drinking and singing at the tops of their voices. I see a tall tower and on the top are small boys dressed in strange white dresses. They are singing wonderful songs. .Now bells are ringing and I hear cheering and music that keeps going all day long until tiredness slowly brings the fun to an end. The moon is rising and the world sleeps again. .I like my new home. Goodnight!
$5.99 ≈
¥42.61
His Memory
His Memory
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #8...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00 ≈
¥170.71
Where The Boys Are
Where The Boys Are
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Piano, Voice
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Jazz
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Tunescribers
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Where The Boys Are
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Tunescribers LLC
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1407462 Arranged by Tunescribers. Jazz. Score. 5 pages. Tunescribers LLC #73463. Published by Tunescribers L...
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Piano,Vocal,Voice - Digital Download SKU: A0.1407462 Arranged by Tunescribers. Jazz. Score. 5 pages. Tunescribers LLC #73463. Published by Tunescribers LLC (A0.1407462).
$9.95 ≈
¥70.77
Where The Boys Are
Where The Boys Are
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Choral SSAA
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INTERMEDIATE
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Connie Francis
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Elaine Gain
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Where The Boys Are
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Brent Graham
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1371918 By Connie Francis. By Howard Greenfield and Neil Sedaka. Arranged by Elaine Gain....
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1371918 By Connie Francis. By Howard Greenfield and Neil Sedaka. Arranged by Elaine Gain. A Cappella,Barbershop. 4 pages. Brent Graham #956111. Published by Brent Graham (A0.1371918). This arrangement of a wonderful, sultry song by Connie Francis is appropriate for Barbershop harmony contests.
$1.99 ≈
¥14.15
Where The Boys Are
Where The Boys Are
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C Instruments
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Broadway
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Connie Francis
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Where The Boys Are
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument - Digital Download SKU: HX.396645 By Connie Francis. This edition: scorch. Broadway. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Dig...
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C Instrument - Digital Download SKU: HX.396645 By Connie Francis. This edition: scorch. Broadway. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #931980. Published by Hal Leonard - Digital (HX.396645).
$3.99 ≈
¥28.38
Where The Boys Are
Where The Boys Are
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Easy Piano
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Connie Francis
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Where The Boys Are
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.451009 By Connie Francis. This edition: Interactive Download. Pop,Rock,Standards. Easy Piano. 3 pages. Published by Hal Leon...
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Interactive Download SKU: HX.451009 By Connie Francis. This edition: Interactive Download. Pop,Rock,Standards. Easy Piano. 3 pages. Published by Hal Leonard - Digital (HX.451009).
$3.99 ≈
¥28.38
Show Me The Meaning Of Being Lonely
Show Me The Meaning Of Being Lonely
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Choral SATB
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INTERMEDIATE/ADVANCED
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The Backstreet Boys
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Bart E
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Show Me The Meaning Of Being L
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Bart E.B. Martens
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.977720 By The Backstreet Boys. By Herbert Crichlow and Martin Sandberg. Arranged by Bart E.B. Ma...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.977720 By The Backstreet Boys. By Herbert Crichlow and Martin Sandberg. Arranged by Bart E.B. Martens. A Cappella,Dance,Pop. Octavo. 24 pages. Bart E.B. Martens #4795871. Published by Bart E.B. Martens (A0.977720). This song was a worldwide hit in 2000 performed by the Backstreet Boys. This arrangement is for mixed a capella pop choir. The voices are soprano, alto, tenor, bass and voice percussion. The structure of the arrangement (key, tempo, duration, structure) is exactly like the hit. Variant arrangements can be made on request. I hope you enjoy singing this, and I would love to hear from you when and where your choir performs this! - Bart E.B. Martens bartm@knars.be
$1.99 ≈
¥14.15
Festival
Festival
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00 ≈
¥391.22
The Despicable Pirate King - Piano Accompaniment Track
The Despicable Pirate King - Piano Accompaniment Track
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Piano Accompaniment
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Carol Troutman Wiggins
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The Despicable Pirate King - P
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - Digital Download SKU: A0.1065407 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 170. Carol T...
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Choir,Piano - Digital Download SKU: A0.1065407 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 170. Carol Troutman Wiggins #3049159. Published by Carol Troutman Wiggins (A0.1065407). The Despicable Pirate King - Piano Accompaniment TrackUnison/2-Part Mixed Chorus w/Optional Bass DrumThis despicable pirate king is not very nice!Great for advanced upper elementary & middle school singersBoys LOVE singing this song (and girls do, too!)Spoken or shouted Yo-ho's and a few other verbal cues are included in the score in rhythmic notationComfortable singing range for both partsKey of E minorBass drum (or other drum) may be played on the Yo-ho'sChords included for additional instrumentsLyrics a re a little wordy, but is great for practicing diction and where to breathe in a songThis song presents the perfect opportunity to learn the definitions of the words used in the songA vocabulary list is included on the last page of the scorePiano Accompaniment Track is included on this site.
$5.99 ≈
¥42.61
The Despicable Pirate King
The Despicable Pirate King
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Choral 2-part
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EASY
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Carol Troutman Wiggins
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The Despicable Pirate King
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.727196 Composed by Carol Troutman Wiggins. Children,Contemporary,Folk,Instructional,Multicultu...
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.727196 Composed by Carol Troutman Wiggins. Children,Contemporary,Folk,Instructional,Multicultural,World. Octavo. 13 pages. Carol Troutman Wiggins #3049157. Published by Carol Troutman Wiggins (A0.727196). The Despicable Pirate KingUnison/2-Part Mixed Chorus w/Optional Bass DrumThis despicable pirate king is not very nice!Great for advanced upper elementary & middle school singersBoys LOVE singing this song (and girls do, too!)Spoken or shouted Yo-ho's and a few other verbal cues are included in the score in rhythmic notationComfortable singing range for both partsKey of E minorBass drum (or other drum) may be played on the Yo-ho'sChords included for additional instrumentsLyrics a re a little wordy, but is great for practicing diction and where to breathe in a songThis song presents the perfect opportunity to learn the definitions of the words used in the songA vocabulary list is included on the last page of the scorePiano Accompaniment Track is included on this site.
$2.50 ≈
¥17.78
Somewhere (2-part or 3-part choir and piano)
Somewhere (2-part or 3-part choir and piano)
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Choral 3-part
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BEGINNER
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Anthony Giamanco
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Somewhere
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - Digital Download SKU: A0.773893 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 8 pages. ...
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Choral Choir (SAB) - Level 1 - Digital Download SKU: A0.773893 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 8 pages. Whole Tone Press #6055893. Published by Whole Tone Press (A0.773893). A beautiful, inspiring work, ideal for middle school/high school choirs. It may be performed by either 2-part treble voices only or by adding the 3rd part, well-suited to boys' changing voices.This piece is included in my collection, Songs without Words, available at my Sheet Music Plus publisher pageAnthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com, https://www.anthonygiamanco.com,on SoundCloud (https://soundcloud.com/tony-giamanco),and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg)Contact info:tony@shalomlife.org.
$2.10 ≈
¥14.94
Where the Boys Are [Excerpt] from Where the Boys Are - Piano/Vocal/Chords
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Piano, Vocal and Guitar
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Where the Boys Are [Excerpt] f
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Musicnotes
Performed by: Connie Francis: Where the Boys Are [Excerpt] - featured in the Motion Picture Where the Boys Are Digital Sheetmusic - instantly downloadable sheet...
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Performed by: Connie Francis: Where the Boys Are [Excerpt] - featured in the Motion Picture Where the Boys Are Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 1 pages -- Soundtrack~~Movie/TV~~Vocal Pop~~Traditional Pop
$3.99 ≈
¥28.38
Where the Boys Are from Where the Boys Are - Easy Piano
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Easy Piano
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EASY
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Where the Boys Are from Where
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Musicnotes
Performed by: Connie Francis: Where the Boys Are - Featured in the Motion Picture WHERE THE BOYS ARE Digital Sheetmusic - instantly downloadable sheet music plu...
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Performed by: Connie Francis: Where the Boys Are - Featured in the Motion Picture WHERE THE BOYS ARE Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 4 pages -- Vocal Pop~~Soundtrack~~Movie/TV~~Traditional Pop~~Easy Listening
$5.50 ≈
¥39.12
You Are So Beautiful
You Are So Beautiful
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Joe Cocker
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Kevin Riley
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You Are So Beautiful
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Kevin Riley
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SheetMusicPlus
Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Ri...
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Small Ensemble,Strings Alto Saxophone - Level 4 - Digital Download SKU: A0.1043322 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #648012. Published by Kevin Riley (A0.1043322). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974. It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1), and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis. Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads.
$30.00 ≈
¥213.39
You Are So Beautiful
You Are So Beautiful
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Joe Cocker
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Kevin Riley
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You Are So Beautiful
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Kevin Riley
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SheetMusicPlus
Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th ...
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Small Ensemble,Strings Oboe - Level 4 - Digital Download SKU: A0.1043310 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 8 pages. Kevin Riley #647999. Published by Kevin Riley (A0.1043310). You Are So Beautiful is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, The Kids & Me. It was also the B-side of his single Struttin'. Later that same year, English singer Joe Cocker released a slower version of the song on his album I Can Stand a Little Rain. Cocker's version was produced by Jim Price, and released as a single in November 1974.It became Cocker's highest charting solo hit, peaking at number five on the United States' Billboard Hot 100 (Cocker's biggest hit on the pop chart was Up Where We Belong, a duet with Jennifer Warnes from the 1982 film An Officer And A Gentleman, which reached number 1) and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis.Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler and Brian Kennedy are also among the artists who have covered You Are So Beautiful. The song has also been featured in numerous movies, television shows, and ads. This version is for String Quartet and Oboe.
$30.00 ≈
¥213.39
Where the Boys Are by Howard Greenfield - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Howard Greenfield
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Where the Boys Are
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Musicnotes
Performed by: Connie Francis: Where the Boys Are - featured in the Motion Picture Where the Boys Are Digital Sheetmusic - instantly downloadable sheet music plu...
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Performed by: Connie Francis: Where the Boys Are - featured in the Motion Picture Where the Boys Are Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Vocal Pop~~Movie/TV~~Pop Rock~~Soundtrack~~Teen Idol
$5.50 ≈
¥39.12
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Where The Boys Are
